Posts Tagged ‘Tokyo’
Akihabara Geeks Streaming
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Akihabara Geeks Streaming.
Movie Title: Akihabara Geeks Akihabara Geeks is available for streaming or downloading. |
Akihabara Geeks is a short documentary film that takes a discover at a day in the life of a few inhabitants of the neighborhood in Tokyo known as “Electric Town” which is the center of life for a lot of electronics, anime, and manga enthusiasts, which the narrator describes as “geeks and fanatics”. The film alternates between 4 or 5 different Akibans with different interests and lifestyles. We follow one otaku who is obsessed with cute anime girls and plasters the walls of his limited room with their posters and merchandise. He spends so mighty on his “hobby” that his average amount of money available for food each day is about five dollars! You might reflect this guy is strange or disturbing but later on in the film, his obsession is explained and you are able to understand him a bit better. For people keen in computers and videogames, Akihabara focuses on one man who is trying to gain the world’s fastest computer processor, called “overclocking”. Then there is a exciting scrutinize at how some people execute computer games independently of any tall company and are able to sale around 100,000 copies and do quite well for themselves. Interviews with an employee of a maid cafe who is also a fulltime law student gives insight into why some women work in such places. Lastly, we are introduced to an older man who gave up his situation in a vast corporation to hurry his family’s shrimp electronics storefront in Akihabara. It’s so minute that he has to actually Dawdle into the booth!
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This dvd was very delightful to me, because there are not that many dvds that give real-life tours of places of interest to people like me that are alive to in the anime and manga sides of Japan and Tokyo. One thing I did not like about this point to was that the narrator constantly refers to its subjects as “geeks and fanatics”, which on the one hand makes me visualize nerds, and on the other, Islamic fundamentalists. It seems a exact insult for the writers to discover down upon the very people they investigating. After finishing the film, I didn’t reflect any of the people in it were very different than you and me. Even the guy that was twisted on anime girls had his contain very personal reasons for his passion, related to a dusky period in his past. The maid girl too, joined the maid cafe because when she first got to Tokyo, it was a plot where she felt comfortable and delighted, so she wanted to disclose that feeling to others. In the ruin, I consider all of the Akibans shown were fair passionate about what they are alive to in, whether its computers, videogames, anime, serving others, or running a family business. Another complaint I have about his dvd was that it was too short, running about 45 minutes. I wanted to ogle more of the town and would have enjoyed more time in the anime and manga stores. If you are an otaku, or honest alive to in Japan, you should like this.
And its not honest about pop culture, it brings you along on a brief day-in-the life tour of shop owners, workers, anime enthuiasts, and game designers.
Well, you glean a gawk at the lives of about 4 people actually. But its allmost like a japanese reality tv program, but i guess it is powerful more fitting to call it a documentary.
It has pleasurable humor, i must say. I laughed out a loud at many parts.
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Its even kinda touching in ways, becouse we gaze that stuff like anime, for instance, has such a strong influence on one young man’s life.
Also, the dedicated shop owner of a electronic parts store was keen.
We also view a designer of a very approved online game in japan.
And theres a man who builds computers and trys to top and smash his processing run portray. Which the documentary claims holds the narrate for fasted computer built.
Plus, we gain to meet a girl who dresses up in costumers at a resturant, who conventional to be very alarmed and not many friends, but the job has helped her not be alone anymore.
Its a fun dvd, and sorta kinda captivating in a diagram, to recognize the lives of people in japan who accept meaning and worth in life through what theyve near to admire. I didnt ask that at all really.
I expected a hyper active insanly colorfull display on extremly fanatical anime and cosplay people in japan, but it ended up to be so powerful more than that, and has some depth.
I care for finding these movies, becouse i havent gone to japan and i so very noteworthy wish to go, and this is heavenly powerful all i have to glance into a country and a culture ive loved for a long time.
Its 45 minutes long, and though i view that would be too short, it ended up that it seemed to be unprejudiced the proper length. Regardless though, i wish i could search for more of stuff like this. I want another dvd by these people, i wanna ogle more, i would savor a allotment 2.
If you appreciate japanese culture and appreciate the anime lifestyle and dream of someday going to japan or even living there…this is one of the few resources i have seen out there that gave me a observe into anything regarding japanese day to day life…. so if you treasure this stuff…its definatly worth getting.
I want more japanese documentaries like this. I hope AnimeWorks plans more volumes of this.
Lastly, i mediate people who have ever found inspiration or influence through anime, through out life, will portray to this dvd. And dont forget, its laughable aswell. So, have fun watching it. Its a dinky fancy.
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Lost in Translation Review.
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Lost in Translation Review.
Compare & Purchase Lost in Translation at Amazon by clicking here! List Price: —- Amazon Price: $2.99 |
Lost in Translation Description:
- Amazon Sales Rank: #1521 in Movie
- Released on: 2008-09-11
- Rating: R (Restricted)
- Running time: 103 minutes
Customer Reviews:
Lonely Days, Lonely Nights
Bill Murray is Bob Harris, a once popular American actor who now, in his middle-age, has found more acceptance and money from the people of Japan than from his own country. He arrives at a prestigious hotel in Tokyo and is given a royal treatment by his greeters and hosts. He is by himself in the land of the rising sun, his wife and kids having stayed behing in the US while he travels across the globe to do some liquor commercials. This Tokyo excursion will take about a week, and the monetary reward will be quite handsome. Contrast this with Charlotte (Scarlett Johansson), who is at the same hotel tagging along with her photographer husband, John (Giovanni Ribisi), as he does a multiple-day photo shoot. John is at work most of the time, and so Charlotte is by herself at the hotel, her attempts to keep from being bored proving fruitless. Both Bob and Charlotte are married people, but they are also very lonely people, and that is what “Lost In Translation” is all about.
Bob and Charlotte catch glimpses of one another at different places in the hotel, and finally decide to converse in earnest at the hotel bar. The entire plot of the film is about these two people getting to know each other. The story revolves around them. In fact, the story *is* them. Bob, in his early-fifties, is old enough to be Charlotte’s dad, but that doesn’t matter here. It’s not about age. It’s about the place, and the points that each of these people are at in their lives. Bob loves his children very much, but we do not sense he feels the same for his wife. We hear her on the phone when she calls him, and the same weary sentiment seems to flow from her voice. They are becoming a couple in name only. Then there’s Charlotte & John. Both are young, and both are self-possessed. John is into his photography to the point of neglecting Charlotte. But we get the idea that even if gave her more attention, Charlotte might not really warm up to him. She has issues of her own. If Bob is going through a mid-life crisis, then Charlotte seems to be going through a young-life crisis.
“Lost In Translation” is about being alone. Loneliness doesn’t always mean that someone is physically separated from loved ones or from people in general. One can be alone in the middle of a crowded room. Such is the case with Bob & Charlotte. They’re in Japan for a week. They don’t really speak the language. Bob’s wife is in the US, and Charlotte’s husband is always at a photo shoot. The two lost souls find each other at the hotel, spend time with one another, and even sleep in the same bed together. But we know that while this is providing a small comfort for the time being, it is not a lasting solution to their problems. And we also understand that both Bob and Charlotte — even if Bob’s wife were in Tokyo with him, and John was by Charlotte’s side all the time — would still be lonely. Their life struggles lie deeper than what one person can provide, especially the persons they have chosen to settle down with.
This is probably Bill Murray’s most understated performance, and it works brilliantly. He lets you in on Bob’s emotions without betraying too much sentimentality. He conveys so much with just a smile, a frown, his body language, or simply the look in his eyes. He should get an Oscar nomination for this. Scarlett Johansson, who left me unimpressed in the movie “Ghost World” a few years ago, is excellent in her role here. She portrays Charlotte as a deep, troubled, yet intelligent young woman and, like her co-star, does it without overstating it. She spends much of her screen time walking around a hotel room in her pink panties, and does it so simply and matter-of-factly that it becomes both vulnerable and sexy at the same time. Johansson is definitely an actress to watch for in the coming years.
Sofia Coppola has succeeded in creating a sliver of time & place with “Lost In Translation”. It creates two of the most realistic characters to ever grace the cinema. You forget this is a movie, and start to really care for these people as though they really exist. And you get the feeling that this is a single, solitary moment that will be over with and then fondly remembered by the characters for a long time to come. This sweeps over you before the film is even over, much like when you are in the middle of a special occurence or event in your own life, and you stop and think about the fact that at one point – very soon – it will cease to be the present, and will instead become only a nostalgic memory.
And there you have “Lost In Translation”
A classic for grown-ups
This movie is slow paced. However I didn’t find it boring at all. I loved the scenery and the small glimpses into everyday Japanese life, all meshed together with this love story of two people brought together by loneliness and uncertainty, with a musical soundtrack that brings out the best in all of it.
After watching this film, the first thing that sprang to my mind was that I’m so glad I don’t rely on Amazon reviewers to make a decision about whether I am going to see a film or not. That’s almost as dumb as asking a fifteen year old to sit through it and not go crazy or pass out. This film is too mature, dealing with grown-up questions, situations and problems that the kiddies here have yet to grasp.
Bill Murray’s character is going through a midlife crisis; Scarlet Johansen’s is tormented that she cannot seem to discover her purpose in life. Both are trapped in a place where they know no one, and understand nothing. They gravitate to one another and fall into a kind of love that is very unique, but also not at all uncommon under the circumstances. They don’t pursue it physically, because they live in a real world with real consequences and have to respect the promises they made to people they both still love.
No kid fresh out of tenth grade will ever be able to comprehend these emotions… no wonder most of these reviews are from people who were bored stiff. “No sex? No violence? This movie SUCKS”, seems to be the way it works with these Amazon reviews.
Too bad. Maybe when they all grow up they’ll get it. I recommend this movie to grown ups who like minimalist dramas and romantic comedies. If you’re expecting a samurai to jump out with a sword, pass this movie up. This film is about human emotions.
Marvelous – subtle, moving; one of the great films of 2003
I saw Translation for the first time and liked it, but didn’t really know what they saw in the movie that was so beyond-belief spectacular. But alas, I believe that every movie deserves a second chance, so recently I sat down and experienced director Sophia Coppola’s Lost In Translation again.
Lost in Translation tells the story of Bob Harris (Bill Murray in a role tailor-made, if not even Heaven-sent for him), an American movie star that comes to Tokyo to film a whiskey commerical for which he will be paid 2 million bucks. Staying in the same Tokyo hotel is Charlotte (Scarlett Johanssen, radiant and mature at only 18), a newlywed tagging along with her rock photographer husband, John (a typically awkward Giovanni Ribisi). Along the way, Charlotte and Bob run into each other and begin a ‘brief encounter’ that profoundly affects them both.
When the movie hits you right, it’s a pure pleasure from its unassuming start (a beautifully lit shot up Johanssen’s underwear-clothed behind) to its ambiguous but meaningful ending. It begins as a comedy of culture clash, Harris sarcastic and confused at the Japanese when entering his hotel, and even more befuddled in a hilarious scene where he shoots the whiskey commercial. Coppola delivers Bob into her movie with the impression that it’ll be all about him, but Charlotte enters the story, and we’re never quite the same. Scarlett Johanssen plays Charlotte with just the right amount of emotion that her initially morose and soul-searching character doesn’t seem silly. At one point, she tearfully admits over the phone, “I don’t know who I married.” Bob, on the other hand, seems to have it made, but Murray lets a current of loneliness run across that memorable face. He gets comical faxes from his wife about bookshelves and carpet samples, but he gives off the impression that he’s come to the point where he doesn’t even care anymore. Bob is certainly alone for a time in Tokyo, but Murray alludes that things at home aren’t too hot either.
For the first third of the movie, director Coppola displays her first brave choice in filmmaking by keeping Bob and Charlotte apart. Upon my first viewing of Translation, I wasn’t convinced of Coppola’s choice to keep the movie so predominantly low-key, but I’ve realized that there’s a reason for it. The movie sustains this amazing vibe that doesn’t stunt its progress, but propels it with a driving fluidity. A few times, though, Bob and Charlotte do see each other without officially meeting. One time in particular occurs in a crowded elevator – the two glance at each other, faintly smile, and possibility is born. The first section of the film doesn’t just serve to show its two characters completely apart – it makes you think of how many life-changing connections you’ve missed in the past by just being passive and solitary.
The two meet and begin voyages out into the hustle and bustle of Tokyo, and the film takes on a perspective that differs from its earlier view. Before, we saw Bob Harris and Charlotte, respectively, at their most private and vulnerable. While out on the town, the film seems to sit back and just let them have fun. Thank God, for Bill Murray’s rousing rendition of Elvis Costello’s “(What’s So Funny ‘Bout) Peace, Love, and Understanding” is a blast. During this time, it seems that Bob and Charlotte have forgotten their insomnia and loneliness, but it’s not gone forever. Even during their night on the town, we see moments where they sit silently, pensive and confused. The movie is a comedy in some sense, but it escalates into a pervading tragic feel. At one point, Charlotte says to Bob: “Let’s never come back here again, because it will never be as much fun.” They had fun, but only in the sense of putting off more loneliness.
It takes a while, but the motivations of each character become fully-realized in a marvelous scene where Bob and Charlottelay fully-clothed in bed together. Here, they handle the ‘big’ questions in life, and not “Where did you go to college?” or “What did you want to be when you were little?” but “What is my purpose?” and “Does marraige get easier?” I was amazed at the honesty of the character’s responses. Bob relates to Charlotte the experience of having children and the ongoing struggles of marraige, but a tinge of fear and apprehension runs through his speech. Charlotte hasn’t really figured things out for herself yet – she says she’s tried just about everything but hasn’t found that niche. Coppola’s screenplay makes the statement that both are in the same exact emotional limbo. Charlotte is confused and worried, but Bob is regretful and washed-up. In a way, these two are some form of deeply odd soul-mates. That is the heart and soul of Coppola’s amazing work.
Translation has great comedic flair with Murray’s wonderful work, but it’s also perhaps one of the saddest and most moving films I’ve seen in a long time. It’s some form of a romance, too, but it’s not about when they’ll kiss or when they’ll hit the sheets. It also has that Affair to Remember vibe too, where the journey of two souls that find comfort will eventually have to come to an end. Its end, though, defies classification, as does the rest of the film. Coppola simply lets her two amazing leads do the work. When the film does arrive at its final, ambiguous moment, it all just seems perfect. The catchy Japan-pop soundtrack that runs brilliantly throughout the film begins to play, and I find myself with a huge regret: that I won’t be able to savor the subtle chemistry of Bob and Charlotte, and that a flat-out masterpiece in American film is at its end.
The Wackness Movie Streaming
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The Wackness Movie Streaming.
Movie Title: The Wackness The Wackness is available for streaming or downloading. |
What an extraordinary film. Director Jonathan Levine’s attention to detail in making positive that every aspect of the film looks and feels like the 90′s really adds to the feel of the film. All of the actors work really well especially Sir Ben Kingsley and Josh Peck, who has a breakout performance in this film, showing that he’s got a future in this business. With laughable dialogue, nicely shot cinematography, and backed by an fabulous soundtrack, The Wackness is definitely a film to gaze this summer if you loved the 90′s.
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The award winning film (Sundance Audience Award) “The Wackness” is now out on DVD and it’s definitely one of the coolest and more superior coming-of-age films to approach out in a long while and a DVD with features that embraces that non-traditional style courtesy of writer/director Josh Levine.
“The Wackness” stars famed legendary award winning actor Ben Kingsley and “Drake & Josh” actor Josh Peck who appears to have shed his young teen Nickelodeon image for the character of 18-year-old Luke Shapiro. Both playing roles so different from what we have seen of them and both delivering an exceptional performance.
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The year is 1994, A high school teenager in Modern York who doesn’t have any friends but spends his time selling marijuana using his disguise as a person who sells ice in the park, while saving up all his money.
But all is not wintry in the life of Luke, his parents are having some financial problems and in effort of being evicted, his mind is on getting laid and losing his virginity and the only person he can communicate his emotions to is one of his clients, Dr. Jeffrey Squires (Ben Kingsley) . He wants some anti-depressants but Squires tells him to embrace his damage and more or less, he needs to procure a girlfriend and salvage laid.
Dr. Squires is not exactly a role model for Josh. He’s a product of the 60′s, loves doing cocaine and marijuana and somehow, is able to connect with Luke and provides him professional advice for drugs. But like Luke, his life is not at all going that spacious. His relationship with his wife Kristin is not at all going so astronomical and all they have is their memories of sex and doing drugs. Meanwhile, he notices that his step-daughter Stephanie (Olivia Thirlby, “Juno”) is getting closer to Luke. But realizes that it’s not like that she has for Luke, it’s unbiased a sexual prance.
Luke doesn’t have mighty experience with people, fancy and thus he discovers himself while hanging out with Stephanie. Dr. Squires as a father doesn’t want his stepdaughter to be around a drug dealer but at the same time, as his psychiatrist, he doesn’t feel that Stephanie is top-notch for Luke. But after their passionate time together, he develops feelings for Stephanie so strong that when he says the words of “I Fancy You” to her, Stephanie realizes that this scurry has gone so far and ends their romantic chase and all communication with Luke. Around that same time, Dr. Squires wife Kristin decides to leave her husband.
Both men are obviously heartbroken but somehow, they come by comfort in talking with each other and thus Luke and Dr. Squires accomplish a friendship that would interestingly introduce Dr. Squires to Luke’s world and for Luke, getting the needed therapy from his shrink. So, the account fair grand focuses on a young man (Luke) who is guided by an older man (Dr. Squires) but then the myth starts to shift of the younger guy guiding an older man.
VIDEO & AUDIO:
The film is featured in anamorphic widescreen ala 2:35:1 ratio. The film is shot in different parts of Tokyo but oviously scenes such as the Twin Towers had to be establish into the film. When you do a period part, especially if it’s 1994, with a busy city like Unique York, unless you have a tremendous budget, you got create do what with what you have. And thus a lot of the scenes are shot indoors but you do have some outdoor scenes with Luke and Stephanie at the beach or areas where Luke is dealing drugs.
As for audio, you pick up a English and French 5.1 Dolby Digital track and the film is primarily a dialogue driven film. But audio-wise, what makes this film shine is the fact that it’s 1994 and the venerable school songs, especially the hip-hop songs of that time are what comes blaring out your speakers. Bass and all courtesy of artists such as Celebrated B.I.G., a Tribe Called Quest, KRS-One, Nas, Biz Markie, etc.
SPECIAL FEATURES:
The DVD shines in its amount of special features offered. Included are:
* Commentary with Director Jonathan Levine and Actor Josh Peck – A very casual and frosty commentary and you learn necessary tidbits about the film. From Ben Kingsley giving advice to Josh, having to work with Mary-Kate in the amount of hours they had to work with her and how hard it was for Josh Peck to do his lovemaking scene with Olivia Thirlby. Levine and Peck have chilly and fun commentary talking about blunts, the music, it’s typically a commentary that is like hanging out with friends. Especially at the ruin when they talk about hanging out after the commentary and playing XBOX 360, you don’t hear that on director’s commentary, so it’s all capable.
* Keeping it Real: A Day in the Life of Writer/Director Jonathan Levine – For this eight itsy-bitsy feature, Jonathan Levine is traveling around the country and London to promote “The Wackness” at film festivals and interviews at radio stations. Jonathan is joined by the cast and his girlfriend, production designer Annie Spitz and his brother and his girlfriend.
* Time in a Bottle: Late the Scenes of The Wackness – An 18-minute featurette featuring behind-the-scenes on the making of the film. Levine explains that the film is not 100% autobiographical and a screenplay that was based on an understanding he had during filmschool. Also, featuring Levine’s staff and how they were able to glean that 1994 setting.
* The Luke Shapiro Explain Episode 1 & 2 – These are five cramped short episodes that were created for cable access featuring Luke Shapiro and his doorman Miguel. The first featuring Luke, Miguel (on keyboards) and his natty Tony. The second featuring Luke, Miguel (on keyboards) and a dancer.
* Deleted Scenes – This scene features four deleted/extended scenes from the film. The total amount of deleted scenes is about five minutes long featuring “Luke Works in Cap and Gown”, “Extended Squires Vacation”, “Squires in Stephanie’s Room” and “Dad’s Walkman Blueprint”.
* The Wackness Trailers – Featuring all five theatrical and teaser trailers
I have to say that “The Wackness” is a ravishing frigid coming-of-age film and yes, there have been many of these type of movies but a definitely, recent film. Having the film area in 1994, having the main character as a drug dealer, having his psychiatrist as one of his clients and also a hardcore drug user and objective how everything unprejudiced comes together is quite delightful.
But the performances by Ben Kingsley and Josh Peck was well done. Two roles by talents that I would never seek coming. Ben Kingsley in so many serious roles in “Ghandi”, “Schindler’s List”, “Rules of Engagement” to name a few and then Josh Peck who stars in the Nickelodeon teen exhibit “Drake & Josh”, these two taking on roles so different and to watch them drinking alcohol and doing/dealing drugs, definitely it’s quite a bit of a surprise. But the unusual thing is that these two talents had enormous chemistry and everything worked out quite well.
And there are also a top-notch number of talent in this film. Olivia Thirlby did a grand job as Squire’s daughter Stephanie and Luke’s appreciate interest. Did a titanic job playing a sexual teen and then you have Mary-Kate Olsen as a pothead who honest makes out with Ben Kingsley. Famke Janssen as Dr. Squires sexy wife, Plan Man playing the character “Percy” as Luke’s supplier and considerable more.
There are impartial these exiguous moments in the film, from mannerisms to the petite things that a character does, it really makes this film seem quite realistic and accomplish it all work. Of course, the early 90′s nostalgia and the music plays a tremendous portion in the film. When Luke and Olivia are making fancy, R. Kelly playing on the relate box to Luke playing Zelda on his NES, these shrimp things are what many people who grew up at the time and listened to the music can related to. So, definitely a nice touch!
And the DVD, objective makes you treasure the film even more with chilly commentary, the featurettes and more. It’s not all business-like and professional. You have Levine and Peck quite casual and as I mentioned in the commentary part, it’s like hanging out with a few friends and unprejudiced everyone having a helpful time.
Now granted, perhaps I may be a bit biased having grown up with the pop culture of the 90′s and hearing the songs and the style from those years boosting my appreciation for the film but for an indie film, I have to admit that the overall presentation was quite non-traditional. Again, there are a bunch of “coming-of-age” films out there but this one was really thinking outside of the box and instead of getting a “revenge of the nerd” happy-feel noble storyline, each of these characters have flaws but it’s all about discovering one’s self.
All in all, a solid DVD with a lot of humor, a lot of soul and all out fun!
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Stream Teen Titans – Trouble in Tokyo Online
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Stream Teen Titans – Trouble in Tokyo Online.
Movie Title: Teen Titans – Trouble in Tokyo Teen Titans – Trouble in Tokyo is available for streaming or downloading. Click Here to Stream or Download Teen Titans – Trouble in Tokyo |
I’ve loved everything about the Teen Titans series since episode 1, and I must say, this movie succeeded in living up to what made the explain so delightful to notice. Inconvenience in Tokyo was captivating, comical, and all around a blast to study. It’s especially a must-have if you’re a immense Teen Titans fan!
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I will admit that the dwelling was a bit Robin-heavy, though I catch the feeling that was intended. Despite this, the funny antics of the other Titans (specifically the loveable green joker, Beast Boy) in a unique fresh space perform for a fun-filled adventure of a movie. Starfire and Robin also finally manage to sort through their feelings while in Tokyo; definitely not something to miss, especially if you’ve been a fan of these two.
The music was also beautifully done, and some of the art was especially bright. The characters singing their enjoy mangled version of the theme song in the ending credits was also quite a treat, and left me in stitches by the time it was done playing.
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Overall, an delightful film that’s definitely worth buying. Here’s to hoping that the Titans gain more Direct-to-Videos (or even better- more episodes)!
A direct of relief for all you Titan fans out there, it’s your well-liked superhero team in their very first full-length movie where they all head off to the “Land of the Rising Sun”. (You know, Japan. How appropriate…) Endless sights aside, the Titans are on a mission to locate the enigmatic villain Brushogun and close him once and for all.
I’d detest to do this but, let me negate you the top five things you may or may not know about the DVD movie (This depends on any of you seeing the movie when it made it’s Cartoon Network premiere last September.) :
5. In the “special features”, amidst the bonus mini game: “Robin’s Underworld Challenge”, there’s also supposed to be the Titans’ “Lost Episode” that was originally released online from Post cereals. I’m anxious to witness that because it features a brand-new villain named Punk Rocket.
4. Some of the secondary characters and villains in the movie sound unprejudiced like Kaz from “Hi Hi Puffy Ami Yumi”. Maybe because it’s the same actor that plays him. This principle goes the same to Numbuh 3′s dad in “Codename: Kids Next Door”.
3. Speaking of which, musical montages abound in this movie, but neither of them is a song by J-pop duo “Puffy Ami Yumi”. Darn.
2. Beast Boy sings a rather “lopsided” version of the “Teen Titans” theme song. Seems to me like a translated version of the Japanese version of the song. Either contrivance, it’s not at all dreadful, especially with the fact that ALL the Titans speak it during the credit roll.
1. We glimpse Robin and Starfire – *GASP* – KISSING?!?! OK… I didn’t inquire of that at first either.
I hope Cartoon Network is planning to rerun the movie again, because I can’t wait that long (the beginning of February?!?!) for the DVD release.
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Pat Metheny Group – Speaking of Now Live Movie Streaming
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Pat Metheny Group – Speaking of Now Live Movie Streaming.
Movie Title: Pat Metheny Group – Speaking of Now Live Pat Metheny Group – Speaking of Now Live is available for streaming or downloading. Click Here to Stream or Download Pat Metheny Group – Speaking of Now Live |
Shame on you guys at amazon…whoever wrote the editorial, anyway. The last sentence, in reference to Metheny’s facial “contortions” depressed me for a couple of months from buying this gem…then, after reading enough stellar “amateur” reviews to the contrary, I picked it up locally. WOW. The last jazz DVD to blow me away like this was Jean-Luc Ponty’s “In Concert”. The production and performance are phenomenal on “Speaking of Now Live”…Ironically, the previous Japan DVD “We Live Here” features far more close-ups of Pat Metheny’s facial expressions than this novel grief. I contemplate a virtuoso guitarist in sheer rapture as his fingers blaze across the fretboard! Pat Metheny’s band, regardless of incarnation, remains the eighth wonder of the original world. This level of musicianship simply beggars description. If you’re pondering whether or not you need “yet another Pat Metheny DVD”, I heartily recommend this extravaganza. There is so noteworthy information coming at you for over two hours that you can’t digest it all at once! WHERE does he accept these players?? During the last number, the percussionist dons a bass and is suddenly flying all over it, simultaneously scat-singing! It’s truly a shame that the average person gets no more exposure to this astonishing music than as elevator music during the Weather Channel’s “Local on the Eights” (!) Check this one out, folks.
Several weeks ago, I posted a review of the PMG’s “We Live Here” DVD and remarked that many of the songs performed live by the group on the DVD were almost indistinguishable from their studio performance on the CD of the same title. The selection of songs on the DVD also closely mirrored those on the CD. With that DVD, the only thing you are really getting is the chance to study the performers (not unprejudiced hear them) . You’re also treated to some short interviews from the band’s members.
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In incompatibility, this DVD is a critical departure from the CD of the same title. Although 7 of the 9 songs from the CD are included here, we’re also treated to 9 other songs. Overall it’s a very different experience from the CD, and for that reason alone I can recommend this DVD. But there are plenty of other reasons as well (particularly the last track) .
As with other PMG live concerts captured on DVD, the audio is outstanding. As on the “We Live Here” DVD, this concert was recorded live in Tokyo and appears to consume essentially the same videography team. The videography was a bit better this time around, but frankly it’s nothing special and it’s the audio rather than video that makes these DVDs worthwhile. My important interest in watching, rather than unbiased listening, was to acquire a better feel for the performers themselves…what they discover like, how they interact with each other and their instruments, and who plays what on various songs.
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One thing I liked about this DVD compared to “We Live Here” was that it captured a feel for the performance better, abandoning the annoyingly abrupt segues and interspersed interviews, and fair letting the music roll exactly as if you were at the concert. It felt more cohesive to me.
PMG newcomers Richard Bona and Cuong Vu are smokin’ here and each brings his gain influences that, while retaining that classic sound we’ve near to query from the PMG, also evolve it into something that reflects their fingerprints as well.
Bona, originally from Cameroon, is a truly gifted performer and were there nothing else worthwhile on the video, I’d detached recommend it fair to watch him. His fretless bass/vocal scat solo on “Song for Bilbao” is phenomenal and an otherwise docile crowd comes alive for it. Second only to Pat himself, Bona is featured numerous times on the video as a spotlight performer. This guy is a major talent. He plays too many instruments to mention here. Suffice to say, they all play a piece in giving a chunky, intricate sound to the group.
As a trumpet player myself, I was particularly impressed with Vu. I remarked elsewhere that his playing reminds me of a minimalist painting – nothing wasted, everything counts. He reminds me of the proverbial “man of few words.” When he speaks, you’re advised to listen…he’s got something to say, something worth hearing. His playing often has a mesmerizing, haunting quality to it – sometimes almost like the midnight keening of a bird over the lake. It’s also a very mellow sound, not unlike a flugelhorn in some ways. And as with previous incarnations of the PMG where the players outside “core” members of the group played a multitude of instruments, Vu adds to the sonic texture of the group with things like the marimba, bells, vocals, and percussion.
Next, let’s talk about the drums. As a Paul Wertico fan, I was not distinct what to ask from Antonio Sanchez. But let’s assign it this way: I was not disappointed. He knows his method around a drum position. Gargantuan time. I enjoyed his playing every bit as distinguished as Wertico. Actually seeing him play, rather than impartial listening, was spellbinding for me. He’s an extremely serious guy. Wertico strikes me as more of a “free spirit” when he plays – having fun, a bit of a wild child. In difference, with Sanchez you glean the impression of somebody at work … almost a Carl’s Jr. “don’t bother me – I’m drumming” vibe eminates from the guy. He takes his craft very, very seriously. And he’s very, very honorable at it. We’re treated to a tasty solo from him on the last track, “Song for Bilbao.” It’s the epitome of what I believe of when I mediate “jazz.”
As usual, Rodby is rock-solid on the bass. When you grasp the time to tune out the rest of the instruments and objective listen to the bass lines, he’s as mighty a driving force in grooving the band as Sanchez. On one of the songs, “Roots of Coincidence,” Rodby uses the bow on the legal bass, rather than the usual plucking – giving a symphonic-like sound to an especially dramatic piece of the allotment.
Lyle Mays as usual is terrific and he solos quite a few times on this DVD. Never known as being a precise inspiring fellow, he does manage to crack a smile or two and lets us know that slack the poker face there lives somebody who really does bask in what he does for a living. I’ve spoke of his talents in my other reviews, and won’t divulge them here. Bottom line: he and Metheny design one of the most prolific and talented teams in jazz today, and Mays is big section of what makes the PMG special. He even picks up the guitar and joins Pat for one of the tracks (“On Her Diagram”) …I didn’t even know Mays played the instrument.
Striped-shirt Metheny himself spends quite a bit of time on acoustic instruments on this DVD, and I have remarked before on his ability to reveal a poetic, poignant experience on those instruments. He does so here on numerous occasions. We even net to glance that really strange-looking custom-made 42-string guitar commissioned by Pat to Canadian instrument maker Linda Manzer – dubbed the Pikasso guitar – that sounds like a obnoxious between a zither and a sitar. He uses it on “Are You Going With Me” and it sounds so different than the version on the album “Offramp” that I had wretchedness recognizing it was the same tune. The same can be said for many of the other 8 songs that appear on this DVD and aren’t from the “Speaking of Now” CD. They appear on other PMG CDs, but you have to listen carefully because they are orchestrated and performed totally differently here. They feel like entirely unique songs rather than broken-down friends. One song in particular, “Roots of Coincidence” has moments that have a distinctly hard rock feel to them – something I’ve never heard from Metheny before.
All in all, I enjoyed the DVD. If you’re a Metheny fan, this DVD is worth checking out. You’ll obtain things here you won’t procure elsewhere, not even on the CD of the same title. If you’re current to the PMG, it’s worth noting that the selections on this DVD were a bit more eclectic than what you’ll win on most of the group’s CDs, so you might want to listen to some of their other CDs before rendering an overall verdict on their music. I recommend “Collected Life Talking.” It’s their all-time best seller and I’ve never met anyone who doesn’t like it.
In closing, my hold of the litter for the DVD was the last track: “Song for Bilbao.” It captures the signature PMG sound, putting them squarely in that sweet place where they groove the best. The tune showcases the whole band, including a Gillespie-like solo from Vu, an unbelievable bass/vocal scat from Bona that I already mentioned above, and a chance for Sanchez to really exhibit us his chops. I must have played that track 10 times in a row and mild couldn’t bag enough of it. Indeed, that one alone was worth the mark of admission as far as I’m concerned. If for no other reason, regain the DVD so you can experience that tune.
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Streaming Steamboy/Memories Online
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Streaming Steamboy/Memories Online.
Movie Title: Steamboy/Memories Steamboy/Memories is available for streaming or downloading. |
Here’s a rarity – a combo of two movies that are actually related to one another. The connection is Katsuhiro Otomo of Akira fame. Memories (1995) consists of three stories adapted from short manga pieces by Otomo, the last of which, Cannon Fodder, was directed by Otomo himself. Steamboy was released in 2004, Otomo’s first full-length anime film since Akira. It looks immense, but the situation doesn’t acquire up worthy steam.
Buy,Download, Or Stream Steamboy/Memories! Click Here
Memories is a most provocative and impressive production made up of three very different short films directed by some of the leading names in anime. Episode One is Magnetic Rose, directed by Koji Morimoto of Animatrix fame. This is a fine, haunting fable of a most modern location rescue mission. The crew of a area garbage collection ship responds to a wound signal from a uninteresting section of site. Two crew members board the debris-shrouded vessel and enter a completely different world, one fueled by the memories of a ravishing young opera singer who apparently retreated to the isolation of status following a tragedy in her life. Each man is soon drawn into the incandescent, intellectual world of Eva’s memories, but only one recognizes the unreality slow the smart scenes he encounters – in his case, though, memories of his enjoy wife and child aid as fuel for the increasingly realistic episodes he experiences. Noteworthy of the yarn takes position to a soundtrack of dazzling opera music such as that of Puccini, and the combination of such tremendous music and the fantastic visual miracles that clarify anime of the highest caliber construct this a most remarkable film indeed.
Episode Two, Stink Bomb from director Tensai Okamura, goes in a completely different direction. Existing in some nebulous area between unlit comedy and grim political satire, Stink Bomb is certainly bewitching but great less worthy than the other two films. A young scientific researcher takes an experimental fever pill that turns out to be something else entirely. He awakes to glean everyone in the building comatose or dull, and stunned company executives order him to catch the pills and the secret documentation related to them so that he can bring everything to them in Tokyo immediately. He does objective that, but he comes across death and destruction everywhere he goes, without plan that he has become a biological weapon emanating deadly gas from within his beget body. It’s almost droll to peep the military firepower brought to absorb – quite fruitlessly – against him as the military seeks to end the spread of the unfavorable gas. The ending is somewhat funny – but on a shaded level.
Buy,Download, Or Stream Steamboy/Memories! Click Here
The last and shortest of the films was directed by Katsuhiro Otomo himself. Cannon Fodder is an extremely gloomy film that vividly portrays a day in the life of a militaristic society along the lines of a post-modern day Prussia dedicated solely to the continued firing of colossal cannons against some nebulous enemy. The certain interpretation is one of the insanity of warfare, and the black tones and grimly drawn characters bring the message home in a remarkable fashion. Interestingly, the entire action seems to consist of one continuous shot that moves fluidly from one scene to another.
I have to say that I enjoyed Otomo’s directorial contribution to the film Memories more than I did Steamboy. Both fraction the same kind of heavily industrial world of the past, cast in sepia-like tones reflecting an atmosphere of gloom. That was more than okay for Memories’ “Cannon Fodder,” but the world of Steamboy eventually grew slow to me. The animation of this film is generous, but it consisted of far too many scenes of exploding machinery, to the detriment of character development and storyline. Frankly, I objective didn’t care about this residence all that grand.
You’ve got a young, inventive boy who finds himself in the middle of a conflict over the nature of science. It’s an argument that will erupt in loud, grisly chaos over the city of London. The boy’s name is Ray Steam, and steam is definitely the key word in all of this. Ray receives a parcel from his grandfather containing an ultra-powerful “steamball,” and almost at once he’s forced to honor his grandfather’s inquire to withhold it out of the hands of “the Foundation.” His father, however, or at least a somewhat mechanized version of him, happens to be in cahoots with the Foundation, and he begins to secure his son over to his beget version of science. He has former the sizable power of steam to consume his beget father’s vision of a Steam Castle and turn it into a well-armed weapon, complete with steam-powered flyers, subs, and mechanized fighters. The grandfather shows up to try and sabotage his rank son’s efforts, and he confronts Ray with his possess calm vision of science. Fortunately for the audience, there’s a sinister slight rich girl (by the name of Scarlett O’Hara – I kid you not) to add some life to all this philosophizing and artificiality. The whole thing soon breaks down into a not-so-small war over London. If you like explosions and scenes of reveal destruction in your anime, you’ll definitely want to check out Steamboy. That’s about all you’ll procure in the second half of the film.
To me, Steamboy is a case of style over substance. None of the characters are as fully developed as I would have liked, and the whole yarn never manages to purchase on very powerful depth. Motion pictures, even anime, cannot live on cinematography alone if they want to be truly successful. With its underdeveloped storyline, Steamboy unprejudiced didn’t present satisfying to me.
For many people, anime means radiant colours, watery eyes and big-breasted women.
But it can also mean some gloriously complex, maturely-scripted creations, which unbiased happen to be sharp. Two safe examples are the steampunk story “Steamboy,” and the three short movies that create up “Memories.” They’re exquisitely detailed, darkly silly, and definitely worth seeing.
As his follow-up to “Akira,” Katsuhiro Ôtomo spent a staggering eight years producing “Steamboy,” a stellar example of anime steampunk. It’s chubby of detailed animation, solid direction and some really inspired action scenes, although the final fourth is extremely bloated. Sunless, detailed, gritty and stout of smoke, steam and grime.
In the mid 1800s, Dr. Lloyd Steam (Patrick Stewart) and his son Eddie Steam (Alfred Molina) are eager in top secret experimentation for the O’Hara Corporation. There’s a concern which leaves only one machine intact — the Steam Ball. Then Eddie’s son Ray (Anna Paquin), a budding inventer, gets the Steam Ball in the mail — and some thuggish Foundation men destroying the house to come by the considerable machine. Ray escapes with the Ball, barely eluding the men, and ends up captured by a rogue zeppelin that tears a advise apart. Mammoth scene.
But the man in charge of this is none other than Ray’s father Eddie, who was terribly burned and is now fragment machin. Eddie, who is tranquil working for the Foundation, is in charge of the worthy Steam Tower and all the war inventions inside. Now Ray’s loyalties are divided, as his father and grandfather battle in a war that has no positive “moral” or “despicable” — but which may atomize London, then the world.
“Memories” takes on three stories at once: “Magnetic Rose,” a sci-fi tale about a freighter who is called to a seemingly defunct site area. Unfortunately, it’s actually quite active — ruled by an A.I. who was imprinted from an miserable opera singer, and is corpulent of fair, bewildering unreality.
“Stink Bomb” is far more laughable — a young man goes to work with a case of flu, and takes some pills. The scrape is, they change his body chemistry so that he has lethally dreadful B.O. The clueless main character finds the equally clueless military trying to halt him as he goes out and about with his nasty stink. And there’s a sort of dim “Metropolis”-style epic in “Cannon Fodder,” with a fog-shrouded city bristling with cannons.
Given how worthy work went into these movies, people would query a masterpiece. While neither one will change the face of anime, they’re prime examples — layered, sensitively made, with intricate philosophical questions that are raised, and left up to the viewer to understand.
In “Steamboy,” Katsuhiro Ôtomo explores different ideas about how technology should be feeble, and makes positive that there is no right villain since both Eddie and Lloyd have righteous intentions, though one believes in peace through power, and the other knows that power corrupts. And “Memories” contains the linking theme of remembering, whether it’s one’s acquire manipulation of memory, or the memory of mortality.
And the animation is amazingly detailed, so you can seek every puff of steam and smear of grease, every shadow and ripple of fabric. No mammoth watery eyes here. It makes the action scenes — including a zeppelin and voice almost smashing into Victoria State — all the more compelling. And it gives the eerie dreamscapes and black foggy cities a unsightly reality.
But every movie has a flaw, and these are no exceptions. “Steamboy’s” is that the last fourth is bloated. It’s too listless and meandering, and has too many lingering shots of the bulbous tower over London. And “Memories” has a rather dour finale, as well as a thinner plotline for “Stink Bomb.”
“Steamboy/Memories” brings together two solid, sometimes shimmering examples of recent anime — a steampunk myth, and three haunting, disparate stories created by masters. Definitely must-sees.
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Renaissance Movie Streaming
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Renaissance Movie Streaming.
Movie Title: Renaissance Renaissance is available for streaming or downloading. |
Renaissance is one of a very short list of non-japanese adult-oriented (computer) spicy films. As such, it wins point from me honest for being valorous. In our western culture, animation is supposed to be for children.
Buy,Download, Or Stream Renaissance! Click Here
Add to that the artful restriction of the color palette to fair the strictest hues of dim and white. Throughout the course of the entire movie, what the audience sees consists entirely of shadows. Combine that with the visual style of a neo-noir future, and you have a glorious film to scrutinize.
On top of glorious visuals, the film sports a haunting accept. Each cue seemed to suggest that yet another mystery would surface around the next corner.
Buy,Download, Or Stream Renaissance! Click Here
The predicament is this: If the film had been shot as a live-action movie, there would be nothing great about it. Daniel Craig feels slightly miscast here, and you’ve seen the station a million times. Worse, some of the writing is so awful that it breaks the spell that the visuals are attempting to weave.
I could have given Renaissance three stars to compromise between the dazzling visuals and the mediocre story/writing, but I reflect that would give the wicked impression. Ultimately, there’s some dependable visual poetry here, and I intend to steal the dvd. Unprejudiced don’t a tremendous legend to boot.
Renaissance is an gripping film made in the tradition of Sin City and A Scanner Darkly. Like the frail film, it was initially shot with live actors on a green-screen soundstage and then this footage was appealing like the latter film. The result is a striking-looking futuristic world in the Cyberpunk mould.
The explore of Renaissance is classic Cyberpunk: a fusion of high-technology and the grimy, run-down observe of the mean city streets – a mix of Mickey Spillane and science fiction. This is one of those rare tantalizing films made for adults with a style that is reminiscent of Frank Miller’s Sin City graphic novels and also looks like it leapt moral from the pages of Heavy Metal magazine. The stark expend of sad and white with no shadings of gray creates a very distinctive peer. The attention to detail is also astonishing – a bright, atmospheric world that instantly envelopes you.
Much like the society depicted in Blade Runner, the higher up one goes – both literally and financially – the study becomes cleaner and more futuristic, reflecting the money being spent and the power being wielded, and this is epitomized by sleek, ultra-modern gape of Avalon. As Renaissance unspools, the viewer is bombarded with one evocative image after another. For example, a gun battle takes set in a miniature forest encased in glass on top of a building.
The lone extra is “The Making of Renaissance” examines this French production whose origins lie in a short film made in 1997 that fused animation with live-action footage. The filmmakers picked Paris because so many SF films they admired were status either in Fresh York City or Tokyo and wanted to try something different. This featurette traces the film’s development from the screenwriting stage to post-production. Not surprisingly, they cite Blade Runner and the crime novels of James Ellroy as the vital influences.
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Stream Renaissance Online
|
Stream Renaissance Online.
Movie Title: Renaissance Renaissance is available for streaming or downloading. |
Renaissance is one of a very short list of non-japanese adult-oriented (computer) challenging films. As such, it wins point from me fair for being doughty. In our western culture, animation is supposed to be for children.
Buy,Download, Or Stream Renaissance! Click Here
Add to that the artful restriction of the color palette to impartial the strictest hues of sad and white. Throughout the course of the entire movie, what the audience sees consists entirely of shadows. Combine that with the visual style of a neo-noir future, and you have a beautiful film to peep.
On top of dazzling visuals, the film sports a haunting get. Each cue seemed to suggest that yet another mystery would surface around the next corner.
Buy,Download, Or Stream Renaissance! Click Here
The dilemma is this: If the film had been shot as a live-action movie, there would be nothing noteworthy about it. Daniel Craig feels slightly miscast here, and you’ve seen the area a million times. Worse, some of the writing is so awful that it breaks the spell that the visuals are attempting to weave.
I could have given Renaissance three stars to compromise between the lovely visuals and the mediocre story/writing, but I consider that would give the unfavorable impression. Ultimately, there’s some loyal visual poetry here, and I intend to bewitch the dvd. Honest don’t inquire a big epic to boot.
Renaissance is an moving film made in the tradition of Sin City and A Scanner Darkly. Like the archaic film, it was initially shot with live actors on a green-screen soundstage and then this footage was absorbing like the latter film. The result is a striking-looking futuristic world in the Cyberpunk mould.
The glimpse of Renaissance is classic Cyberpunk: a fusion of high-technology and the grimy, run-down view of the mean city streets – a mix of Mickey Spillane and science fiction. This is one of those rare spicy films made for adults with a style that is reminiscent of Frank Miller’s Sin City graphic novels and also looks like it leapt legal from the pages of Heavy Metal magazine. The stark expend of sunless and white with no shadings of gray creates a very distinctive glimpse. The attention to detail is also wonderful – a shiny, atmospheric world that instantly envelopes you.
Much like the society depicted in Blade Runner, the higher up one goes – both literally and financially – the notice becomes cleaner and more futuristic, reflecting the money being spent and the power being wielded, and this is epitomized by sleek, ultra-modern behold of Avalon. As Renaissance unspools, the viewer is bombarded with one evocative image after another. For example, a gun battle takes plot in a diminutive forest encased in glass on top of a building.
The lone extra is “The Making of Renaissance” examines this French production whose origins lie in a short film made in 1997 that fused animation with live-action footage. The filmmakers picked Paris because so many SF films they admired were location either in Unique York City or Tokyo and wanted to try something different. This featurette traces the film’s development from the screenwriting stage to post-production. Not surprisingly, they cite Blade Runner and the crime novels of James Ellroy as the valuable influences.
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Karas – The Prophecy Movie Streaming
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Karas – The Prophecy Movie Streaming.
Movie Title: Karas – The Prophecy Karas – The Prophecy is available for streaming or downloading. |
Even though this is only the first volume of a two section series, I’m clear that Karas is going to be one of the best, if not the best, anime of 2006. It has everything that all capable anime have, including pleasurable animation, both 2D and 3D, which is blended in Karas so perfectly it’s difficult to order inequity between the two; the music is obliging as well, with emotional tracks that highlight the intense, non-stop action; and of course their is the wonderful voice-acting on both the English and Japanese tracks. The only thing I was unsure of was the tale, that’s because it wasn’t yet finished.
Buy,Download, Or Stream Karas – The Prophecy! Click Here
From what I gained, though, it follows a Karas, a warrior valid of entering both the spiritual and physical world to do battle, who is thrust into a battle with a frail Karas known as Eko, a man who is meddling in the two worlds of existence in Tokyo. Spirits are growing sick and humans are dying left and good. To execute matters worse, unpleasant, robotic demons known as Mikura are prowling the streets and Karas must attach a finish to them in order to assign the humans who are the Mikuras’ food source.
Karas is somewhat of a despicable between Blood (for it’s sunless settings), Vampire Hunter D: Bloodlust (for the crisp animation), and Kakurenbo (for the elements of fear) . So for fans of the mentioned anime, this will definitely be an anime for you. What am I saying… Karas is an anime that really shouldn’t be missed if you judge yourself a fan of anime. It has the power to stand correct alongside Akira, Ninja Scroll, and Ghost in the Shell as anime’s classics.
Buy,Download, Or Stream Karas – The Prophecy! Click Here
A speedily impress on the DVD: It’s very cheap, as in inexpensive, yet it’s loaded with special features, including a mini-comic book (not manga) with a special Karas adventure. You don’t demand a DVD to have this powerful for so dinky, which only adds to the appeal of Karas.
After watching this one time through you will either believe it was an awesome production of action and effects (geared towards those with a cramped attention span and thirst for raw action rather than a well-behaved tale line) or that it is a complete mess. I admit that I enjoyed what I idea was mindless entertainment, but at the same time was left slightly disappointed with what I opinion was a Hollywoodish Anime (not a obliging thing) . However I was fortunate to survey one OVA at a time, therefore I watched the first OVA about three times, the second two times and at last all three together (these three are what develop up the contents of this DVD) . So by the time I finished this first half of the fable I graceful considerable understood it.
This DVD entails a complicated kaleidoscope of events that eventually jumble into a collage of a legend. Honestly this is a very favorable anime with a very superb yarn once you are able to breath it all in. It appears as a mess because the director throws everything at you almost at once; however I occupy that is what he intends. As the fable goes on the knots that fabricate up the record untwine (OVA to OVA) . So question the first OVA to be the most complicated and confusing. but if you Read the summary first the chronicle will execute more sense the first time you see it.
Finally, the animation and CG is second to none. It is an extremely aesthetic anime.
Sooo, I highly recommend reading the summery on the abet of the box first.
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