Posts Tagged ‘Audrey Hepburn’
Streaming The Ten Commandments Online
 |
Streaming The Ten Commandments Online.
Movie Title: The Ten Commandments The Ten Commandments is available for streaming or downloading. |
While Cecil B. DeMille’s directorial skills were sometimes too rooted in the more grandiose style of the still era, he CERTAINLY was ALWAYS a master showman, and his 1956 remake of “The Ten Commandments” is a whale of a note! Both pious and profane, posturing and valid, it isn’t huge history, but it abounds in spectacle. While he was in dreadful health during the filming (suffering a seizure that was either a stroke or smooth heart attack, while working under the 130-degree Egyptian sun), his distinctive ‘style’ was never more in evidence, with ample, overwrought performances, heavenly costumes and sets, monumental climaxes, and morals that are repeatedly hammered home. In ‘classic’ DeMille, there ARE no ‘grays’, everything is ‘good’ or ‘evil’, and ‘evil’ WILL be punished! Watching the film, you’ll either bask in the ‘ride’, or you’ll groan, again and again. Personally, I appreciate it, even with it’s unintentional(? ) campiness!
Buy,Download, Or Stream The Ten Commandments! Click Here
Among my approved ‘so unpleasant it’s FUN’ moments are ‘Rameses’ Yul Brynner and ‘Nefretiri’ Anne Baxter’s frequent expend of “Moses, Moses…” whenever he predicts something dire (Brynner looks like he can barely retain a straight face, uttering the phrase) ; ‘Sephora’ Yvonne De Carlo’s stoic, yet impassioned pitch to Moses to marry her, always looking away (‘into the future’, I presume), when comparing her assets to Nefretiri’s; ‘Dathan’ Edward G. Robinson’s entire performance (nearly memoir hamminess from one of America’s finest film actors) ; Woody Strode’s Ethiopian ‘Princess’ companion, who praises Moses’ kindness with so great heat and honey that Nefretiri suspects he was fooling around, down south; and Sir Cedric Hardwicke’s ‘Sethi’, turning an Egyptian Pharoah into a world-weary lovable executive-type (one can’t succor but wonder how Rameses could be HIS son!)
Compared to Baxter’s scenery-chewing, and Brynner’s posturing, Charlton Heston’s portrayal of Moses is so understated that he’s often been criticized as ‘wooden’ in the role, which is unfair; while DeMille frequently posed him to match classic statues and paintings, his complete earnestness in the role, combined with his sheer physical presence, keeps him from receding into the backround of the spectacle that surrounds him. Despite thousands of Egyptian extras portraying Hebrews during the wonderful ‘Exodus’ sequence, filling the hide, Heston always grabs and holds your attention; certainly no actor has ever been a more memorable Moses!
Buy,Download, Or Stream The Ten Commandments! Click Here
The film has some very determined merits; many of the special effects (particularly the ‘Angel of Death’ vapor, and the massive parting of the Red Sea) are collected amazing, today; Elmer Bernstein’s accumulate is an often ‘over-the-top’ joy to listen to; and the cast includes some very engrossing supporting players, including Nina Foch, Vincent Tag, and DeMille’s longtime associate, Henry Wilcoxon.
Taken as spectacle, as a colossal entertainment for the senses, “The Ten Commandments” is quite a note, and it’s continued popularity over the past half-century is proof that many are collected captivated by it.
Cecil B. DeMille, master showman, knew his audience!
Okay. I admit it. Watching this Biblical anecdote, when it was a mainstay on ABC each Easter evening for some 30 years, I practically had the whole script memorized. . .even knew when Anne Baxter, as over-eager Nefretiri, would journey into a wickedly fabulous pattern of over-acting. (“Moses. . .” she would coo, “catch me in your arms. . .”) I must have seen THE TEN COMMANDMENTS dozens of times, and yet, each year, I plopped my carcass on the couch on Easter evening, popcorn and suds in tow, and watched Cecil B. DeMille’s 4-plus hour memoir, completely mesmerized and entertained.
All of us know the story: a once-great Egyptian prince leads his fair people, the Hebrews, into freedom from four centuries of slavery and bondage. It is a big fable, as four books of the Frail Testament aptly, well, attest. Yet what makes this flick truly astounding, impressive, and fun to peep, is the scope and spacious scale of DeMille’s 1956 epic–from the awesome vistas of Egypt, portrayed on a blue veil in some Hollywood studio, to the blatantly corny, often silly, dialogue and actions of its characters (a distant reflection of the mute film icon who dominates this relate) . Accordingly, THE TEN COMMANDMENTS, in particular, this DVD Special Collector’s Edition, is an absolute blast for film buffs thirsty for more trivia and knowledge regarding one of Hollywood’s alltime classics.
Here, in the extraordinary commentaries that accompany the film, “The Ten Commandments” student and author Katherine Orrison furnishes an astonishing, titillating, and overwhelming avalanche of information. For instance: Did you know that DeMille’s first choice for Queen Nefretiri was not Anne Baxter, but Audrey Hepburn? Yet, unfortunately, Hepburn lacked the figure to believe out the silk gowns so prevalent for her character, so Baxter got the nod. And. . .William Holden, not Yul Brynner, was pegged to play Rameses. . .yet Bill didn’t want to have his head shaved, while Brynner was an international star following his clean-shaven skullcap in the “King And I.” Brynner looked “Egyptian”; he got the fraction, Holden was dispatched.
And I loved the “diaper pen” disclosure of infant Fraser Heston, who, of course, is Charlton Heston’s son, and who played the baby Moses. I’ve watched this movie, again, dozens of times, but I never noticed the glistening diaper pen on sturdy Fraser’s diaper, as the baby laid in his willowy basket, until a giggling Orrison brought it to my attention. Yep, there it is; yet DeMille was on a tight schedule. No time to go abet and just.
In fact, I did not realize that DeMille, 75 when this film was made, suffered a devastating heart attack during production–a setback that threatened to bring the entire project to its knees, before his ambitious daughter filled in for her father, for three short days, before DeMille returned to navigate THE TEN COMMANDMENTS to its historical conclusion. This is generous stuff, and Orrison furnishes runt details of honest about everything in tantalizing fashion.
So, although Chuck and the gang no longer dominate ABC entertainment on Easter evenings, THE TEN COMMANDMENTS unexcited dominates the hallowed tier of record lexicons. This movie, after some 50 years, continues to uplift and entertain; and this collector’s edition, with its just seize of the facts, merely enhances the viewing experience.
–D. Mikels, Author, WALK-ON
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Watch My Fair Lady Movie Online
 |
Watch My Fair Lady Movie Online.
Movie Title: My Fair Lady My Fair Lady is available for streaming or downloading. |
MFL is a marvellous film about a professor who turns a popular flower girl into a lady. It is elephantine of sing-a-long songs and laughable moments. It is basically a classic for all the suitable reasons! Plenty of re-watch factor makes it a film to acquire.
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In 1994, the film was restored and thank the lord they did! The film’s negative was almost lost forever. In fact, the film had become yellow-tinged and corpulent of scratches, blotches and all the rest! It would have been a very dim day for the movie industry if a flim like this had been lost.
The modern DVD that featured this original restoration was released in the slack 90′s. This DVD included a 9 exiguous featurette, actor profiles, audio commentary, and Audrey Hepburn singing in 2 scenes.
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This unusual 1-disc DVD has since been updated to a special 2-Disc Edition. Which one to gather? I have both so I feel reliable to retort this. The modern DVD includes all the features found on the recent DVD, except the actor profiles. The unique DVD once again includes the restored print but is apparently a unique transfer from the restored print. However, according to a picture that I have read, the novel transfer is not perfect and has aliasing problems throughout. The average watcher probably won’t steal up on this detail. If this is an dispute to you, steal the unusual edition DVD where the transfer has been given two thumbs up!
The advantage of the special 2-Disc Edition DVD is that it includes a 58 small 1994 documentary hosted by Jeremy Brett (Audrey’s fancy interest in the film) . Jeremy is no longer with us, so it’s nice to have this as a part of nostalgia. On top of this, there are many more features on this disc that aren’t included on the recent DVD such as footage from the film’s premiere, production dinner, as well as discussions with Rex and Audrey.
The choice is easy. If you’re a fan of the film and don’t care for all the extras, lift the new DVD. You at least regain the best transfer. If you do care about having all the extras, pick both!
This is a extremely fair and stylish movie – the kind of spectacle that you unprejudiced don’t eye any more, in a clear type of Technicolour that unprejudiced isn’t duplicated these days. Extremely witty and classic songs, a swish script, and shapely costumes. Admittedly, it is observe candy, but what see candy! George Cukor directs it with lawful aplomb, turning “Titanic-era” London into a stylised and colourful melée, bringing out the humour and joyfulness of the screenplay, and Cecil Beaton’s extravagant and yet, somehow, chic costumes and sets get a perfect setting for the actors – and the actors themselves are obliging. Rex Harrison is totally believable as Henry Higgins, mixing crustiness with a very dry humour, whereas Audrey Hepburn looks honest factual as Eliza Doolittle. One is forced to ponder what Julie Andrews would have done in the role, following her playing the portion on stage, but I objective can’t ogle Eliza played by anyone other than Audrey Hepburn, who is, quite simply, luscious. From the mawkish, ramshackle flower-girl, to the rebellious pupil, to the wintry and still “lady” of the title, she is perfectly credible, whether throwing a Cockney temperament, or floating through the conservatory, calmly sending Professor Higgins about his business. I am told her Cockney accent is dreadful, but being deaf, I cannot comment; no more than I can comment upon the fact that apparently her recording of “Oh Wouldn’t It Be Luverly” has been reinstated upon the soundtrack. The appeal for this film lies in its spectacle – I saw it at the cinema once, in an arthouse revival, and it was utterly unbelievable – and in the speech therapy storyline, which has a lot of relevance to me. “My Ravishing Lady” is simply… a cinematic glory of a particular type that would be impossible to duplicate ever again. The Ascot scene is worth the money alone, a refreshing, gliding harmony of shadowy and white, choreographed and stylised escapism, totally summing up the essence of a musical.
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Ah, it’s lu-ver-ly – Lu-ver-ly – Radiant!
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Streaming The Ten Commandments Online
 |
Streaming The Ten Commandments Online.
Movie Title: The Ten Commandments The Ten Commandments is available for streaming or downloading. |
While Cecil B. DeMille’s directorial skills were sometimes too rooted in the more grandiose style of the soundless era, he CERTAINLY was ALWAYS a master showman, and his 1956 remake of “The Ten Commandments” is a whale of a note! Both pious and profane, posturing and right, it isn’t tall history, but it abounds in spectacle. While he was in abominable health during the filming (suffering a seizure that was either a stroke or calm heart attack, while working under the 130-degree Egyptian sun), his distinctive ‘style’ was never more in evidence, with great, overwrought performances, exquisite costumes and sets, monumental climaxes, and morals that are repeatedly hammered home. In ‘classic’ DeMille, there ARE no ‘grays’, everything is ‘good’ or ‘evil’, and ‘evil’ WILL be punished! Watching the film, you’ll either bask in the ‘ride’, or you’ll groan, again and again. Personally, I like it, even with it’s unintentional(? ) campiness!
Buy,Download, Or Stream The Ten Commandments! Click Here
Among my popular ‘so awful it’s FUN’ moments are ‘Rameses’ Yul Brynner and ‘Nefretiri’ Anne Baxter’s frequent utilize of “Moses, Moses…” whenever he predicts something dire (Brynner looks like he can barely retain a straight face, uttering the phrase) ; ‘Sephora’ Yvonne De Carlo’s stoic, yet impassioned pitch to Moses to marry her, always looking away (‘into the future’, I presume), when comparing her assets to Nefretiri’s; ‘Dathan’ Edward G. Robinson’s entire performance (nearly myth hamminess from one of America’s finest film actors) ; Woody Strode’s Ethiopian ‘Princess’ companion, who praises Moses’ kindness with so remarkable heat and honey that Nefretiri suspects he was fooling around, down south; and Sir Cedric Hardwicke’s ‘Sethi’, turning an Egyptian Pharoah into a world-weary lovable executive-type (one can’t befriend but wonder how Rameses could be HIS son!)
Compared to Baxter’s scenery-chewing, and Brynner’s posturing, Charlton Heston’s portrayal of Moses is so understated that he’s often been criticized as ‘wooden’ in the role, which is unfair; while DeMille frequently posed him to match classic statues and paintings, his complete earnestness in the role, combined with his sheer physical presence, keeps him from receding into the backround of the spectacle that surrounds him. Despite thousands of Egyptian extras portraying Hebrews during the wonderful ‘Exodus’ sequence, filling the hide, Heston always grabs and holds your attention; certainly no actor has ever been a more memorable Moses!
Buy,Download, Or Stream The Ten Commandments! Click Here
The film has some very certain merits; many of the special effects (particularly the ‘Angel of Death’ vapor, and the massive parting of the Red Sea) are aloof wonderful, today; Elmer Bernstein’s collect is an often ‘over-the-top’ joy to listen to; and the cast includes some very absorbing supporting players, including Nina Foch, Vincent Label, and DeMille’s longtime associate, Henry Wilcoxon.
Taken as spectacle, as a enormous entertainment for the senses, “The Ten Commandments” is quite a exhibit, and it’s continued popularity over the past half-century is proof that many are detached captivated by it.
Cecil B. DeMille, master showman, knew his audience!
Okay. I admit it. Watching this Biblical tale, when it was a mainstay on ABC each Easter evening for some 30 years, I practically had the whole script memorized. . .even knew when Anne Baxter, as over-eager Nefretiri, would jog into a wickedly improbable pattern of over-acting. (“Moses. . .” she would coo, “remove me in your arms. . .”) I must have seen THE TEN COMMANDMENTS dozens of times, and yet, each year, I plopped my carcass on the couch on Easter evening, popcorn and suds in tow, and watched Cecil B. DeMille’s 4-plus hour yarn, completely mesmerized and entertained.
All of us know the story: a once-great Egyptian prince leads his factual people, the Hebrews, into freedom from four centuries of slavery and bondage. It is a sizable sage, as four books of the Former Testament aptly, well, attest. Yet what makes this flick truly amazing, impressive, and fun to notice, is the scope and titanic scale of DeMille’s 1956 epic–from the awesome vistas of Egypt, portrayed on a blue mask in some Hollywood studio, to the blatantly corny, often silly, dialogue and actions of its characters (a distant reflection of the soundless film icon who dominates this narrate) . Accordingly, THE TEN COMMANDMENTS, in particular, this DVD Special Collector’s Edition, is an absolute blast for film buffs thirsty for more trivia and knowledge regarding one of Hollywood’s alltime classics.
Here, in the astounding commentaries that accompany the film, “The Ten Commandments” student and author Katherine Orrison furnishes an fantastic, bewitching, and overwhelming avalanche of information. For instance: Did you know that DeMille’s first choice for Queen Nefretiri was not Anne Baxter, but Audrey Hepburn? Yet, unfortunately, Hepburn lacked the figure to beget out the silk gowns so prevalent for her character, so Baxter got the nod. And. . .William Holden, not Yul Brynner, was pegged to play Rameses. . .yet Bill didn’t want to have his head shaved, while Brynner was an international star following his clean-shaven skullcap in the “King And I.” Brynner looked “Egyptian”; he got the allotment, Holden was dispatched.
And I loved the “diaper pen” disclosure of infant Fraser Heston, who, of course, is Charlton Heston’s son, and who played the baby Moses. I’ve watched this movie, again, dozens of times, but I never noticed the glistening diaper pen on sturdy Fraser’s diaper, as the baby laid in his willowy basket, until a giggling Orrison brought it to my attention. Yep, there it is; yet DeMille was on a tight schedule. No time to go support and factual.
In fact, I did not realize that DeMille, 75 when this film was made, suffered a devastating heart attack during production–a setback that threatened to bring the entire project to its knees, before his ambitious daughter filled in for her father, for three short days, before DeMille returned to navigate THE TEN COMMANDMENTS to its historical conclusion. This is suited stuff, and Orrison furnishes diminutive details of objective about everything in lively fashion.
So, although Chuck and the gang no longer dominate ABC entertainment on Easter evenings, THE TEN COMMANDMENTS quiet dominates the hallowed tier of yarn lexicons. This movie, after some 50 years, continues to uplift and entertain; and this collector’s edition, with its just steal of the facts, merely enhances the viewing experience.
–D. Mikels, Author, WALK-ON
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Wait Until Dark Streaming
 |
Wait Until Dark Streaming.
Movie Title: Wait Until Dark Wait Until Dark is available for streaming or downloading. |
Wait Until Unlit (1967) is based on a accepted play by Frederick Knott and directed by Terrance Young who also did the 007 classic Thunderball (1965) . The shapely Audrey Hepburn plays Susy Hendrix, a woman left recently blind by a car accident, who is learning to adjust and cope with her original perspective on life. Efrem Zimbalist Jr. is Sam Hendrix, Susy’s photographer husband, with whom she shares a basement apartment in Unique York. Also starring is Alan Arkin, Richard Crenna, and character actor Jack Weston.
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The record involves illegal substances being smuggled into the United States within a doll, and then the doll being passed along to Susy’s husband at the airport under inspiring but strictly coincidental circumstances. Alan Arkin plays Roat, a seedy character who was supposed to be the intended recipient of the doll/drugs, and Richard Crenna and Jack Weston are two thuggish types who find roped into helping Roat try to retrieve the doll.
Hepburn plays her role wonderfully, never once giving the viewer the impression that she isn’t blind. A number of subtle points are made to allude to the strengthening of her other senses, hearing, smell, etc., that one finds current with the loss of peep. As the criminals accomplish their explain plans to liberate their illicit merchandise, Hepburn’s character, being somewhat naive in the beginning, soon realizes the legal sense of the concern she’s in, and reacts perfectly within the nature of her character. Arkin plays his character(s) with the unruffled cunning of a predator hunting its’ prey, maliciously savoring the moments before the figurative slay. His beatnik appearance and demeanor veil his just produce, which is revealed later on within the unfolding of the station. This film is very suspenseful for those with the patience to follow it through to the slay. It may not have the out and out scares the title might imply, but the leisurely building of tension and suspense is palatable as the viewer is ‘in the know’ while the main character is left to struggle with the situations. Although an exceptionally strong supporting cast helps, Hepburn really makes this film, and was awarded with an Oscar nomination for her performance. She even went so far as to support a school for the visually impaired and learn to read Braille to better understand her character.
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The print on this disc looks very nice and is in wide cover anamorphic format. Special features include a featurette on the film, an essay about transferring the play to the silver mask, and trailers for the movie. This is truly a taut thriller trustworthy being released on DVD, and I am appreciative of Warner Brothers for putting it out, even if I score their plastic and cardboard packaging to be cheap and annoying.
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I learned about this movie when my mom was telling me about the scary movies of her day, and she went on about how it was one of the scariest movies she ever saw, and when she and her kid sister left the theatre, her sister was crying tall crocodile tears, claiming she’d never let herself peruse another movie again.
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While my aunt will never live that down, my mom is quiet timorous by this movie, and I can allege why. I saw it on AMC in August at midnight, and that was a mistake. This movie insecure me beyond my expectations. Audrey Hepburn was improbable as Susie Hendrix, the recently blinded woman persued by Alan Arkin, a narcotics dealer who will cessation at nothing to secure to a stash that is in Susie’s apartment.
Many claim this movie isn’t scary, but coming from a generation that grew up on Cry, Halloween, Nightmare on Elmstreet and other cheap movie’s that utilize gore and `don’t-turn-that-bend’ suprises for scares, it doesn’t mean powerful.
`Wait Until Dark’ is so powerful more than the typical slasher flick, it is a psychological thriller that takes the viewer on a roller coaster gallop to hell and doesn’t cessation turning and tossing until the last frame of film fades to shadowy. On second viewing, if you feel the *sparkle* is fading, impartial status yourself in Susie’s shoes, and you’re in for a whole novel experience.
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Praise `Wait Until Dark’ – and trust me, if you wait until dismal to behold this, you’ll be rewarded greatly with a heart-stopping finale!
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Watch Sabrina Movie Online
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Watch Sabrina Movie Online.
Movie Title: Sabrina Sabrina is available for streaming or downloading. |
I was surprised at how righteous this movie is. A remake of a movie starring Audrey Hepburn, Humphrey Bogart and William Holden, directed by one of the greats of American cinema, Billy Wilder, is not exactly the kind of task for the faint of heart. The fact that Sydney Pollack (They Shoot Horses Don’t They? (1969), Tootsie (1982), Out of Africa (1985), etc.) decided to do it must have raised a few eyebrows in Hollywood land.
And let’s unprejudiced say I had preconceptions as I sat down to scrutinize this. No scheme could this be anything reach as safe as the current. And for the first twenty minutes or so I was not dissuaded. Julia Ormond, who was given Miss Hepburn’s title role, seemed nothing far removed from ordinary; and Greg Kinnear, who played the playboy David Larrabee, seemed a dreadful imitation of William Holden. Of course Harrison Ford, I told myself, is another memoir, since he is the embodiment of the fulfillment of the desire of many woman, and a radiant, accomplished leading man. He would be, I suspected, the lone knowing state. In the new, Humphrey Bogart, a small past his prime, and in not exactly the best of moods, and not entirely cheerful with the relatively inexperienced Audrey Hepburn, played the frosty tycoon Linus Larrabee with some distracted forbearance in what many contemplate one of his lesser performances. Surely Harrison Ford could improve on that.
He did, but what really surprised me was fair how diabolically clever the oh, so romantic script by Barbara Benedek and David Rayfiel turned out to be. I mean, Cinderella recede over. Sabrina could not have achieved a more splendid existence had she died and gone to heaven. It is hard to imagine a more fulfilling fantasy for a chauffeur’s daughter than what transpires here.
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Quickly here’s the premise of this celluloid fairy tale/romance: Fine but ordinary Sabrina, born of working class parents, her father the chauffeur of the ultra rich Larrabees, grows up living above the garage in the palatial Larrabee estate. She watches the lavish parties thrown by the Larrabees from a place in a tree and falls madly in the kind of puppy appreciate that never goes away with the younger of the Larrabee brothers, David, who is the kind of guy who gives playboys a abominable name. When she comes of age, she goes away to Paris (apparently to work for a fashion magazine: in the modern Sabrina, she goes to a cooking school in Paris), picks up confidence and a unique kind of eye-popping sophistication, comes serve and…well, gets noticed.
The basic skeleton of this, the record from the first Sabrina (1954), which is dreamily romantic enough and then some, is greatly augmented here with some very glorious psychological touches including developing Sabrina’s character beyond the glorious and stylish to something bordering on the wise and mettlesome. Suffice it to say that we approach away feeling she deserves every rainbow’s demolish she gets. I can gape Benedek and Rayfiel exclaiming with riotous joy as they are writing the script (trading e-mails perhaps) : “They want romance, they want woman’s fantasy? They want Sabrina to have a pot of gold and honest cherish everlasting? How about riches beyond counting and the doting attention of the two elegant, very rich brothers? She can assume her seize. We’ve give ‘em romance, we’ll give ‘em dreams near right!” And they do. Not only that, but they retain us guessing about who gets the girl until the last possible moment, and they do that very cleverly.
Of course it helps to have professional direction by Sydney Pollack and a gorgeous cast including Harrison Ford–at his best, by the way–and Julia Ormond, a hard-working and talented actress (I hold her from Smilla’s Sense of Snow, 1997), who knows how to be cute without fawning, supported by Greg Kinnear, Nancy Marchand, John Wood and Angie Dickinson. I mention Miss Dickinson because, as the mother of a perspective bride about to throw an incredibly lavish wedding, she gets to thunder this “let them eat cake” line: “We belief we’d spend recycled paper” (for the wedding invitations) .
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The script is paunchy of similar witticisms, some verbal, some like seek candy. For example, when Sabrina removes her glasses (the usual Hollywood signal for the adolescent frightful duckling to become a attractive swan) after gaining sophistication in Paris, she quotes aptly but surprisingly from Gertrude Stein: “America is my country and Paris is my home.” (Of course Gertrude Stein never heard of Paris, Texas–but that is another film, and besides, I digress…)
I also liked it when Sabrina is in the arms of her Paris would-be lover who kisses her, and–noticing that she is not as engaged as she might me-observes with perfect decorum, “I’m embarrassed that you’re somewhere else.”
Memorable was the shot of Harrison Ford momentarily looking jealous and wound. By the intention, he has a number of fine lines, and he delivers them well. I especially liked it when he sadly confessed: “I was sent to deal with you. I sent myself.”
It is probably better if you haven’t seen the fresh and can experience this on its enjoy merits without the odiousness that sometimes comes with comparisons. Comparing Audrey Hepburn with Julia Ormond is like comparing Grace Kelly with Jennifer Lopez. They really are very different people. And comparing Billy Wilder’s 1954 film (from the play by Samuel Taylor) is a exiguous like comparing Lon Chaney’s Phantom of the Opera with Andrew Lloyd Webber’s.
Bottom line: perceive this for both Harrison Ford who wears the business-first character of the “only surviving heart donor” very well, and for Julia Ormond whose intense and beguiling performance makes us forgive her for not being Audrey Hepburn.
This remake of the 1954 Sabrina starring Audrey Hepburn and Humphrey Bogart adds its have extraordinary twist on a classic. Harrison Ford is Linus Larrabee, the eldest son of the Larrabee family who took over the reigns for his father and turned the multi-million dollar family business into some “serious cash.” Greg Kinnear makes his onscreen debut and makes the younger brother, David, into a lovable hopeless lover. Sabrina, played by the shining Julia Ormond, admires David from afar, and is the daughter of the family’s chaffeur. After a perambulate to Paris turns Sabrina into a sparkling beauty, David finds it hard to maintain his attentions on his ravishing fíance, Elizabeth Tyson (Lauren Holly) . Linus proceeds to court Sabrina for what seems to be “business purposes”, but is he really hinding his feelings for the graceful Sabrina? Nancy Marchand plays as Maude Larrabee, David’s and Linus’s mother, and has some sincere gems for lines, adding to the devilishly clever sarcasm that makes this movie absolutely hilarious. Definitely one of the best movies I know of.
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