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Posts Tagged ‘The Wizard of Oz’

Streaming The Wizard of Oz Online. Movie Title: The Wizard of Oz Average customer review: The Wizard of Oz is available for streaming or downloading. Click Here to Stream or Download The Wizard of Oz

Like most baby boomers, I’ve watched this film dozens of times in the past on broadcast TV, then VHS tape, then LaserDisc … but I had never actually SEEN “The Wizard of Oz” until this newly restored DVD came out. It’s an extraordinary transfer. The sepia-tone Kansas sequences are startlingly gripping and sure, and the Technicolored world “Over the Rainbow” is truly glowing. I found myself fascinated by details I had never noticed before: the glittering corn stalks in the Scarecrow’s field; the mirror-like floors of the Emerald City; the polished buttons on the guardsmen’s uniforms. Incredibly, even the individual grains of red sand in the Witch’s hourglass stood out and glistened! All these minor-but-sumptuous visual details served to heighten the magical spell that the film has always woven, enhancing the performances, the chronicle, and the music.

The DVD extras are a mind-boggling embarrassment of riches. The “Making Of” documentary hosted by the incomparable Angela Lansbury is worth the imprint of the DVD alone, but there’s so powerful more: an international poster gallery, interviews with cast members, deleted scenes, production stills, radio clips, etc, etc. There’s enough material to hold even the most casual viewer fascinated for hours, and a correct Oz buff will be occupied for days!

If you only bought a DVD player to study this one disc, it would well be worth the expense. Treat yourself, and plunge in adore with this classic film again … for the first time.

I was objective critized for foisting off the following review of the 3-disk DVD space as a review of the modern Blu-ray. I didn’t; Amazon did. As anyone who’s been here for a while will peek, Amazon throws all DVD reviews into the same bucket, regardless of the edition. So don’t blame me.

Buy,Download, Or Stream The Wizard of Oz! Click Here

Buy,Download, Or Stream The Wizard of Oz! Click Here

I fair got the Blu-ray, and will have some comments on it at the kill.

Buy,Download, Or Stream The Wizard of Oz! Click Here

There’s no need to discuss “The Wizard of Oz” itself, a classic among classics (though I’ll have something to say about its “philosophy” later on) . You probably want to know whether the UltraResolution transfer justifies the remove.

It does. Oh, yes it does.

“The Wizard of Oz” has always looked capable, one of the better Technicolor films. Unlike “Gone With the Wind”, which was generally shadowy and desaturated, and which UltraResolution greatly improved, I didn’t request great enhancement for “Oz”.

Was I ever outrageous. I stared with my jaw hanging start. “Oz” is the best UltraResolution transfer by far — and the others were not exactly chopped liver.

The improvement in detail and sharpness is startling, especially as the new prints did not seem obviously lacking in either. Even more incredible is the expansion of the tonal scale. Murky scenes (particularly those in the forest and outside the “witches” castle) are now filled with rich detail. Have you ever noticed how shapely the Winkies’ red, white, and gray uniforms are? I hadn’t — until now.

These enhancements combine create the biggest improvement of all — a major revelation of _texture_. The “feltiness” of many costumes is determined. The burlap of the Scarecrow’s face is now plainly visible, particularly in the close-up where he misstates the Pythagorean Theorem. And the Lion’s costume is a thick pile of fur you want to arrive out and stroke. You can look every last strand of hair.

I’m exaggerating only slightly when I say the improvements of this UltraResolution transfer are not distinguished less than those from cleaning the Sistine Chapel’s frescos. It’s as if layers of murk and grime — that you never even knew were there! — have been stripped away. Until you opinion it, you cannot imagine what this film (that is, the modern camera negatives) _really_ looks like. It’s a shame the people who created “Oz” never got to perceive it this method.

The image quality is so high that I often felt as if I were looking through a window at live performers. (Well, almost.) No matter what versions you already have, you won’t be disappointed with this one. I watched it twice in two days, and I might even conception it a third time tonight.

My only quibble is that several matte paintings do not blend properly, because the hues at the join lines do not match those of the scene. This could have been fixed; I suspect it seemed too worthy work for a limited improvement. (A friend suggested that these sorts of things are left in because videophiles delight in finding them.)

As to the differences between the two- and three-disk sets… The latter includes a packet of new programs and promotional material of the sort we haven’t seen in 40 years ago. (Remember the 50-cent deluxe programs for road-show films? ) There’s also a space of 10 reproductions of Kodachrome publicity photographs. For this viewer, these extras alone elaborate the higher ticket.

The third disk will be of most interest to lovers of all things Oz. It includes a handsomely produced biography of L. Frank Baum (enthralling enough that you might want to discover it more than once), plus all the calm Oz films and a Technicolor Oz cartoon. The existence of these is renowned to anyone familiar with the history of Oz productions, but they’ve never appeared (as far as I know) in any home-video format.

The films are problematic. The two from Baum’s production company are the best — they have style, charm, and imagination. The others are cheesy ripoffs that possess small relation to the new book. The Larry Semon — a once wildly-popular but now virtually forgotten cartoonist and droll * — version is especially sinister, as it is minute more than a vehicle for Semon’s impress of physical comedy. The Baum estate is at least partly to blame — _any_ movie version must have seemed more resplendent than none, especially as the technology to develop a convincing version of “Oz” would not exist for another 15 years.

The film’s opening titles praise the book’s “friendly philosophy”, which seems to be either “You already have everything you need to be cheerful”, or “The acknowledge to your problems lies within yourself”. These are not so noteworthy “satisfactory” as reflections of the hard-nosed “All your problems are your contain fault” and “If you’re not a success, it’s because you’re sluggish” homilies that grew out of the tall opportunity for personal development and material success this country offered.

I beget L. Frank Baum had something a bit different in mind. “The Wizard of Oz” is a fairy account in which magic has no bearing on the issues at the center of the fable. I absorb Baum wanted to discourage children from fantasizing that magic could be a solution to one’s problems.

So… he has the four principals earn a grueling swagger to the Emerald City, then accumulate the wizard is a humbug. (What a shame the blander “untrue”, “fraud”, or “phony” have replaced that exquisite word.) He posesses no magic to supply wit, treasure, or grit, which the Scarecrow, Tin Woodman, and Cowardly Lion have demonstrated they already have.

Baum’s “legal” is simple — Appreciate, wisdom, and courage are what we need to salvage through life. No one can _give_ them to us, because we _already_ occupy them, and all we need to do is stutter them.

“Is that correct? ”

“That’s all it is.”

Now… the quiz you’ve been waiting for the retort to… Is the Blu-ray location worth the effect?

I viewed the Blu-ray on a Pioneer 60″ Pro Kuro, fed from a Sony BDP-S550. I also watched the DVD on the Pioneer (fed from the same Blu-ray player), and on a 36″ Sony 400-series WEGA “improved definition” TV (fed from a Sony DVP-S7000) .

The DVD remains a terrific DVD, and looks terrific on a high-quality 480i monitor. (Discover the preceding review.) It was, and quiet is, a demo-quality DVD.

When played on the BD player, and upconverted to 1080p, the DVD’s image on the Kuro is lovely darn well-behaved — the sharpness and detail are at least “acceptable”. But when you play the Blu-ray disk, the image goes from “acceptable” to almost-startling. Two examples… Mark the enhanced detail and texture in the weather-beaten wood above the WWE’s tiring, legs. And in the crowd scenes, you can peek (unbiased about) every Munchkin face. There is virtually no smearing of detail.

So… should you run legal out in a buying frenzy and find the BD edition? It depends.

The DVD is great enough for an grand recount on a high-quality SD monitor. But even upconverted, it isn’t friendly enough for a _large_ HD indicate. If you have, say, a 40″ display; your BD player has a worthy upconverter (not all do) ; and you don’t sit “on top of” the camouflage (as I do) ; you might glimpse runt contrast between the DVD and the Blu-ray.

But if you’re a video fuss-budget (as I am) and sit closer than the “experts” recommend (why _shouldn’t_ you? ), you will almost certainly choose the Blu-ray. It’s your call.

A few remarks on the extras… The wristwatch, as the kid in the Ally bank commercial says, is a section of junk. The accomplish shows no particular style, wit, or imagination. And as others have said, “The Dreamer of OZ” is a uncomfortable transfer, very badly unpconverted to 1080. It is not of acceptable quality, and should have been save on the DVD disk.

I will near support later (I hope) with some more comments on the sound and the other extras. Forcing yourself to repeatedly view mountainous chunks of a movie, regardless of its quality, is an ennervating experience.
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Stream The Wizard of Oz Movie Online. Movie Title: The Wizard of Oz Average customer review: The Wizard of Oz is available for streaming or downloading. Click Here to Stream or Download The Wizard of Oz

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Stream The Wizard of Oz Movie Online. Movie Title: The Wizard of Oz Average customer review: The Wizard of Oz is available for streaming or downloading. Click Here to Stream or Download The Wizard of Oz

Like most baby boomers, I’ve watched this film dozens of times in the past on broadcast TV, then VHS tape, then LaserDisc … but I had never actually SEEN “The Wizard of Oz” until this newly restored DVD came out. It’s an fantastic transfer. The sepia-tone Kansas sequences are startlingly lively and determined, and the Technicolored world “Over the Rainbow” is truly sparkling. I found myself fascinated by details I had never noticed before: the glittering corn stalks in the Scarecrow’s field; the mirror-like floors of the Emerald City; the polished buttons on the guardsmen’s uniforms. Incredibly, even the individual grains of red sand in the Witch’s hourglass stood out and glistened! All these minor-but-sumptuous visual details served to heighten the magical spell that the film has always woven, enhancing the performances, the epic, and the music.

The DVD extras are a mind-boggling embarrassment of riches. The “Making Of” documentary hosted by the incomparable Angela Lansbury is worth the designate of the DVD alone, but there’s so distinguished more: an international poster gallery, interviews with cast members, deleted scenes, production stills, radio clips, etc, etc. There’s enough material to sustain even the most casual viewer fascinated for hours, and a factual Oz buff will be occupied for days!

If you only bought a DVD player to contemplate this one disc, it would well be worth the expense. Treat yourself, and descend in admire with this classic film again … for the first time.

I was fair critized for foisting off the following review of the 3-disk DVD location as a review of the modern Blu-ray. I didn’t; Amazon did. As anyone who’s been here for a while will gape, Amazon throws all DVD reviews into the same bucket, regardless of the edition. So don’t blame me.

Buy,Download, Or Stream The Wizard of Oz! Click Here

Buy,Download, Or Stream The Wizard of Oz! Click Here

I honest got the Blu-ray, and will have some comments on it at the raze.

Buy,Download, Or Stream The Wizard of Oz! Click Here

There’s no need to discuss “The Wizard of Oz” itself, a classic among classics (though I’ll have something to say about its “philosophy” later on) . You probably want to know whether the UltraResolution transfer justifies the remove.

It does. Oh, yes it does.

“The Wizard of Oz” has always looked qualified, one of the better Technicolor films. Unlike “Gone With the Wind”, which was generally dim and desaturated, and which UltraResolution greatly improved, I didn’t inquire distinguished enhancement for “Oz”.

Was I ever depraved. I stared with my jaw hanging commence. “Oz” is the best UltraResolution transfer by far — and the others were not exactly chopped liver.

The improvement in detail and sharpness is startling, especially as the novel prints did not seem obviously lacking in either. Even more fantastic is the expansion of the tonal scale. Gloomy scenes (particularly those in the forest and outside the “witches” castle) are now filled with rich detail. Have you ever noticed how heavenly the Winkies’ red, white, and gray uniforms are? I hadn’t — until now.

These enhancements combine originate the biggest improvement of all — a major revelation of _texture_. The “feltiness” of many costumes is determined. The burlap of the Scarecrow’s face is now plainly visible, particularly in the close-up where he misstates the Pythagorean Theorem. And the Lion’s costume is a thick pile of fur you want to near out and stroke. You can look every last strand of hair.

I’m exaggerating only slightly when I say the improvements of this UltraResolution transfer are not considerable less than those from cleaning the Sistine Chapel’s frescos. It’s as if layers of murk and grime — that you never even knew were there! — have been stripped away. Until you opinion it, you cannot imagine what this film (that is, the modern camera negatives) _really_ looks like. It’s a shame the people who created “Oz” never got to ogle it this plot.

The image quality is so high that I often felt as if I were looking through a window at live performers. (Well, almost.) No matter what versions you already have, you won’t be disappointed with this one. I watched it twice in two days, and I might even notion it a third time tonight.

My only quibble is that several matte paintings do not blend properly, because the hues at the join lines do not match those of the scene. This could have been fixed; I suspect it seemed too great work for a minute improvement. (A friend suggested that these sorts of things are left in because videophiles indulge in finding them.)

As to the differences between the two- and three-disk sets… The latter includes a packet of novel programs and promotional material of the sort we haven’t seen in 40 years ago. (Remember the 50-cent deluxe programs for road-show films? ) There’s also a position of 10 reproductions of Kodachrome publicity photographs. For this viewer, these extras alone elaborate the higher heed.

The third disk will be of most interest to lovers of all things Oz. It includes a handsomely produced biography of L. Frank Baum (bright enough that you might want to witness it more than once), plus all the quiet Oz films and a Technicolor Oz cartoon. The existence of these is distinguished to anyone familiar with the history of Oz productions, but they’ve never appeared (as far as I know) in any home-video format.

The films are problematic. The two from Baum’s production company are the best — they have style, charm, and imagination. The others are cheesy ripoffs that absorb puny relation to the current book. The Larry Semon — a once wildly-popular but now virtually forgotten cartoonist and humorous * — version is especially snide, as it is limited more than a vehicle for Semon’s mark of physical comedy. The Baum estate is at least partly to blame — _any_ movie version must have seemed more resplendent than none, especially as the technology to acquire a convincing version of “Oz” would not exist for another 15 years.

The film’s opening titles praise the book’s “top-notch philosophy”, which seems to be either “You already have everything you need to be overjoyed”, or “The respond to your problems lies within yourself”. These are not so mighty “genuine” as reflections of the hard-nosed “All your problems are your enjoy fault” and “If you’re not a success, it’s because you’re idle” homilies that grew out of the gigantic opportunity for personal development and material success this country offered.

I contain L. Frank Baum had something a bit different in mind. “The Wizard of Oz” is a fairy account in which magic has no bearing on the issues at the center of the chronicle. I acquire Baum wanted to discourage children from fantasizing that magic could be a solution to one’s problems.

So… he has the four principals produce a grueling coast to the Emerald City, then regain the wizard is a humbug. (What a shame the blander “fraudulent”, “fraud”, or “phony” have replaced that delicious word.) He posesses no magic to supply wit, savor, or grit, which the Scarecrow, Tin Woodman, and Cowardly Lion have demonstrated they already have.

Baum’s “honest” is simple — Cherish, wisdom, and courage are what we need to gain through life. No one can _give_ them to us, because we _already_ gain them, and all we need to do is suppose them.

“Is that apt? ”

“That’s all it is.”

Now… the interrogate you’ve been waiting for the acknowledge to… Is the Blu-ray space worth the label?

I viewed the Blu-ray on a Pioneer 60″ Pro Kuro, fed from a Sony BDP-S550. I also watched the DVD on the Pioneer (fed from the same Blu-ray player), and on a 36″ Sony 400-series WEGA “improved definition” TV (fed from a Sony DVP-S7000) .

The DVD remains a terrific DVD, and looks terrific on a high-quality 480i monitor. (Inspect the preceding review.) It was, and composed is, a demo-quality DVD.

When played on the BD player, and upconverted to 1080p, the DVD’s image on the Kuro is beautiful darn capable — the sharpness and detail are at least “acceptable”. But when you play the Blu-ray disk, the image goes from “acceptable” to almost-startling. Two examples… Price the enhanced detail and texture in the weather-beaten wood above the WWE’s humdrum legs. And in the crowd scenes, you can peep (unbiased about) every Munchkin face. There is virtually no smearing of detail.

So… should you run true out in a buying frenzy and catch the BD edition? It depends.

The DVD is trustworthy enough for an reliable record on a high-quality SD monitor. But even upconverted, it isn’t reliable enough for a _large_ HD demonstrate. If you have, say, a 40″ display; your BD player has a well-behaved upconverter (not all do) ; and you don’t sit “on top of” the conceal (as I do) ; you might gaze shrimp contrast between the DVD and the Blu-ray.

But if you’re a video fuss-budget (as I am) and sit closer than the “experts” recommend (why _shouldn’t_ you? ), you will almost certainly consume the Blu-ray. It’s your call.

A few remarks on the extras… The wristwatch, as the kid in the Ally bank commercial says, is a fragment of junk. The get shows no particular style, wit, or imagination. And as others have said, “The Dreamer of OZ” is a sorrowful transfer, very badly unpconverted to 1080. It is not of acceptable quality, and should have been establish on the DVD disk.

I will near succor later (I hope) with some more comments on the sound and the other extras. Forcing yourself to repeatedly search for vast chunks of a movie, regardless of its quality, is an ennervating experience.
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Stream More Treasures from American Film Archives 1894-1931 Online. Movie Title: More Treasures from American Film Archives 1894-1931 Average customer review: More Treasures from American Film Archives 1894-1931 is available for streaming or downloading. Click Here to Stream or Download More Treasures from American Film Archives 1894-1931

This boxed spot of 3 dvds and extensive commentary is a worthy witness of the development of motion pictures as a technology, as an art develop, and as a means of documenting the history and culture of the times. Those who will appreciate this collection the most are those who peaceful feel dread and wonder in watching inviting images of people long gone and times far removed, as well as students of film who want to peep early manifestations of techniques that are standard in today’s movies. There are three categories of films in this collection: experimental films that test early advances in sound or color; political, industrial, or commercial documentaries; and early, rare, attractive, current, or critical films by familiar or obscure film makers.

Buy,Download, Or Stream More Treasures from American Film Archives 1894-1931! Click Here

The best in the box include “The Country Doctor”, from 1909, directed by D.W. Griffith for Biograph, a beautifully photographed and remarkably well-acted fair story of a physician torn between his duty to family and profession; “The Suburbanite”, from 1904, a polite comedy about the exploits of a middle-class familiy inspiring to the “burbs” of Unique Jersey; “The Invaders” an early Western produced and directed by Thomas Ince, an early film pioneer; “Gretchen the Greenhorn”, staring Dorothy Gish, a warm and impartial sage about urban immigrant life; and Ernst Lubtisch’s “Lady Windermere’s Fan”, an moving comedy-drama that illustrates the extent to which calm cinema had evolved by 1925 in its ability to deny a complex psychological story without the need for extensive dialogue. Each of these films are level-headed superior of drawing unique viewers into their yarn, despite their age and, for the early movies, the limitations of the techniques available to the film-maker.

The remainder of the box are less attractive to the new viewer as stories, but are often enchanting as indicators of what sort of cultural life existed for viewers of movies nearly 100 years ago. There’s an early version of “The Wizard of Oz”, a great absurdist comedy by Charlie Bowers called “There it is”, two films by Edwin S. Porter including the pivotal “The Life of an American Fireman”, and early experiments in sound, including voices of George Bernard Shaw, Eddie Cantor, and Calvin Coolidge. It’s quite a hodge-podge, and it helps the viewer to have explanatory guides both on the DVD and in a 200 page book that accompanies the residence. There’s great to marvel, and learn, about the history of the movies in this box.

This marvellous second region of rare archival material never before released on video truly is a esteem for anyone enthusiastic in the development of motion pictures in all its genres. I found the diverse variety on these 3 dics surprising and impressive, as well as very educational. An first-rate book contains all the background information you might open to wonder about once you search for some of the new and unexpected short films, and there are commentaries by critics and historians on the discs as well. As a calm film enthusiast, I was most happy to view the four feature films (over an hour in length) in this area, as well as the poignant D.W. Griffith short, “The Country Doctor” an action-packed episode from the movie serial “The Hazards of Helen”, and the captivating 1907 Edison short, “The Teddy Bears” with impressive puppet animation. And I was simply amazed by the fun animations by the Inkwell Studios and in particular, the bizarre comedy short “There It Is” with Charley Bowers.

Buy,Download, Or Stream More Treasures from American Film Archives 1894-1931! Click Here

The four feature films explain the development of the movie: from the stirring chronicle about Sioux and Cheyenne conflicts in Thomas Ince’s “The Invaders” of 1912, to the problem of Dutch migrants who descend victim to a gang of counterfeiters in “Gretchen the Greenhorn” played superbly by the talented Dorothy Gish, then to “Clash of the Wolves” in 1925 starring Rin-Tin-Tin, the extraordinary shipshape dog, giving the most impressive performance I’ve ever seen by an animal actor; and finally the calm and sophisticated Ernst Lubitsch rendition of Oscar Wilde’s “Lady Windermere’s Fan” rounds off this collection. Apart from these feature films, each disc has been carefully arranged to reveal a balanced and inviting variety of short films in chronological order, lasting from about 1 to 20 minutes and covering advertisements, documentaries, promotional material, educational films and some surpringly noble early experiments with color and sound. Apart from the entertainment value of the feature films and quality shorts, I’m obvious most people with an inquisitive mind and a general interest in our novel history and development should collect this box residence a genuine treat.

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Stream The Wizard of Oz Online. Movie Title: The Wizard of Oz Average customer review: The Wizard of Oz is available for streaming or downloading. Click Here to Stream or Download The Wizard of Oz

Like most baby boomers, I’ve watched this film dozens of times in the past on broadcast TV, then VHS tape, then LaserDisc … but I had never actually SEEN “The Wizard of Oz” until this newly restored DVD came out. It’s an improbable transfer. The sepia-tone Kansas sequences are startlingly curious and positive, and the Technicolored world “Over the Rainbow” is truly shapely. I found myself fascinated by details I had never noticed before: the glittering corn stalks in the Scarecrow’s field; the mirror-like floors of the Emerald City; the polished buttons on the guardsmen’s uniforms. Incredibly, even the individual grains of red sand in the Witch’s hourglass stood out and glistened! All these minor-but-sumptuous visual details served to heighten the magical spell that the film has always woven, enhancing the performances, the memoir, and the music.

The DVD extras are a mind-boggling embarrassment of riches. The “Making Of” documentary hosted by the incomparable Angela Lansbury is worth the notice of the DVD alone, but there’s so powerful more: an international poster gallery, interviews with cast members, deleted scenes, production stills, radio clips, etc, etc. There’s enough material to retain even the most casual viewer fascinated for hours, and a upright Oz buff will be occupied for days!

If you only bought a DVD player to eye this one disc, it would well be worth the expense. Treat yourself, and descend in worship with this classic film again … for the first time.

I was unprejudiced critized for foisting off the following review of the 3-disk DVD station as a review of the fresh Blu-ray. I didn’t; Amazon did. As anyone who’s been here for a while will study, Amazon throws all DVD reviews into the same bucket, regardless of the edition. So don’t blame me.

Buy,Download, Or Stream The Wizard of Oz! Click Here

Buy,Download, Or Stream The Wizard of Oz! Click Here

I impartial got the Blu-ray, and will have some comments on it at the slay.

Buy,Download, Or Stream The Wizard of Oz! Click Here

There’s no need to discuss “The Wizard of Oz” itself, a classic among classics (though I’ll have something to say about its “philosophy” later on) . You probably want to know whether the UltraResolution transfer justifies the acquire.

It does. Oh, yes it does.

“The Wizard of Oz” has always looked ample, one of the better Technicolor films. Unlike “Gone With the Wind”, which was generally shadowy and desaturated, and which UltraResolution greatly improved, I didn’t inquire remarkable enhancement for “Oz”.

Was I ever faulty. I stared with my jaw hanging inaugurate. “Oz” is the best UltraResolution transfer by far — and the others were not exactly chopped liver.

The improvement in detail and sharpness is startling, especially as the novel prints did not seem obviously lacking in either. Even more wonderful is the expansion of the tonal scale. Dismal scenes (particularly those in the forest and outside the “witches” castle) are now filled with rich detail. Have you ever noticed how ravishing the Winkies’ red, white, and gray uniforms are? I hadn’t — until now.

These enhancements combine gain the biggest improvement of all — a major revelation of _texture_. The “feltiness” of many costumes is definite. The burlap of the Scarecrow’s face is now plainly visible, particularly in the close-up where he misstates the Pythagorean Theorem. And the Lion’s costume is a thick pile of fur you want to arrive out and stroke. You can leer every last strand of hair.

I’m exaggerating only slightly when I say the improvements of this UltraResolution transfer are not distinguished less than those from cleaning the Sistine Chapel’s frescos. It’s as if layers of murk and grime — that you never even knew were there! — have been stripped away. Until you notion it, you cannot imagine what this film (that is, the fresh camera negatives) _really_ looks like. It’s a shame the people who created “Oz” never got to behold it this diagram.

The image quality is so high that I often felt as if I were looking through a window at live performers. (Well, almost.) No matter what versions you already have, you won’t be disappointed with this one. I watched it twice in two days, and I might even understanding it a third time tonight.

My only quibble is that several matte paintings do not blend properly, because the hues at the join lines do not match those of the scene. This could have been fixed; I suspect it seemed too considerable work for a itsy-bitsy improvement. (A friend suggested that these sorts of things are left in because videophiles savor finding them.)

As to the differences between the two- and three-disk sets… The latter includes a packet of unique programs and promotional material of the sort we haven’t seen in 40 years ago. (Remember the 50-cent deluxe programs for road-show films? ) There’s also a plot of 10 reproductions of Kodachrome publicity photographs. For this viewer, these extras alone elaborate the higher stamp.

The third disk will be of most interest to lovers of all things Oz. It includes a handsomely produced biography of L. Frank Baum (inspiring enough that you might want to study it more than once), plus all the still Oz films and a Technicolor Oz cartoon. The existence of these is renowned to anyone familiar with the history of Oz productions, but they’ve never appeared (as far as I know) in any home-video format.

The films are problematic. The two from Baum’s production company are the best — they have style, charm, and imagination. The others are cheesy ripoffs that fill dinky relation to the unusual book. The Larry Semon — a once wildly-popular but now virtually forgotten cartoonist and laughable * — version is especially heinous, as it is tiny more than a vehicle for Semon’s note of physical comedy. The Baum estate is at least partly to blame — _any_ movie version must have seemed more delicate than none, especially as the technology to create a convincing version of “Oz” would not exist for another 15 years.

The film’s opening titles praise the book’s “advantageous philosophy”, which seems to be either “You already have everything you need to be overjoyed”, or “The acknowledge to your problems lies within yourself”. These are not so worthy “generous” as reflections of the hard-nosed “All your problems are your fill fault” and “If you’re not a success, it’s because you’re idle” homilies that grew out of the vast opportunity for personal development and material success this country offered.

I maintain L. Frank Baum had something a bit different in mind. “The Wizard of Oz” is a fairy account in which magic has no bearing on the issues at the center of the record. I hold Baum wanted to discourage children from fantasizing that magic could be a solution to one’s problems.

So… he has the four principals manufacture a grueling stride to the Emerald City, then catch the wizard is a humbug. (What a shame the blander “counterfeit”, “fraud”, or “phony” have replaced that toothsome word.) He posesses no magic to supply wit, worship, or grit, which the Scarecrow, Tin Woodman, and Cowardly Lion have demonstrated they already have.

Baum’s “right” is simple — Admire, wisdom, and courage are what we need to rep through life. No one can _give_ them to us, because we _already_ enjoy them, and all we need to do is boom them.

“Is that honest? ”

“That’s all it is.”

Now… the examine you’ve been waiting for the retort to… Is the Blu-ray space worth the designate?

I viewed the Blu-ray on a Pioneer 60″ Pro Kuro, fed from a Sony BDP-S550. I also watched the DVD on the Pioneer (fed from the same Blu-ray player), and on a 36″ Sony 400-series WEGA “improved definition” TV (fed from a Sony DVP-S7000) .

The DVD remains a terrific DVD, and looks terrific on a high-quality 480i monitor. (Ogle the preceding review.) It was, and unexcited is, a demo-quality DVD.

When played on the BD player, and upconverted to 1080p, the DVD’s image on the Kuro is glorious darn estimable — the sharpness and detail are at least “acceptable”. But when you play the Blu-ray disk, the image goes from “acceptable” to almost-startling. Two examples… Sign the enhanced detail and texture in the weather-beaten wood above the WWE’s dreary legs. And in the crowd scenes, you can discover (impartial about) every Munchkin face. There is virtually no smearing of detail.

So… should you hasten good out in a buying frenzy and rep the BD edition? It depends.

The DVD is edifying enough for an safe report on a high-quality SD monitor. But even upconverted, it isn’t genuine enough for a _large_ HD explain. If you have, say, a 40″ display; your BD player has a obliging upconverter (not all do) ; and you don’t sit “on top of” the conceal (as I do) ; you might stare minute incompatibility between the DVD and the Blu-ray.

But if you’re a video fuss-budget (as I am) and sit closer than the “experts” recommend (why _shouldn’t_ you? ), you will almost certainly steal the Blu-ray. It’s your call.

A few remarks on the extras… The wristwatch, as the kid in the Ally bank commercial says, is a fragment of junk. The create shows no particular style, wit, or imagination. And as others have said, “The Dreamer of OZ” is a downhearted transfer, very badly unpconverted to 1080. It is not of acceptable quality, and should have been achieve on the DVD disk.

I will near relieve later (I hope) with some more comments on the sound and the other extras. Forcing yourself to repeatedly inspect big chunks of a movie, regardless of its quality, is an ennervating experience.
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