Posts Tagged ‘King’
King Corn Streaming
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King Corn Streaming.
Movie Title: King Corn King Corn is available for streaming or downloading. |
King Corn is kind of like Natty Size Me’s diminutive brother. It traces the pervasive influence of corn on original America, including the obesity epidemic and the fact that Iowa is growing trillions of bushels of *non-edible* corn to continue receiving lucrative government subsidies. College buddies Ian and Curt, both from the east glide, gaze that they both had distant relatives from the same microscopic town of Greene, Iowa. Ian and Curt choose to go to Iowa and plant one acre of corn, following it through its lifecycle, including where it goes after the harvest.
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The film starts off slowly as the reasons for the coast are explained. The prerequisite talking heads introduce some scary factoids about how Americans are literally made of corn; if you do a hair analysis, it’s like a diet diary, and the tall majority of the American diet (corn-fed beef, mercurial foods and processed foods) contains corn derivatives. Great of the corn we ingest is in the guise of high fructose corn syrup (HFCS), a cheaper alternative to sugar that is produced via a scary chemical conversion entertaining several toxic acids. HFCS has been directly linked to the new obesity crisis and its impact on Type II Diabetes (the body processes HFCS differently from table sugar) . Prior to the 1970s, hardly any company old HFCS due to its high cost. But after then-Secretary of Agriculture Earl Butz did away with the ragged Original Deal market control policies in favor of quickly expansion in 1973, there was a constant surplus of cheap (and non-edible) corn, fueling the posthaste expansion of the corn syrup industry. Here’s a posthaste test: journey into any convenience store and count how many items maintain corn, specifically corn syrup. The list includes positive choices like soda and candy, but you’ll also collect HFCS in deli meats, breads, ketchup, scrape bask in, spaghetti sauce, and cough syrup. Oh yes, and one main variety of corn grown in Iowa (Liberty) is genetically modified, as is at least one ingredient in HFCS manufacturing.
Corn production geared towards ethanol is briefly mentioned, but the majority of the focus in King Corn is on the impact of non-edible corn on the nation’s food supply. In this respect, it’s kind of a gentler version of Supersize Me; there’s no shock value for the most piece. Also mentioned is the disastrous consequence of converting cattle from grazing animals to force-fed confined ones. Cattle normally forage for a plant-based diet, but it is far more obedient to bring them up to market weight by forcing them to stand quiet and eat continuously. In addition, the acids point to in corn cause deadly ulcers for the cows, who are slaughtered before developing acidosis. The raze result is that 70% of the antibiotics in the US are conventional on livestock (antibiotics combat both the acidosis and the infections resulting from confinement) . Literally everything at McDonald’s contains corn: your hamburger is corn-fed, the bun contains HFCS, your soda contains HFCS, the French fries are fried in corn (or soybean) oil, and your ketchup and jam contains HFCS. Ditto for most vending machine foods, frozen dinners, and anything you don’t obtain from scratch. It’s extremely difficult to elope buying foods containing corn, since a variety of pseudonyms are worn, including baking powder, caramel color, dextrose, hydrolyzed vegetable protein, stearic acid, and vanilla, making it a nightmare for anyone with corn allergies.
Buy,Download, Or Stream King Corn! Click Here
Perhaps the most effective element is that of nostalgia. Ian and Curt also capture time to accumulate their long-lost relatives in Greene, and to contemplate on the quick changes in our recently agrarian society that have forced farmers to hold massive farms harvesting non-edible corn. In other words, the farmer can’t even feed himself with what he’s growing. Without the hefty government subsidies, such large-scale corn operations would be out of business. They interview various farmers and ranchers who are disgusted with the system, but who have tiny right choice (one farmer says flatly, “We’re growing crap!”) . We’re shown the evolution of farming equipment and of the family farm itself as a quaint reminder of the past; there are nostalgic shots of Main Street and hometown parades, detached diners and local bars.
Ian and Curt’s visual style is playful; the charts and graphs are hand-drawn, interspersed with stop-motion plastic farm toys to accept the point across (and the dancing corn on the method of the US was astronomical, too) . The quirky soundtrack is a standout as well. DVD extras include some outtakes, a music video, bios, and some astronomical 1950s-style educational clips. King Corn is a thought-provoking search for at the dilapidated adage “You are what you eat,” and boy, it’s scary.
Although not perfect, I’ll give any documentary, movie, TV present or book five stars if it alters my life and King Corn definitely rates five rotund stars. I would highly recommend that everyone select or at least opinion this movie once; I had the opportunity to examine it this week on PBS’s series “Independent Lens.” Corn is nothing but a “raw material” that is separated to almost its basic elements and passe to design our daily “garbage” diet.
I learned about the relationship between obesity and the consume of high fructose corn syrup (aka HFCS) by accident a few years ago when I made a visit to Victoria, Texas and they sold Dr. Pepper with “Imperial Sugar” and the 10-2-4 logo on the bottle. I didn’t know that sometime in the early 70′s that the soft drink companies switched from sugar to HFCS as the sweetener. Who would have understanding that decades after being told that sugar is unpleasant for your teeth, etc., etc. that it is actually grand better for you than the HFCS alternative!
After watching this documentary I did some research and HFCS is in almost everything you catch. For example, it is that main ingredient in many of the ice cream syrups on the supermarket shelves… HFCS is in everything make hamburger and hot dog buns to “outrageous chubby” salad dressing! Honey graham crackers… EVERYTHING! Posthaste foods are bulky of this HFCS junk and this is only one of the many things you’ll learn from this documentary.
Where I live in Corpus Christi most of the population is obese, they consume dinky (if at all), have a high incidence of diabetes and rapidly foods are their celebrated filler. In fact, at the local Driscoll Children’s Hospital on one side you have the emergency entrance and on the other the “golden arches.” No joke! It is really black.
One can only project into the future after the wheat gluten from China killed our pets in the United States… Will we outsource growing corn to China so we can bag even cheaper HFCS to fatten and destroy our population off?
My only minor criticism is that the filmmakers didn’t glimpse our government’s role in ruining our diets by providing a version of “corporate welfare” to factory farms that invent this junk. As it turns out, they would not be in this business, assign the subsidies they secure from the USDA. Go figure!
UPDATE 13May08: A unusual chronicle in the The Wall Street Journal [1-year subscription] (May 7, 2008, Page B3A) by Susan Buchanan raises some engaging points on the expend of corn syrup.
I do not want to give anyone the impression that the only reason that our nation is obese is due to HFCS. In fact, the spot with obesity in the United States is the result of many interrelated and complex factors. They include, cheaper foods coupled with larger portions, an increase in eating out (especially at hastily food joints), reduction in utilize and, unfortunately, a greater acceptance of being overweight as the “norm” in our society.
As this film points out, our government is responsible for subsidies to develop something that is unprofitable generous, while at the same time making food cheaper with heavy doses of HFCS inside. I wish, instead, that our government would give great subsidies to organic farmers and tax breaks to those who trot or scamper their bikes to work. Instead, our government (FCC) is more concerned with giving us more channels of digital TV by February 2009; another major cause of obesity is the time spent sitting in front of the tube. Where I live the Corpus Christi Police Department and Nueces County Sheriff’s Department have almost a zero portray in regards to protecting pedestrians, joggers and bicyclists. It is downright risky to gain an anxiety to be physically fit where I live. At the same time, the set in Corpus Christi is not, by any means, recent in our country.
To slash the epidemic of obesity in the United States we need a multi-pronged attack on the pickle that includes aid from our government for more healthful ways of life and a population that will say NO to eating junk and YES to employ.
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Braveheart Discount.
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Braveheart
Product: Braveheart Discount. List Price: —- Amazon Price: $9.99 Add to cart to see low price@ Availability: In Stock Usually ships in 24 Hours Free Shipping Available |
- Amazon Sales Rank: #9936 in Movie
- Released on: 2006-09-06
- Rating: R (Restricted)
- Running time: 178 minutes
Blood, bravery & idealism in an epic fist punch to your gut.
On a whole number of levels, this movie shouldn’t have worked for me. It takes considerable license with historical facts, not only in order to supplement details that are not part of William Wallace’s legend but actually, wherever convenient. (“We stuck to history where we could but hyped it up where the legend let us,” actor-director Mel Gibson admits on the DVD’s commentary track.) It is graphically and unabashedly violent: from throat cuttings to battle scenes that have film blood literally splashing onto the camera, beheadings, a traitor’s head smashed with a
wrecking ball, and fully 15 minutes of Wallace’s “purification by pain,” it shows some of the most brutal behavior conceivable. It also engages in some of the most blatant gay profiling in recent film history – not just in the drastic end administered on the lover of King Edward I. “Longshanks”‘s son, but equally in the portrayal of both characters and their relationship as such. Last but not least, Mel Gibson plays a man at least 10 years younger than himself, a choice often enough bordering on the ridiculous. (Gibson insists it was the studio’s wish that he not only produce and direct but also star in the title role.)
And yet …
From the first notes of James Horner’s hauntingly beautiful soundtrack and the first sweeping camera shots over the Scottish highlands, blending seamlessly into the pictures of the Scottish riders on their way to the alleged truce talks initiated by Longshanks, and the narrator’s, Robert the Bruce’s (Angus MacFadyen’s) introduction – “I shall tell you about William Wallace: Historians from England will call me a liar, but history is written by those who have hanged heroes” – there is no mistaking that this is an epic story, taking up the tradition of the likes of “Spartacus” and “Ben Hur.” Like those movies, “Braveheart” is a story of heroism and of having the courage of one’s convictions; chronicling the life of its hero from first love to loss, betrayal, battles and final confrontation with his arch-enemy’s powers. Like both of them, “Braveheart” won multiple Academy Awards, not least for John Toll’s outstanding cinematography. Like “Ben Hur,” it also won the coveted awards for “Best Picture” and for “Best Director.” And maybe I’m just a sucker for that kind of epos …
To my surprise, I found Mel Gibson to come across very believable as William Wallace; age difference, Scottish brogue and all. Both his acting and his direction are informed by a clear sense of vision for the movie and its title character. Moreover, although full writing credits went to would-be (?) Wallace descendant Randall W., many little details undeniably show Gibson’s hand and mannerisms: to name just a few of the more obvious examples, Wallace’s marriage proposal to Murron, his grinning greeting of a group of English soldiers trapped below a cliff, and his response to a doubting Scottish soldier’s comment at Sterling that he can’t really be Wallace because he’s not tall enough.
In addition to John Toll’s award winning cinematography, the movie benefits from first-rate production design (Tom Sanders), a score which perfectly captures the mood of every single scene, and a cast of outstanding actors; first and foremost Patrick McGoohan as Longshanks, who portrays the king’s utter ruthlessness so convincingly that you completely forget his earlier incarnation as the 1960s’ “Danger Man,” and who delivers monologues and soliloquies worthy of a Shakespearean king. His musing “but whom shall I send” when plotting to send a messenger to Wallace with another insincere offer of truce, and his chilling announcement of the reinstitution the ius primae noctae because “the trouble with Scotland is that it is full of Scots … If we can’t get them out, we’ll breed them out” could have been uttered verbatim by anyone of the Bard’s most sinister kings. (Screenwriter Randall Wallace does indeed admit to Shakespeare’s direct influence on the script, particularly on Wallace’s “Sons of Scotland” speech before the battle of Sterling, which is strongly based on the monologues of King Henry V. at Agincourt).
Equally impressive is Ian Bannen in one of his last roles, starring as Robert the Bruce’s leprosy-ridden father and evil spirit, whose first reaction to the tales about Wallace is to deride him (“He has courage; so does a dog”), and who expertly plays on his son’s ambivalent feelings, until he finally drives Robert into hating his father for having coaxed him into his own game of scheming and betrayal – whereupon the elder Bruce drily comments: “At last you have learned what it means to hate. Now you are ready to be a king.”
Then-newcomer Catherine McCormack stars as Wallace’s childhood love Murron, whose scenes with Wallace provide for much-needed tenderness in the first hour of the movie – particularly touching is four year old Murron’s gift of a thistle (Scotland’s national flower) to orphaned William – and contrast sharply with the bloodshed that follows virtually incessantly from her death onwards. Sophie Marceau matures from teenage party queen (“La Boum”) to French Princess Isabelle; Brendan Gleeson stars as Wallace’s boyhood friend Hamish, David O’Hara as his heaven-conversing, self-appointed Irish guardian Stephen – one of the movie’s most colorful characters – and Brian Cox brings all his extraordinary screen presence to his brief appearance as Wallace’s uncle Argyle.
When I left the theater after having witnessed this movie’s almost three hours of blood, gore and intense emotions for the first time, I felt as if somebody had given me a fist punch into my stomach. I was so struck that I was almost unable to speak, and dragged my moviegoing companion into the next bar, to revive my spirits with a glass of whiskey. (Scotch, of course). Having seen the film countless times since then, I no longer need that whiskey to overcome its drastic impact – but I still get gooseflesh during many of its key scenes and can’t watch it without feeling emotionally drained at the end.
Also recommended:
William Wallace
Braveheart
Rob Roy
Spartacus – Criterion Collection
Ben-Hur (Four-Disc Collector’s Edition)
Braveheart – Mel Gibson’s crowning achievement!
“Braveheart” is quite simply, one of the best and most successful movies ever created and a huge part of that success comes from the efforts extended by Mel Gibson, as he wore three different hats for this masterpiece, those being producer, director and star. The one oddity about this movie for me was that I pretty much wore out my VHS copy of it and had, a couple years ago, purchased the DVD but only just recently took the opportunity to watch it again and no matter how many times you watch this movie, it is still a stunning, compelling and extraordinarily intriguing film that draws you in to the life of William Wallace despite already knowing how it’s going to end.
The one thing that drives this movie is the spirit that Mel Gibson puts into his character of William Wallace and it is of no surprise that “Braveheart” won five Academy Awards, including Best Picture of 1995 and Best Director for Mel Gibson. The only true surprise was that he wasn’t among the top five nominated for or won the Best Actor award.
High praise also goes to the long list of supporting actors and actresses that starred in this superb film! Most notable was the performance by Sophie Marceau, one of the most beautiful women on the planet. Patrick McGoohan was absolutely incredible in the role of the villain Longshanks, King Edward I, delivering a memorable performance.
One of the most notable performances in this film, among the many, was the work done by James Horner who was responsible for the score. As is normally the case when his name appears in the credits, everything about the score, from the first reel to the last, is incredibly well blended into the movie and serves extremely well in enhancing the experience of the movie.
The Premise:
As the old saying goes, is it Hollywood or History? The truth is, of course it’s a bit of history, put together Hollywood style to make one of the best films ever presented to an audience. The truth behind it is that we’ll never know as recorded history from this era is circumspect as best. Where a huge portion of the credit for this film lays is in the hands of Randall Wallace, a descendant of William Wallace’s.
As this historic film opens, we see a young William Wallace in Scotland as he’s learning the harsh lessons of life in his era. After his family is killed in battle he’s fortunate enough to have his Uncle Argyle (played brilliantly by Brian Cox) take him under his wing! Several years later he returns home to find that his countrymen are still suffering under the yoke of English oppression but he didn’t come home for that, he came home for Murron MacClannough (Catherine McCormack), seeking her hand in marriage. Unfortunate events unfold from there and William loses the love of his life and goes on a rampage not only to avenge his love but to free his country…
What follows from there is not only one of the best films of the nineties but one of the best films of all times. I highly recommend “Braveheart” to any and all who are interested in seeing what true movie making is about! {ssintrepid}
Special Features:
-2 Theatrical Trailers
-Commentary by Director Mel Gibson
-A Filmmaker’s Passion: The Making of Braveheart
There are a few I think who missed the point.
In order to maintain the appearence of objectivity, I was going to rate this movie 4 stars. But I just couldn’t. It really deserves 5, and it’s going to get every one of them. This movie features some of the most stunning cinematography I’ve ever seen (scenes of particular brilliance include the deer-hunting scene and the slo-mo shots right before Gibson’s first rebellion), impeccable acting (I don’t know why the British have been hiding their actors from the American film industry – every one of the British/Scottish actors in the film was amazing, and Patrick McGoohan (sp) gave an incredible performance as Longshanks, not to mention newcomer Sophie Marceau), a magical musical score, and on and on and on and on. Physical elements alone qualify this work for the title of Best Picture.
Yet, a number of people chastise Gibson and the movie for a number of reasons, primarily its departure from historical accuracy. I do believe these people have missed the point, for I do not believe it is fair to criticise a movie for failing to realize a goal for which it never really strived. I wonder: do these same people criticize Homer’s “The Odyssey”? Do historical hardbodies cast aspersions at T.H. White’s “Once and Future King” for taking historical liberties with “King” Arthur? (For that manner, any of the hundreds of contributions to the Arthurian legend). What about Robin Hood? Beowulf? Romance of the Three Kingdoms? Why is it copacetic for a book to create a myth around a cultural hero, but when it comes to film we must be expected to be as straightlaced about historical fact as an army bootcamp is about bedmaking and floor cleaning?
I have read a lot of reviews below and a number of criticisers of the film’s historical authenticity spit out the word “epic” as if it is a word that the American film industry has abused and transmogrified into a catchphrase for luring in gullible American movie-goers. But I argue that Braveheart, and the historical inaccuracies which it adopts (and it adopts many, which are nicely pointed out elsewhere), fit the same formula for “Epic Fiction” that we use to classify great (and I mean, universally accepted as great) epic works of fiction such as the Iliad, the Odyssey, etc. These works are not about who did what where and when and in what fashion. They are about the myth, the hero, and the way that they have influenced the ideals of the culture (italicize that). Was there really a Grendel, a Cyclops shepherd, a Wizard named Merlin, or Chinese war heroes who could single-handedly take on a small army? No. And yet, these works of fiction (and the mythological heroes that they have created) have had as much if not more of an impact on their respective cultures than any real life historical event. The impact of the epic is therefore not to be underestimated. Does the fact that Gibson portrayed the battle of Sterling Bridge without a Bridge really make that much of a differnce? The end outcome was the same, at least from an idealogical point of view. He rallied his men to victory with brilliant tactics against insurmountable odds. The presence or absence of a bridge, naked men, or twenty foot spears does not change that. The myth survives.
Finally, regarding historical accuracy, there is the fact that although the movie does take a lot of liberties in order to portray a THEME – I am intelligent enough to suspend my disbelief during the movie. Furthermore, after the movie is over, (and this is a credit to the movie-maker) I was intrigued enough to go do some research on the subject from an objective historical source to find out what really happened. If a work of art (which is not, I remind you, required to be objective – artistic objectivity is almost an oxymoron and film should not be treated differently in this regard than any other form of art) instills in me a desire to learn more about a subject while at the same time portraying well the epic themes it sets out to portray, then in my book it was a successful venture and worthy of all the accolades it receives….Again, this is an epic, and just as a Greek epic might portray the Trojans as ruthless savages and their own members as heroic visionaries, I think it is acceptable for a Scottish epic to do the same to the British. And calling Gibson a homophobic is just ridiculous. Whether or not Edward II was really gay is not important. If he was, then BY THE STANDARDS OF THE DAY, he was an outcast, and would have been perceived, especially by his father, as weak, without potential, and unfit to rule. If he wasn’t gay, but was just disinterested in ruling a kingdom (and history is filled to the brim with examples of less than sterling royal progeny), he would have again been seen (especially by his father) as weak, without potential and unfit to rule (because fathers – especially kings – have expectations of their sons), and questions about his sexuality would have naturally begun to arise among the nobility and commonfolk. What we as viewers of a historical or epic piece of artwork must do is refrain from judging said work by our standards. Today, homosexuality is (for the most part) accepted by society. Back then, it wasn’t, and the mere rumor was enough to get you rejected from society (and vice-versa). Therefore, in light of the times in which the movie is set, the portrayal of the weak fop of a prince, EdwardII, as homosexual is both acceptable and indicative of the society that the movie was trying to portray. It wouldn’t, for example, have made much sense to portray Edward I as gay. Not because a gay man couldn’t be a successful King or military leader, but because a gay man would never have achieved respect as a monarch – THEN – by the people or his enemy.
In closing, this is an excellent film that deserves its status as a best picture, despite (and perhaps because of) its historical inaccuracies. I encourage anyone with any interest in medieval history to view it, because it might just entice you to look into more historically accurate documents that, while not as entertaining as the movie iteself, will give you a more wholistic picture of what really happened.
The Mummy Returns Movie Streaming
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The Mummy Returns Movie Streaming.
Movie Title: The Mummy Returns The Mummy Returns is available for streaming or downloading. |
If you like non-stop action and titanic special effects then ‘The Mummy Returns’ is worth watching. Wrestling fans will be blissful to seek ‘The Rock’ cast as the Scorpion King. Female fans of Oded Fehr, the Israeli actor, will be glad to search for him cast again as the dashing Egyptian horseman and fighter Ardeth Bay.
Rick O’Connell (Brendan Fraser) and Evie (Rachel Weisz) are married in this sequel and have a young son who does a capable job of keeping the villains on their toes. Evie is supposed to be a reincarnation of Nefertiti, the Pharaoh’s daughter. Imhotep (Arnold Vosloo), the Pharaoh’s high priest, and Anck-Su-Namun (Patricia Velazquez), the priest’s paramour, are brought assist to life to fight the Scorpion King and prefer control of the army of Anoubis, the black god of the underworld.
Some movie buffs have expressed reservations about the historical inaccuracies in both ‘The Mummy’ and ‘The Mummy Returns’. However, these inaccuracies are not offensive to Egyptian Culture. This movie is merely a work of fiction. Some scenes and dialogs may seem to be cliched. Several scenes are a rehash of ‘The Mummy’. The characters in the movie jokingly admit to the ‘same primitive extinguish of the world’ place.
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Even with all its cliches, this movie is worth watching.
Anyone looking for a “substantial” movie will probably be disappointed, but anyone looking for sheer fun will probably be more than gratified. Director Steven Sommers took his delicious 1999 movie “The Mummy” and expanded it out to an narrative scale. The action picks up 10 years after the original; tomb raiders Evelyn and Rick O’Connell (now married, with 8-year-old child Alex in tow) view another Egyptian artifact (the bracelet of the legendary Scorpion King) that unleashes yet another disaster to the world, and once again, Evie and Rick have to cessation it.
A contingent of abominable guys, however, want in on the action, and they raise Imhotep (the mummy from the first movie) because he’s the only one strong enough to occupy on the Scorpion King. The unpleasant guys are led by a woman named Meela, who claims to be the reincarnation of Anck-Su-Namun, Imhotep’s long-lost forbidden savor.
Sommers cleverly adds an expanded backstory to the main characters from the earlier film, and while some of it stretches the imagination– it seems like every character is a reincarnation of someone else– it’s executed in a mostly fun and believable blueprint. In particular, the development of an stale rivalry between Evelyn and Meela is fabulously well-done, adding great dimension to the reasons for Imhotep’s bad punishment in the first film. Arnold Vosloo was stout in “The Mummy,” but now, teamed up with his long-lost esteem, he’s a thousand times more fun– creepier, smarter, and yet at times endearingly vulnerable.
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Mystical warrior Ardath Bay (the very hot Oded Fehr) also has an expanded role in this film, and helps ground viewers when they are faced with things like multiple reincarnations and hoardes of screaming pygmy mummies. Fehr brings exactly the fair touches of appeal, swashbuckling traipse, and “exotic” Middle Eastern mystery to the role.
A surprising amount of care seems to have been given to the supporting characters; they have fair enough depth but not too much: Evie’s brother Jonathan is serve, providing grand of the funny relief (but he also has some fabulous moments of heroism) ; small Alex is fun and resourceful without being overly precocious. Special care seems to have been taken with the villains: they are by turns menacing, comical, and *smart*, often a rare thing in the action/ adventure genre. In particular, Bay’s rival Lock Nah is well-written and well-acted.
The script isn’t exactly Shakespeare, but it’s like a flash, laughable, and (mostly) makes sense. The action sequences are spectacularly well-choreographed, and of course, the special effects are impressive. Sommers also allows some amazing moments of human emotion: the sexual chemistry between Evie and Rick (ditto Meela and Imhotep) ; Jonathan’s pains for his sister and nephew; Evie and Rick’s admire for their son; Bay’s pains for his friends (and his broad affection for his astounding hawk) . These limited touches do the dissimilarity between a mindless action flick, and something that really stays with you after the credits roll.
Oddly enough, the much-touted presence of WWF star “The Rock” as the Scorpion King turns out to be almost negligible: it’s a cameo that mostly sets up his believe account “The Scorpion King,” due out in 2002. The accurate heart of this movie are the Evelyn-Rick and Imhotep- Anck-Su-Namun esteem stories. Without these and the other tall characters from “Mummy Returns,” it’s hard to imagine that the next movie in this franchise could possibly top this one.
So if you’re looking for something stout, rent “Lawrence of Arabia.” If you’re looking for a highly appetizing popcorn flick, “The Mummy Returns,” should fit the bill perfectly.
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Watch The King and I Movie Online
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Watch The King and I Movie Online.
Movie Title: The King and I The King and I is available for streaming or downloading. |
It’s finally here! The so-called definitive version of this heavenly classic has now been restored AGAIN from the surviving 55mm negative, and there is indeed cause for cheers. Yes, it is now finally anamorphic on DVD! And yes, it looks absolutely shapely! Better color, sharpness and disagreement than the feeble DVD issued in 1999 – and that one calm looks quite impressive thanks to THX, although sadly non-anamorphic. Even so, the recent one looks noble and has lots more bonus material!
But now a shadowy warning: If you gain the customary DVD and want this beauty of a film in its complete roadshow version – support it by all means! The current 50th Anniversary Edition lacks the Overture, the Intermission Music and the Exit Music!
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Incredible! And all that lush music was available on the 1999 DVD! What goes on in the heads of the people in charge at Fox? After the fiasco with the Todd-AO “Oklahoma!” recently, Fox should very well know by now that fans of these Rodgers & Hammerstein-films are not likely to come by rank and sloppy product. Here’s a loud and distinct boo aimed at Fox Home Video top brass from one fan! Pick Up yourselves original jobs outside the entertainment industry and leave the DVD-business to intelligent film lovers who are also responsible professionals!
Rodgers and Hammerstein’s THE KING AND I (1956) is a wonderous movie musical, an astounding adaption of the Broadway musical that premiered on stage in 1951 (and has been performed tens of thousands of times since) . It tells a timeless memoir about tradition vs. modernity, Eastern vs. Western culture and men vs. women. This tale was first written as the first-hand yarn of Anna Leonowens’ experiences in Siam in the mid-19th Century, where she had been hired by King Mongkut to boom his many children, in his hopes to push Siam into the new age. This record was first adapted for the titanic hide as ANNA AND THE KING OF SIAM (1946) ; unseen by me, it has been highly regarded in its contain legal, and starred Irene Dunne and Rex Harrison. THE KING AND I stars Deborah Kerr (last name pronounced “Carr”) and Yul Brynner. Deborah Kerr completely embodies the strong-willed but emotionally fragile young widow Anna Leonowens; she makes Anna into a character with whom we identify and sympathize. We side with her in all disputes, from demanding that she be given her beget house in which to quit as fragment of the unique deal, to calling King Mongkut to task for enforcing double-standard sexual laws that were outdated and demeaning to women even at that time. As the equally strong-willed King Mongkut, Yul Brynner commands the conceal in every scene he’s in. You simply cannot witness away. His King Mongkut is someone who wants to change Siam for the better, yet struggles to cling to many of the same traditions that he slowly begins to realize is partly responsible *for* holding Siam succor. His heartbreak by film’s waste is emotionally gut-wrenching, and never fails to bring me to tears. The Russian-born, half-Mongolian Yul Brynner makes you own he is a Siamese King; his performance is so incandescent that his transformation into this character appears to be almost effortless. And, of course, it won him a very well-deserved Oscar for Best Actor. Deborah Kerr gives a wide-ranged performance that spans all emotions throughout the course of this film. She was deservedly nominated for Best Actress, but unfortunately didn’t glean.
This film would have given us enough meat to chew on unprejudiced in the complex relationship between our two principals alone. However, it is not verbalize with unprejudiced doing that for us. It gives us two bright subplots, one of the forbidden admire between Tuptim (a virtually unrecognizable Rita Moreno, in a truly estimable performance) one of King Mongkut’s many wives, and Lun Tha (Carlos Rivas), and the visit by the British Ambassador Sir John Hay (Alan Mowbray) whom King Mongkut wants to trace with how civilized he, and the Kingdom of Siam, is. Also, the “play within the play”; namely, the hypnotic Siamese theater performance of Harriet Beecher Stowe’s narrative American record of oppression and cruelty UNCLE TOM’S CABIN, is fair so astonishing that words fail me as how else to relate it. Anna’s young son Louis (Rex Thompson) provides us with an effective sounding-board onto whom Anna reveals the kind of feelings about the set that she cannot convey to the King.
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Unfortunately, this or any other Western film treatment of this truly consuming myth continues to be banned in Thailand today, namely they feel that King Mongkut, whom I understand was one of their most beloved monarchs, is portrayed as a barbarian. I have two beefs with that sentiment: 1) King Mongkut is most decidedly *not* portrayed as a barbarian in this treatment (or in the 1999 non-musical ANNA AND THE KING, which is quite a incandescent film in its possess factual) —rather, he is shown to be a deeply conflicted man who agonizes at the prospect of losing centuries-old Siamese traditions, even as he expresses himself as one who wants to serve his country modernize; 2) If they want to bag the narrative suitable in their eyes, then where is the *Thai* version of the chronicle?
Controversies aside, this is impartial a graceful, glorious film. It has huge period costumes, in both Eastern and Western traditions. It has a mammoth, ornate residence primitive for the Palace. It has titanic music (“Getting To Know You” and “Shall We Dance” are my two favorites) . And it has unbelievable acting from all fervent, especially Brynner, Kerr and Moreno (who should have been at least nominated for Best Supporting Actress for her sensitive and radiant protrayal of Tuptim) . It is a joy to revisit every now & then. Parents, please do your children a favor and *keep them away* from the HORRENDOUS 1999 involving version, insultingly called THE KING AND I. That simpleminded, stereotype-laden, lamebrained version is a complete insult to anyone of decent intelligence. Unprejudiced demonstrate your kids the 1956 original; it is the only version they will ever need to ogle!
MOST RECOMMENDED, AGES 6 & UP
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Midsomer Murders: Set 13 Streaming
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Midsomer Murders: Set 13 Streaming.
Movie Title: Midsomer Murders: Set 13 Midsomer Murders: Set 13 is available for streaming or downloading. |
For those fresh to this British masterpiece, Midsomer Murders is a long running “who done it”, based on the novels of Caroline Graham, starring John Nettles (of the Bergerac fame) as the unflappable Detective Chief Inspector Barnaby. The series is spot in the fictional Misomer County, which comprises of many cosy, rural villages, where wealthy and terrible alike seem to do each other in at an average rate of three to four bodies per episode. The series has a worldwide following, not in the least due to the creative and macabre ways in which the MM victims are typically dispatched. I give the series as a whole a five star rating, though situation 12 was a bit dissapointing (four stars) in that it lacked some of its trademark British humour which in the past acted as a buffer between the viewer and the grim reality of the bloody murders… Let’s hope Region 13 sees MM encourage to its best manufacture!
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Set 13 contains the following episodes:
ep 52: Dance With the Dead; orig air date: Nov 2006
ep 53: The Animal Within; orig air date: Jan 2007
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ep 54: King’s Crystal; orig air date: Jan 2007
ep 55: The Axeman Cometh; orig air date: Feb 2007
SPOILER ALERT!!!: In The Axeman Cometh we meet Simon, Cully’s intended. Her wedding is in ep 60 (which I guess will be in spot 15) . Kill OF SPOILER ALERT!!!
If you hold any MM sets from State 2, you may already beget at least some of the above episodes, as the Site 1 and 2 sets are NOT synchronised. Better check… I read somewhere there were fewer MM episodes released in the US in order to hold the ticket of each area more affordable. If that was indeed the case, then it is a broad shame… I would like to witness those missing episodes released at some point in the US as well.
PS: As a side mark, John Nettles is retiring soon, though we should behold Barnaby episodes well into 2011. The makers are aloof shopping for a excellent lead who will steal up the baton. All they will confirm is that Barnaby will NOT be killed off, and that his new sidekick (played by Jason Hugh) is NOT in the running. The actress playing Cully has already retired from MM (her last episode was shown on British TV this summer; it was her character’s wedding episode) .
This is more a message to the fans of Midsomer Murders in The USA who accept tired of having to wait almost two years after the indicate is broadcast to peer it on DVD.
First the tremendous review…..These episodes are as improbable as all the previous shows. The ability of the writers to hold up the quality is nothing short of astonishing. What a track narrate. Whoa!
Now the tiresome message…these episodes were released on dvd in the UK in September 2008. The entire TEN EPISODES of that season were released as “The Sixth Collection” You can hold it from Amazon UK for about $70 including shipping. This USA release has only four of those episodes issued one year later at about $36.
The one collect here is the UK releases are on the site 2 PAL format which will not play on a lot of the USA set 1 dvd players. BUT you can occupy a dvd player that will play the status 2 PAL format proper here on Amazon. I did.
Series Label….John Nettles will be retiring at the demolish of 2010 with one final series of eight episodes.With the device Acorn chops up these programs into dinky three and four episode packages for the USA it will be 2012 before we score to view any of them.
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Watch I Am Curious … Movie Online
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Watch I Am Curious … Movie Online.
Movie Title: I Am Curious … I Am Curious … is available for streaming or downloading. |
This was one of the most eminent movies of the 20th century–references to it even made Aroused Magazine in the 1970s, surely proof of its universal reputation as forbidden cultural fruit.
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It shows frontal nudity, simulated sexual intercourse, and, probably most shockingly at the time, the lead actress Lena (also the name of the character) kisses her lover’s (flaccid) penis–in a kind of tender, silly map . . . her gesture is far removed from pornographic imagery, beget it or not.
But the sexual aspect of the movie, which was no doubt responsibile for the fascination it exerted on the American public imagination of the slow 1960s and 1970s, has been long ago superceded by standard film fare.
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Is the movie unruffled worth watching? Absolutely. The main point of the movie is showing the incompatibility between young Lena’s poltical and social views, which are amusingly portrayed as idealistic and Left cruise, with her near to her fill fancy life–which is ferociously venerable. Lena passionately marches against the Vietnam War, protests against Franco’s Spain, and interviews inarticulate middle-class functionaries, putting them on the space (is this where Michael Moore got his conception for ROGER AND ME? ) about the injustice of the Swedish class system. All this is expected, and would almost be a cliche if it wasn’t handled with such humour by the director. But we simultaneously survey her personal life get, particularly her care for life, and here she acts according to a very different status of values–despite her concept in the power of non-violence in politics, she points a rifle at an unfaithful lover and seems ready to shoot him. This satire is extended and very well done.
There are also many aspects of the movie, related specifically to the time, which actually enrich the experience for viewers watching in the 21st century. For example, Olaf Palme makes an extended cameo appearance as a young junior government minister; this is the same man, of course, who rose to become Swedish Prime Minister and was later assassinated with a .44 magnum while walking one evening with his wife, in a crime that was never solved.
On the whole, aside from cheerfully and amusingly portrayed sex that seems almost naive and innocent in today’s terms, the film succeeds in asking enduringly relevant questions about the inter-relationship between private behaviour and public political beliefs. In Sweden, they may have been the stuff of effective satire, as in this movie; in the USA of the same period, the same basic dynamics played out very differently in the queer scene that unfolded in San Francisco, Original York, and places like Chicago and Michigan: plump of political rage, drugs, sexual experimentation and–ultimately–violent crimes.
The mixture of deliberate and accidental elements in the movie (including its historical context) add a subtle, foreboding quality that enhances the satirical, sexy and vivid tone. I AM Racy (YELLOW) is an early, and mild insightful, movie about Western society and culture. Highly recommended.
There is no better news for film fans than to explore that one of your current movies has been chosen to be portion of the Criterion Collection. “I Am Attractive”, yellow and blue, have been given the king’s treatment with this release. The recount has been totally restored, and the films sparkle with vibrant black-and-white inequity. The audio is even more impressive, with nary a hint of distortion, crackle, or teach. As to be expected, there are an extensive number of bonus materials dealing with the low controversy surrounding the films and their viewing in the United States.
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More a patchwork of social and sexual commentary than a traditionally anecdote fable, “I Am Exciting” seems to exude a pulse and liveliness all its gain. There is spontaneous humor, drama, and intense poignancy to be found within the running times of these two films, as well as a rather mind-expanding witness into the social status of 1960′s Sweden. While the films are certainly famous for their then-daring scenes of sexuality and frontal nudity, that aspect is really only a slight section of a expansive pie. Sadly, as is often the case, the films were totally taken out of context in the U.S., where they were successful solely on being perceived as sex films instead of shiny social commentary. Collected, if it weren’t for the sex controversy the films garnered, I don’t imagine that there would be this amazing Criterion dvd to seek and learn from.
Definitely groundbreaking, “I Am Bright” truly lives up to the Criterion motto of “vital classic and contemporary films”. If you’ve seen them before, you’ll know how well-behaved they peruse in this presentation. If you are simply involving to know what all the fuss was about, these two discs and the accompanying booklets will leave you feeling like a film scholar. Recommended for those keen in film history, censorship, obscenity laws, or simply movies that offer something modern and thought-provoking.
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Wagner – Tristan und Isolde Streaming
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Wagner – Tristan und Isolde Streaming.
Movie Title: Wagner – Tristan und Isolde Wagner – Tristan und Isolde is available for streaming or downloading. Click Here to Stream or Download Wagner – Tristan und Isolde |
“Tristan Und Isolde” is doubtless one of the greatest operas ever written. Unfortunately it has been very badly served by the currently available productions on DVD.
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The Nilsson/Vickers from Orange is ruined (as usual from Kultur) by a very unpleasant technical production and beget.
The Heppner/Eaglen from the Met has two principals who cannot act convincingly; although Heppner can really drawl the fraction. Eaglen’s yell leaves a large deal to be desired and her physical limitations prevent her from grand in the scheme of physical action. Neither of them search for even remotely the plot I am obvious most of us have pictured Tristan and Isolde to have looked.
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The West/Meier from Munich is a travesty. The setting is fair stupid plain, given what the text calls for; and West not only fails to reveal convincingly, but he cannot act and looks even less like Tristan than Heppner. What is so frustrating is the ruin of Waltraud Meier who has the acting and singing ability and the looks; and the kill of Kurt Moll who is a salubrious King Marke.
The Treleaven/Polaski from Barcelona is also outrageous by a comic production and less than stellar singing from the principals. They are the same cast as was ragged in the Barcelona Kupfer II “Ring”, and I truly hated Treleaven and Struckmann there, as well as here.
I am writing this review now, despite not having seen this production for almost a year (since I found out that it would be rereleased as a DVD), because I want to portion my broad enthusiasm for it. It is based on my recollection of my powerful cherished Video. I have waited a long time for this rerelease as a DVD, and I am definite that DGG, unlike Kultur, have done their usual tremendous technical transfer. It is a Bayreuth production from the early 1980′s.
Jean-Pierre Ponnelle has designed a simple, but effective non-gimmicky region. The first act takes space on the deck of a stylised sailing ship, the second in the woods under a spacious burly canopied tree, and the third under a dull, split, blasted tree. The direction is tight and, with one essential exception at the kill, is apt to the text. I will not give it away other than to deliver that up to then it was such a straight interpretation that Ponnelle probably could not resist putting at least some personal twist to it. Mind you, considering what was going on with Mathilda Wesendonck at the time, perhaps this is what Wagner might have subconsciously intended.
Under the conducting of Daniel Barenboim, the music is splendidly interpreted. It is obvious, layered, and though-provoking. This certainly came across on my video, and I am clear that in surround sound it will be even better.
And the acting and singing and appearance of all the characters is an unalloyed joy. René Kollo as Tristan, Matti Salminen as King Marke, Hermann Becht as Kurwenal and Hanna Schwartz as Brangane.
However, this is a tour de force by Johanna Meier. She embodies all that I had pictured Isolde to be. She is pleasing, she sings — my God, she sings — and she expressively acts with the grace of a dancer. So far as I know, this is the only recording of her. What a loss.
For dismay of getting even more carried away, I had better conclude here; other than to site that I wish I could give it more than five stars.
But if you want a “Tristan Und Isolde” that is the gesamptkunstwerk I am obvious Wagner had in mind (and possibly even with this ending) this is it!!
It is so transformative to experience Tristan und Isolde done by a director who understands the mythic dimensions of this section and who obviously loves the volcanic force this music. There are no directorial banalities here to undermine the music. It is great theatre and considerable music.
Johanna Meier is beautiful as Isolde. She has power, lyricism, vulnerability, looks, musicality. It is too terrible that this spacious artist’s career was undervalued and underappreciated.
Rene Kollo is incredible and has substantial chemistry with Meier. The device he listens to King Marke’s monologue in Act II is heart breaking. Matti Salminen’s Marke is an emotional tour de force and a psychological revelation.
Like the other reviewers here, I endorse this DVD enthusiastically. There is no other version of this opera on DVD that compares to this. AND THAT IS THE TRUTH.
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Stream The Rockford Files – Season Five Movie Online
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Stream The Rockford Files – Season Five Movie Online.
Movie Title: The Rockford Files – Season Five The Rockford Files – Season Five is available for streaming or downloading. Click Here to Stream or Download The Rockford Files – Season Five |
Season Five continued the lovely writing and impeccible acting that defined The Rockford Files as one of televisions best ever offerings.
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In addition, this season has some wonderful guest stars: Rita Moreno, Bo Hopkins, Tom Selleck, Abe Vigoda, Robert Loggia, Jason Evers, Robert Alda, Kathryn Harrold, Mary Fran, Erin Gray, Ted Shackelford, Paul Koslo, Dennis Dugan and Harold Gould to name unprejudiced a few.
A few of my celebrated episodes from this season include:
Buy,Download, Or Stream The Rockford Files – Season Five! Click Here
White on White and nearly Perfect – Wherein Jim works with Lance White (Tom Selleck), a goody two shoes Detective who always comes up smelling like a rose, usually at Rockford’s expense.
Black Mirror – A two parter where Jim protects and falls in like with a blind psychologist played by the luscious Kathryn Harrold.
A Different Drummer – A uncommon but sharp record that has Rockford on the straggle of a sociopath who is harvesting organs from live donors.
Episode list and unique air dates are as follows:
Heartaches of a Fool 9/22/1978
Rosendahl and Gilda Stern Are Listless 9/29/1978
The Jersey Bounce 10/6/1978
White on White and Nearly Perfect 10/20/1978
Kill the Messenger 10/27/1978
The Empty Frame 11/3/1978
A Three-Day Affair With a Thirty-Day Escrow 11/10/1978
A Superb Shipshape Bust With Sequel Rights 11/17/1978
Black Mirror (1) 11/24/1978
Black Mirror (2) 11/24/1978
A Posthaste Count 12/1/1978
Local Man Eaten by Newspaper 12/8/1978
With the French Heel Befriend, Can the Nehru Jacket Be Far Leisurely? 1/5/1979
The Battle-Ax and the Exploding Cigar 1/12/1979
Guilt 1/19/1979
The Deuce 1/26/1979
The Man Who Saw the Alligators 2/10/1979
The Return of the Dismal Shadow 2/17/1979
A Material Inequity 2/24/1979
Never Send a Boy King to Do a Man’s Job (1) 3/3/1979
Never Send a Boy King to Do a Man’s Job (2) 3/3/1979
A Different Drummer 4/13/1979
What a shame there’s only one more season (and a truncated one at that) of the Rockford files to go after this. Hopefully they’ll include all the reunion shows with the 12 episodes of Season Six.
Oh and don’t forget “At the tone leave your name and number, I’ll glean benefit to you.”
The Rockford Files, in case you haven’t seen it, is one of the best examples of dramatic television in the 1970′s (if you have seen it you already know that) . The Rockford Files was/is a witty, well written “detective” expose, a genre that was extremely accepted in the 70′s and 80′s. If you like Magnum P.I. or Simon and Simon or any other explain like that then you’ll like The Rockford Files. Rockford did the same thing before they did it, only better.
James Garner was absolutely perfect as Jim Rockford. It’s honest about impossible to imagine anyone else in the role. The show’s writers and producers managed to secure a perfect balance of drama and comedy (with the comedy coming in the accomplish of dry, sarcastic one liners, usually coming from Rockford) without hurting the dramatic impact of the stories.
The fifth season of the reveal found those writers and producers on a roll. The Rockford Files was one of those shows that never saw a move in quality. It was a substantial reveal from begin to conclude. And now nearly the entire rush of the series is available on DVD.
Watching the DVD’s is almost like going serve in time – these episodes (for the most allotment) haven’t looked this great since they first aired wait on in the 70′s. It’s nice, too, to be able to view uncut episodes (as a couple minutes from each episode of shows from that era are lop for additional ad time when shown on TV in syndication) . Unless you watched the shows in the 70′s you might not even know what you were missing when watching the shows in syndication – but now you will accumulate to observe those scenes previously deleted for commercial time.
If you’re a fan of detective shows with a wry sense of humor then The Rockford Files is for you.
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Watch Stand By Me Online
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Watch Stand By Me Online.
Movie Title: Stand By Me Stand By Me is available for streaming or downloading. |
I purchased the Special Edition of this movie recently and couldn’t absorb that the audio was monophonic. I was thus pleasantly surprised to ogle that in this edition of the DVD they restored the new multi-channel soundtrack. Even the casual listener will sight the dissimilarity immediately.
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To my knowledge the movie itself is the same as on the Special Edition (no added or lop scenes) so I won’t demolish your time commenting on that. I unbiased wanted to bring attention to the fact that the Deluxe Edition of this movie is the ONLY one any serious movie collector should think.
“Stand By Me” is a classic coming of age movie about growing up and friendship and the hurt of disillusionment when the adults you depend upon let you down. Highly recommended.
In this review I’ll focus mostly on the relationship between the movie and the Stephen King novella it is based on, and the DVD extra material that closes the ring.
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The movie “Stand By Me” was made in 1986. It is based on a novella published in 1982 and the legend takes residence in 1959 (movie) or 1960 (novella) . But the epic is timeless – the conflicts and the difficult transition from child to adult apply to every generation.
There is a lot of trivia (pop songs, slang expressions, TV shows, etc.) from 1959/1960 in the movie and the novella, but this doesn’t really anchor the chronicle to that era. Every generation has it’s absorb trivia that is very distinguished to that generation. But today’s generation can smile at the trivia of 47 years ago and detached spy the parallels between that trivia and their (to them) remarkable more amazing trivia.
The movie is based on a novella by Stephen King called “The Body”. This is one of Stephen King’s best stories, and is well worth reading or, if you like audio books, listening to. The audio version lasts almost six hours and is read by Frank Muller. Highly recommended. If you’d capture to read the account yourself then you should engage the book “Different Seasons”, a collection of four Stephen King novellas including “The Body”.
The movie and the novella are very similar. There are, of course, many tiny differences, for example the town of Castle Rock has been moved from Maine to Oregon, there is more coverage of the older juvenile delinquents and less coverage of Gordie’s stories and of Gordie as an adult, the situation where the bloodsuckers are encountered is different, etc., etc. The biggest contrast is that in the novella Chris is the main protagonist, or hero if you like, while in the movie it is Gordie. Detached, this movie is truer to the written source than most movies based on books are.
So why did Retract Reiner build these changes, and what on earth did Stephen King consider of them?
Here’s where the magic of DVD extra material comes in. The “Special Edition” (2000) and “Deluxe Edition” (2005) DVDs both include a 35-minute documentary “featurette” called “Walking the Tracks: The Summer of Stand By Me”, which was made in 2000. Stephen King, Choose Reiner and all of the major actors in the movie (except River Phoenix, who died in 1993) participate.
In this documentary film Occupy Reiner tells that he identified personally more with Gordie than Chris, and therefore decided to acquire the movie Gordie’s myth. And Stephen King says that he respected Steal Reiner’s decision and thinks that “Stand By Me” was the first movie adaptation of his work that really fulfilled the spirit of the memoir.
Stephen King also says that many of the things that happen in “The Body” and in “Stand By Me” are things he experienced himself in his childhood. This makes the epic somewhat autobiographical, with Gordie being in some ways the young Stephen King. In the novella “The Body” this is quite pronounced in that an adult Gordie is telling the legend in the first person, and also tells how he’s now become a successful writer of apprehension books.
So the bottom line is, if you like the movie then read or listen to the novella. And after you’ve read the novella and seen the movie, check out the DVD featurette that ties them together.
Rennie Petersen
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The Strip Game-Retail —-! Sale Only $2.99!
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The Strip Game-Retail —-! Sale Only $2.99!
Compare & Purchase The Strip Game at Amazon by clicking here! List Price: —- Amazon Price: $2.99 |
The Strip Game Description:
- Amazon Sales Rank: #15034 in Movie
- Released on: 2009-10-13
- Rating: NR (Not Rated)
- Running time: 72 minutes
Customer Reviews:
good info but it definitely needed more….
as a former exotic dancer, i bought this dvd to see what it was about. i liked it but i felt Method Man or who ever should have definitely visited more clubs & did more research. Atlanta was the best covered city (as far as strip clubs) they covered Strokers & Magic City which are the 2 hottest clubs in Atlanta. however this video gave los angeles strip clubs no justice at all. they didn’t even mention the main black club’s in los angeles: Rons Barbary Coast, First King or Starz yet they had 3 very odd looking girls in a hotel to represent l.a. This video should have at the very least visited strip clubs in l.a. somewhere.
i felt like there was a time issue (the dvd is only 72 min.) & this documentary was rushed to dvd. i hope there will be a part 2 or at least someone else will do a better documentary on the ‘strip game’.
DECENT
overall its a decent flick to sneek-a-peek at if your into strippers, and the life. it could have been longer, and seemed a bit rushed. the problem is it was supposed to be a documentary, about the lives of the girls, inside and outside of the club, and how they got in the game etc…. but it only went into depth mabe twice. and then there were a few questions asked with the other girls. i think the problem was since they had to fit in different cities, and clubs they tried to do everything in a couple nights. if this were a true documentary they would have had to spend several nights with the girls, to truly get a glimpse into their everyday lives, then at the end they just totally got lost with the whole direction of the movie. if there is going to be a part 2 this will deffinately have to be worked out, and more time for production should be scheduled. like i said its a decent movie, just dont expect to see a 5 star movie.
It was good, but it wasn’t great
Being that I’m a dancer I thought that it would have knocked some myths out, but @ the end it proved them w/ the L.A. girls. I love the DVD don’t get me wrong, but I hope they come out with A # 2 and do us justice.
I thought there could have been more dancing and more documentary w/ the girls and what they do, also.