Posts Tagged ‘actress’
It Started in Naples Streaming
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It Started in Naples Streaming.
Movie Title: It Started in Naples It Started in Naples is available for streaming or downloading. |
This charming exiguous romantic comedy directed by Melville Shavelson is one of the brightest spots in Sophia Loren’s early Hollywood films. He wisely faded Sophia’s comical talents which were often wasted by American directors. Having worked with her in another early gem, “Houseboat” with Cary Grant, Shavelson was aware of what would beget Sophia shine and here he showcases all of her many large charms.
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The DVD is presented in a enchanting and glittering print of the fabulous cinematography of Robert Surtees. One of the spacious camera men who’s credits include 1962′s “Mutiny On The Bounty”, “Quo Vadis”, “Raintree County”, and “The Last Describe Demonstrate”. He captures breathtaking shots of little and teaming Naples and the vast sunny vistas of Capri. In his hands this aesthetic fragment of Italy becomes a pretty widescreen postcard that beckons the viewer into the anecdote.
The collect by Alessandro Cicognini (Indiscretion of an American Wife) and Carlo Savina is pure Italian gold and fits the amusing proceedings perfectly. And the addition of the song Tu Vuo Fa L’Americano in Sophia’s club act is profitable. This accepted Italian song of the 1950′s resurfaced effectively in “The Talented Mr. Ripley”. It is fun to view how Sophia interprets the song for the tourists on Capri.
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Clark Gable, cast as stodgy American Michael Hamilton is gruff and amusing as he first battles and then falls for Sophia. He has many standout scenes with her and with child actor, Marietto. In particular is the scene where he and Sophia mix killer drinks for each other at the bar.
Marietto as Sophia’s nephew Nando is a minute amusing whirlwind. He is extraordinary in his naturalness in his scenes with Loren. A skinny ball of ingenuity and energy he is particularly droll when he is trying to earn his arrangement with both Loren and Gable.
The tremendous Italian director Vittorio De Sica nearly runs off with the cameras, spot and crew in his performance as Sophia’s lawyer. He works so well with her, and why not, he was her director in “Gold of Naples”, “Two Women” and the improbable “Yesterday, Today, and Tomorrow.” His speech in the courtroom scene is a standout.
All this fabulous talent surrounds Sophia Loren in what is really her demonstrate. She is pure magic as Lucia Curcio, a woman of passionate adore of life and family. She dominates the report as well she should because it is her talent as an actress and her improbable beauty that brought her to this point in her career. Her comedic turns and spend of Italian gestures turn this into a joyous romp for both her and the audience.
After viewing “It Started In Naples” you may obtain yourself singing. Tu Vuo Fa L’Italiano.
This is my celebrated movie with Sofia. She is at her most handsome and this is her most charming role. I am a colossal fan and I contain there will never be anyone as sensual with an accent that can actually negate, act and assume everyones attention the contrivance she did in this movie. The young boy Nando is also charming and captures the essence of Italian childhood in that time. I recomend this movie as a must gawk for anyone who was ever attracted to Sofia and Italy. The scenery is consuming and the yarn is attractive. Peep this movie and you’ll want to go visit Italy.
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Buy The Bucket List At Amazon!
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The Bucket List
Product: Buy The Bucket List At Amazon! List Price: —- Amazon Price: $2.99 Add to cart to see low price@ Availability: In Stock Usually ships in 24 Hours Free Shipping Available |
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- Amazon Sales Rank: #494 in Movie
- Released on: 2010-02-13
- Rating: PG-13 (Parental Guidance Suggested)
- Running time: 98 minutes
How do you measure a man’s life?
By what they’ve accomplished? According to soft-spoken cancer patient, Carter (Freeman), you measure a man’s life by who measures their lives by yours.
Edward Cole probably was a lot of people’s yardstick. He was wealthy, powerful, and he ran hospitals.
“We run hospitals–not resorts!” E. Cole (Nicholson)
If Cole hadn’t been so mercenary, he’d never have been stuck with another patient in his hospital room. At first, the very wealthy Cole doesn’t care for the soft-spoken auto mechanic, but as time goes on the two develop a friendship–and Cole begins to both share food and care for Carter.
When Edward sees Carter’s ‘Bucket List,’(a list of items he wants to accomplish before he kicks the bucket) he realizes it’s something the two of them can do–and says they should. That’s when the two cancer patients break out of the hospital and go on a world tour. Together, they write out a new bucket list and work to make each other’s dreams come true.
“Bucket List” is sentimental, predictable, and yet more than my words can encompass. The film’s not just about dying, but friendship, and finding joy to spread to others–even at the worst times in a person’s life.
In my opinion, the three best aspects of this film were Morgan Freeman’s outstanding narration and Sean Hayes’ well-done portrayal of Cole’s ever-present assistant (Thomas). Another nod goes to actress Beverly Todd, who played Virginia Chambers. Even the young girls in the film were exclaiming how amazing she looked and acted.
Warnings:
Bring tissue
If ‘laugh til you cry’ is on your ‘Bucket List,’ you can check this item off
A Bucket, Brimming Over, of Life
Selecting a category for this very fine film results in the all-encompassing label ‘mixed media’, for lack of a better term. It is smart (with an excellent script by Justin Zackham), addresses some important social issues, and it has moments of touching tenderness and equal moments of very sold comedy. AND it greatly benefits from the casting of Jack Nicholson and Morgan Freeman, two consummate actors playing out a theme that is unexpectedly a solid study of friendship and love.
Carter (Morgan Freeman) narrates the story: Carter gave up his dreams for a college education and major career to support his surprise child from his wife Virginia (Beverly Todd) and has worked as a mechanic to support his own family, including his son Roger (Alfonso Freeman, Morgan’s son in real life also!). After his children have all become successful, Carter is suddenly diagnosed with terminal cancer. He is hospitalized for chemotherapy, only to be placed in the same room with the wealthy and cantankerous owner of the hospital, Edward (Jack Nicholson) who also has been diagnosed with terminal cancer and is also in the hospital for chemotherapy. Edward’s only ‘friend’ (he has basically alienated the world through his behavior) is his assistant Thomas (an excellent Sean Hayes) who tends to his every need. Gradually the two disparate men grow into a friendship united by the common bond that they both must face impending death. Together they create ‘the bucket list’ – things they want to do before dying, and because of Edward’s wealth, they leave the hospital on a worldwide adventure of skydiving, racing cars, visiting the pyramids, etc. The manner in which these two elderly men bond casts a warm glow over the film without ever touching on the maudlin risk of communication. They simply grow in their appreciation of life as they learn from each other.
Freeman and Nicholson are in peak form here and the supporting cast is very fine. But special credit must go to director Rob Reiner for giving us yet another film about humanism that would enrich the lives of anyone who takes the time to watch this very fine film. Grady Harp, June 08
how DO you understand the measure of a life ???
The Bucket List tells the sensitive and well thought-out story of two older men who are diagnosed with cancer so severe that they have six months to live–or maybe a year if they’re lucky. Look for stunning performances from both Morgan Freeman as Carter Chambers and Jack Nicholson as Edward Cole. Beverly Todd also acts her heart out as Beverly Chambers, Carter’s wife.
The action begins when Carter Chambers, a working class black man, and Edward Cole, super-wealthy self-made rich white guy who actually owns the hospital they’re in become roommates in the oncology ward of the hospital. At first Carter and Edward don’t exactly hit it off but it isn’t long before they forge a friendship. When they each learn that by coincidence they have six months to a year to live, they embark on a trip to accomplish certain lifelong dreams and personal goals before they die. The list of things to do is called The Bucket List because it’s a list of things to do before they “kick the bucket.”
Of course, because Edward Cole is wealthy many scenes in this movie become almost miraculously possible. They travel the world by private corporate jet; and they live more in just a few weeks than most people ever do in a lifetime.
Of course, life has its ways of surprising just about any of us; so still the plot could go just about anywhere. How will Beverly, Carter’s wife, react to all this? Will she understand and remain patient while Carter lives out a few lifelong dreams or will she want her husband home NOW? Will Carter and Edward be able to keep their cool when they are stranded in Asia during a monstrous snowstorm and they are not allowed to fly? What happens if one of them gets very sick along the way? What about Edward’s refusal to make up with his daughter who disowned him long ago–will he ever decide to approach her or will he remain obstinate in his refusal to even meet with her? The results may surprise you. No plot spoilers here, folks–you’ll just have to watch the movie to find out!
As a cancer survivor who is finishing my own chemotherapy soon, I will add that some of the side-effects of the chemotherapy they receive are exaggerated. However, I think director Rob Reiner added these elements to the film to make it somewhat more dramatic.
Overall, The Bucket List is an excellent movie; and I couldn’t have enjoyed it more. Jack Nicholson and Morgan Freeman turn in superlative performances that proves these guys can still act better than the vast majority of actors ever could. Beverly Todd does a great job as Carter’s wife; and Sean Hayes also does well as Edward Cole’s personal assistant Thomas. I highly recommend this film for fans of these terrific actors; and people comfortable with the subject matter will appreciate this motion picture as well.
Watch The Straight Story Movie Online
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Watch The Straight Story Movie Online.
Movie Title: The Straight Story The Straight Story is available for streaming or downloading. |
It’s a rush of the soul as a man goes home in his heart, in this dramatization of the legal sage of Alvin Straight, who drove a lawn mower over three-hundred miles through the set of Iowa and into Wisconsin, to peer his brother, a stroke victim with whom he had not spoken for ten years. “The Straight Yarn,” directed by David Lynch, recounts the record of Alvin (Richard Farnsworth), who state out to glance his brother, Lyle (Harry Dean Stanton), upon hearing of his stroke. Alvin is prevented from driving because of terrible eyesight, and he won’t bewitch a bus because he doesn’t trust another’s driving. A widower who lives with his daughter, Rose (Sissy Spacek), Alvin, not a man of means, resorts to the only design he knows how, to score to Lyle. He needs to attach the terrible blood gradual them before it’s too late; an estrangement born of “exasperate and pride.” Hauling a make-shift trailer, and with three five-gallon cans of gas and a cooler plump of hot dogs, Alvin sets out, alone and positive, on his lawn mower. Now in the twilight of his life, having learned to “separate the wheat from the chaff,” the trail affords Alvin plenty of time to consider on his life, and steels him in his quest to do what he feels he has to do. Along the procedure he befriends and is befriended by the strangers he encounters; a testimony to the bountifulness of the human spirit. When a young man asks him what the worst thing is about being aged, he replies, “Remembering when you were young.” Richard Farnsworth gives the performance of a lifetime as Alvin, this stubborn, prideful man, who has learned humility with age, and you can inspect the wisdom of his years in his eyes. Farnsworth connects with the audience from the beginning, aptly conveying the yearning of a soul in need of atonement, and the determination of the man to attain his amends. Sissy Spacek, also, gives a terrifically nuanced performance as Rose, the “tiring,” daughter who lives daily with demons of her beget. That the members of the Academy failed to nominate her for best-supporting actress for her work here is nothing short of criminal; her Rose is a pretty share of work. David Lynch, as well, has done a great job of bringing Alvin’s epic to the camouflage. He has woven a rich visual and emotional tapestry, all poignantly delivered with a gentle hand. Beautifully photographed, the lush vistas of the Midwest deem Alvin’s position of mind, underscoring the deeper meanings of what is really a spiritual saunter, during which the past mingles with the expose. Lynch has taken a wistful, almost poetic near throughout, which, together with the record is reminiscent of Ingmar Bergman’s “Wild Strawberries.” The scene in which Alvin finally meets up with Lyle is perfectly and touchingly executed, and is one of the most memorable scenes in the movie. The supporting cast includes James Cada (Danny), Everett McGill (Tom), Barbara E. Robertson (Deer Woman), John Farley (Thorvald), and Kevin P. Farley (Harold) . With an artistic hand, Lynch has crafted an unforgettable film. “The Straight Epic” is Alvin’s narrative, but the race belongs to us; a reminder of what is really significant in life, and the needs we all fragment at one time or another. It’s an engrossing movie that will touch you and compose you deem, as well; and as far as I’m concerned, that’s about as splendid as it gets.
With ‘The Straight Story’ David Lynch has weaved together a subtle, racy narrative about age, regret, and family. The epic is of Alvin Straight, a 73 year conventional man who has seen most of what life has to dish out and learns that his brother suffered a stroke. With poor eyes and no license, he sets out on a pace on a riding lawnmower to peer his brother, who he hasn’t spoken to in ten years.
What I loved most about this movie is the simplicity; of the sage, the characters, the filming. Yet within that classic style is a movie that is incredibly enchanting. The stories that Alvin has to bellow about his life are saddening, touching, and almost hideous. He talks about being veteran, about fighting in World War II, and about his regrets of not speaking to his brother. He runs into quite a few people along the intention who succor him out, and their stories contribute to a beautifully crafted script.
Richard Farnsworth is convincing in the role of Alvin. His abilities are most especially outlined in the dusky tone of his suppose, and the sight of regret and hope in his eyes. It is rare that I have grown to respect and cherish a character so grand. David Lynch’s direction is not sunless or creepy like his other works, but carefully and nicely photographed in gargantuan harmony with the script. The cinematography is smoothe, and the extended takes reveal his abilities as a director and the actors abilities as well.
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This film is done in a classic manner, and the results are gripping in a rare plot. I sincerely hopes this film eventually gets the recognition it deserves.
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Streaming Nell Online
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Streaming Nell Online.
Movie Title: Nell Nell is available for streaming or downloading. |
While Hollywood is filled with movie stars, it can boast of only a scant few bona fide actresses. Jodie Foster, the consummate professional, is the cream of that microscopic gash, and I respect no other actor or actress on earth as noteworthy as I respect her. Nell is a testament to her unlimited talent as well as her unmatched commitment to what she does. The character of Nell is a role most actresses would never reflect taking; it’s a far too difficult challenge to meet for a film that holds itsy-bitsy promise to bring in money hand over fist. For Jodie Foster, though, what matters is the account to be told, not the glamour or the projected box office receipts. She gives an absolutely astounding performance in this film, one that has deserved far more attention than it has received; as I write this, there is not even a DVD version of the film available. If Nell is mentioned at all, it is almost always in reference to Jodie’s Foster nudity in the film, and I would like to say straight out that her nudity is very tastefully done, principal if not absolutely principal for the memoir, and in no design attractive.
Nell is a poignant, emotional drama that saddens as well as inspires you; it is the kind of tearjerker in which your tears of empathy and misfortune are accented by a smile and sense of heartwarming joy. The anecdote is location deep in the wilderness of western North Carolina, where an feeble woman has lived for years all by herself. People always belief she lived alone, at least, until she died and the local doctor discovered a pitiful woman-child hiding inside the shack, the only home she had ever known. Nell’s mother had suffered a stroke many years earlier and spoke with a pronounced speech impediment; as a result, Nell speaks a tongue that is almost completely foreign to both the local doctor and the psychiatric professional he calls in from Charlotte. Dr. Lovell (Liam Neeson) becomes a guardian angel of sorts to Nell, fighting the courts and the mental health professionals to maintain Nell in her native environment as opposed to being stuck in some institution where she will be treated as a lab subject. He gets three months to work with Nell himself, and his potential foe in the create of psychologist Paula Olsen (Natasha Richardson) becomes his ally in time, as they both work with Nell to learn her fresh language and prepare her for a life completely unlike that which she has always known. In her acquire special procedure, Nell helps the two doctors as worthy as they wait on her, yet their ability to protect her from a dire future of lonely clinical existence remains in doubt up until the very waste.
Neeson and Richardson are astounding in their roles, but Jodie Foster is simply fabulous. She had to learn a completely current, invented language as well as adopt a wide range of meaningful facial and body expressions and original mannerisms in order to narrate this “wild child” as a very actual, very human individual. Nell is easily one of Foster’s most impressive performances, and how she did not obtain an Oscar for this role is beyond me. It should also be famous that Foster produced as well as starred in this unforgettable film. The scenery, I might add in closing, is also spectacular. Filmed largely in the Nantahala National Forest in Graham County, North Carolina, a space unprejudiced west of my maintain home, Nell is a aesthetic discover to peep in more ways than one. Hollywood needs more much, enchanting films such as this.
In “Nell,” Jodie Foster wows us, as usual, with a deeply felt, passionate performance. She is Nell, the “wild child” daughter of a backwoods aphasic hermit woman, who raised her all alone with no human contact. Nell’s speech is all her acquire — it is a striking combination of a private language she had once shared with her deceased identical twin sister, and an imitation of her mother’s speech. Her mother, as I mentioned earlier, had aphasia, which includes major speech processing problems. Nell’s speech was the basis for the title of the play upon which this film was based — “Idioglossia.” (I enjoy, for anyone out there who’s into things like this, that the fair term would have been “idiolect,” as the term for a language spoken by only one person.) Natasha Richardson and Liam Neeson bring constant admire and warmth to Nell, and to the film, as medical/social-work professionals who attempt to demolish through to Nell by trying to learn her language. In the background lurk The Media, and The Scientific Establishment, both of which threaten at any moment to swoop in and gain Nell’s life glum. The film builds to a heartrending and passionate, albeit rather unrealistic, courtroom self-defence speech by Nell, in which she calls the precepts of novel civilization itself into request.
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Liam Neeson’s performance is described by one of the editorial reviewers on this page as being “at his teddy absorb best.” I assume that sounds slightly emasculating — he set aside more definite, warm energy into this film than many actors project in their entire careers. Exhibit some appreciation! Near on!
Anyone who enjoys this film should also be told about “Wild Child,” a Francois Truffaut film that deals, through decidedly less rose-colored glasses, with a lawful fable that was very similar to this one. Another film that has positive parallel resonances, in the sense of a “freakish” individual seeking a chance to be themself in the face of major obstacles coming from the scientific establishment, is “Charlie,” starring Cliff Robertson and Claire Bloom.
I plan about giving this movie four stars, only because it puts Nell in the rather unrealistic location of delivering a profound courtroom speech. I decided to go with five, however, because the basic energy of the movie is so terrific. Absolutely worth checking out.
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John Grisham’s The Rainmaker Discount.
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John Grisham’s The Rainmaker Discount.
Compare & Purchase John Grisham’s The Rainmaker at Amazon by clicking here! List Price: —- Amazon Price: $9.99 |
John Grisham’s The Rainmaker Description:
- Amazon Sales Rank: #15600 in Movie
- Released on: 2009-03-02
- Rating: PG-13 (Parental Guidance Suggested)
- Running time: 136 minutes
Customer Reviews:
Great Movie, Fair Disc
The Rainmaker 2.35:1/Dolby Digital 5.1 Paramount Pictures
The first adaptation of a John Grisham tale that I’ve really enjoyed, “The Rainmaker”, directed by Francis Ford Coppola, looks at the life of a poor young Southern lawer, Rudy Baylor(Matt Damon, in a great performance) as he battles against an insurance company and it’s staff of lawers(led by Jon Voight).
Baylor is battling for Donny Ray Black, a young man who’s insurance claims have been turned down time and time again; Kelly Riker(Claire Danes), who lives in continuing fear of her abusive husband and Miss Birdie, an older woman who simply wants to keep her money from her greedy offspring.
This is really the best of the Grisham adaptations and I’m fairly positive it’s the hand of director Coppola that has it rising above the rest; the film is crowd-pleasing sure, but it’s also very smart and very well acted, with a lot of rich dialogue and some very interesting and entertaining characters. Danny Devito, as Damon’s aid, has a lot of fun in a great performance; like in “LA Confidential”, we’re seeing Devito as his absolute peak lately. He’s been picking bigger and especially, much better roles lately. Matt Damon’s first major performance in this film is also very well done, yet another in his line of subtle, wonderful performances along with “Courage Under Fire” and “Good Will Hunting.” Much like Damon’s last film “Rounders”, I also thought his narration in this film was well done and well written(by Michael Herr)
Overall, it’s an excellent film, well directed, acted and written. It’s a well-told tale by Ford Coppola and it’s highly entertaining. “The Rainmaker” was one of my picks for the top 10 films of 1997.
The DVD: Picture: Well, where there’s good, there’s also bad. It’s unfortunate that Paramount did an unsatisfactory job with this disc. Colors are not terribly well defined or vibrant; contrast is only fair; the whole disc looks, to my eyes, like an “okay” laserdisc would. There is definitely a noticeable amount of pixelization and some shimmering. It makes a point I was talking about with another person a couple of weeks ago all the more apparent to me. I said, “the best DVD material will absolutely blow your mind; at worst, it’ll make you shrug your shoulders and say, ‘well, that’s sort of okay’ “. “The Rainmaker” simply made me shrug my shoulders in dissapointment. It’s probably the least impressive picture transfer in my collection of discs, and that’s too bad since this is really a great film that deserves a great disc. In a time where Tristar is making discs that look as good as “Godzilla”, there’s no excuse for a film that’s not terribly old like “The Rainmaker” to look like this. It looked this way on my Panasonic A110. Hopefully, although I highly doubt it, people will have better luck on other players.
Audio:Pretty good. It’s definitely a dialogue film, backed by a nice, subtle score. Both are well recorded and pleasant to listen to. Nothing terribly mind-blowing. Again, the annoying problem is still there; you can not switch the audio during the film, only from the menu. Try during the film and you’re out of luck.
Menus: Very weak. The picture on the front of the box with some simplistic bordering and big, dull buttons.
Extras:Nothing. No 16×9, No Trailer, Not A Thing. Absolutely zero.
Overall: It’s a great film and if you liked the film as much as I did, it’s worth a purchase at some of the very low prices found on the internet, but after watching this disc, I would *definitely* not pay full price for it. If you’re considering it, I’d highly suggest a rental first, unless you like the movie itself as much as I did.
Film:**** Picture:* 1/2 Audio:** 1/2 Extras:Zero Menus:Zero
Overall Disc Quality:**
This is Damon’s show.
Matt Damon was a relative unknown when he was tapped to play the hero of “The Rainmaker”, based on a novel by John Grisham & directed by Francis Ford Coppola. It was a twist of fate that launched Damon’s career and definitely lifted this movie. (Ironically, Matthew McConaughey got his start the same way- being an unknown cast in a movie based on a Grisham novel.)
The plot is a classic David-vs-Goliath story- fresh out of law school Matt Damon sues an insurance company for denying treatment to a family with cancer. Ultimately Damon triumphs- the righteous cause succees and the system works. Damon is a major talent, as evidenced by his performance in this film. He’s shy, unsure of himself, but basically a good person committed to doing what’s right.
I wasn’t too impressed by the rest of the cast- Claire Danes is a talented actress but fails to shine here. Danny DeVito is okay as Damon’s law partner, and Jon Voight comes across as a none-too-interesting arrogant villain. The rest of the cast? Nobody stands out- this is Damon’s show.
What impressed me about “The Rainmaker” was its hard, unflinching portrayal of the legal profession. A lawyer’s life is not glamorous and does not necessarily guarantee a huge paycheck. Those quick to criticize lawyers ought to take some law courses before they open their mouths- the road to becoming a lawyer is rough and a considerable commitment of both your time and financial resources. Despite his law degree, Damon’s financial picture at the beginning of the film is decidedly precarious.
Watch “The Rainmaker” along with “A Civil Action” and “Erin Brockovich” to get a pretty good idea about the way the law works & how courts give the little people an avenue to even up with big shots like corporations and insurance companies. Watch this movie in particular to see a terrific performance from Matt Damon.
Heartwarming. Satisfying. Vindicating. Heroic,
I wasn’t expecting much when I dropped this 1998 movie into the DVD player…
There is a lot to commend itself. Matt Damon gives a convincing performance of a wet-behind-the-ears lawyer who finds himself with a big case on his hands just as he passes the bar exam! Danny Devito is slimy, shady, sarcastic, and sleazy (in other words, perfect Devito) as Damon’s partner.
The main story involves a poor family whose son is denied needed medical treatment for leukemia. The sleazy Big Insurance Company has denied his claim and betting that they will not press the matter. They bet wrong! Our hero, guided by some unlikely supporters and a sympathetic judge (Dixon from Alias), come to the rescue.
The pieces fit together quite nicely. Justice is served, bad guys are taken down, and Matt Damon establishes himself as an unlikely, unwilling hero and endears himself to the pretty girl in the process.
Nothing wrong with this story or this film. Very delightful and satisfying in every respect.
First Daughter-Retail —-! Sale Only $2.99!
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First Daughter-Retail —-! Sale Only $2.99!
Compare & Purchase First Daughter at Amazon by clicking here! List Price: —- Amazon Price: $2.99 |
First Daughter Description:
- Amazon Sales Rank: #10016 in Movie
- Released on: 2008-10-14
- Rating: PG (Parental Guidance Suggested)
- Running time: 105 minutes
Customer Reviews:
Keaton and Holmes were wonderful, plus great soundtrack
I thought “First Daughter” was beautifully acted; the wonderful soundtrack also did much to enhance the movie. I totally fell in love with Katie Holmes and Michael Keaton’s characters; both acted their roles so convincingly. Holmes is adorable and sweet as the First Daughter; Keaton is a mix of the cool and adoring (and funny!) father who’s also fiercely protective of his only child. Their scenes together are very charming – I loved when they shared midnight chocolate cake and when they danced at the Inaugural Ball in one of the last scenes. Keaton’s President character makes you wish that he actually was the President. The soundtrack is fantastic too and leaves me wondering why it was never released as an audio CD. I especially loved the songs they played when Sam and her parents were being driven to her school and when Sam, Mia, and the group were frolicking on the water slide. Also, if you are a fan of Sinatra’s “The Way You Look Tonight”, there are two dancing scenes set to two different arrangements of the song – magical! I didn’t want this movie to end and kept re-playing my favorite scenes, with the volume turned all the way up of course!
LOVE IT!!!!!!!!!!
This movie is great! I love Katie Holmes’ character. It is about a girl (Katie) who’s dad is the president, and she has to adapt to being the “president’s daughter” (First Daughter). She is going off to college, and wants to fit in. She does some crazy stunts, and her dad drops in the polls. She then has to decide between her crazy new lifestyle, or her father. A GREAT MOVIE!!!!!!!!!!!!!!!!!!
The President’ Daughter Spends Her First Time Away from Home
What is life like for the daughter of the U.S. president when it comes time to cut the apron strings and move to another state to attend college? This is the main idea behind “First Daughter”, a film about a girl who has spent most of her life in the spotlight and longs to be treated like an ordinary person.
This movie follows a typical movie formula. We have all seen plenty of films involving young adults moving away to go to college and this movie isn’t much different. It follows this young girl as she moves far away from her parent’s residence at the White House; gets followed around by security personnel; meets a guy and falls for him; and struggles with the media to protect her privacy and reputation.
What makes this movie fail in the end is its lack of any real story and the lack of any feeling for the characters. Michael Keaton’s portrayal as the U.S. president isn’t that good, and you really get annoyed by his indifference toward his daughter. Actress Margaret Colin seems out of place as well. She plays Keaton’s wife, and she has very little to say in this movie.
If there is anything redeeming about this film, it would have to be Katie Holmes in the lead role. Katie is a pretty woman, but in a cute and innocent way. This makes her character that much more compelling. She seems so helpless and so sweet, you can’t help but root for her to triumph over the media and its annoying and unethical treatment of her. And you hope she can work things out with her parents and live the life she wants to live without interference.
Overall, this isn’t a very good movie. It isn’t terrible, but it is mostly predictable and the performances (with the exception of Katie Holmes) are not very memorable. It’s the type of film that will be enjoyed most by people who can relate to it; i.e, teenagers and college students who can empathize with the young woman’s problems and concerns.
Lost in Translation Review.
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Lost in Translation Review.
Compare & Purchase Lost in Translation at Amazon by clicking here! List Price: —- Amazon Price: $2.99 |
Lost in Translation Description:
- Amazon Sales Rank: #1521 in Movie
- Released on: 2008-09-11
- Rating: R (Restricted)
- Running time: 103 minutes
Customer Reviews:
Lonely Days, Lonely Nights
Bill Murray is Bob Harris, a once popular American actor who now, in his middle-age, has found more acceptance and money from the people of Japan than from his own country. He arrives at a prestigious hotel in Tokyo and is given a royal treatment by his greeters and hosts. He is by himself in the land of the rising sun, his wife and kids having stayed behing in the US while he travels across the globe to do some liquor commercials. This Tokyo excursion will take about a week, and the monetary reward will be quite handsome. Contrast this with Charlotte (Scarlett Johansson), who is at the same hotel tagging along with her photographer husband, John (Giovanni Ribisi), as he does a multiple-day photo shoot. John is at work most of the time, and so Charlotte is by herself at the hotel, her attempts to keep from being bored proving fruitless. Both Bob and Charlotte are married people, but they are also very lonely people, and that is what “Lost In Translation” is all about.
Bob and Charlotte catch glimpses of one another at different places in the hotel, and finally decide to converse in earnest at the hotel bar. The entire plot of the film is about these two people getting to know each other. The story revolves around them. In fact, the story *is* them. Bob, in his early-fifties, is old enough to be Charlotte’s dad, but that doesn’t matter here. It’s not about age. It’s about the place, and the points that each of these people are at in their lives. Bob loves his children very much, but we do not sense he feels the same for his wife. We hear her on the phone when she calls him, and the same weary sentiment seems to flow from her voice. They are becoming a couple in name only. Then there’s Charlotte & John. Both are young, and both are self-possessed. John is into his photography to the point of neglecting Charlotte. But we get the idea that even if gave her more attention, Charlotte might not really warm up to him. She has issues of her own. If Bob is going through a mid-life crisis, then Charlotte seems to be going through a young-life crisis.
“Lost In Translation” is about being alone. Loneliness doesn’t always mean that someone is physically separated from loved ones or from people in general. One can be alone in the middle of a crowded room. Such is the case with Bob & Charlotte. They’re in Japan for a week. They don’t really speak the language. Bob’s wife is in the US, and Charlotte’s husband is always at a photo shoot. The two lost souls find each other at the hotel, spend time with one another, and even sleep in the same bed together. But we know that while this is providing a small comfort for the time being, it is not a lasting solution to their problems. And we also understand that both Bob and Charlotte — even if Bob’s wife were in Tokyo with him, and John was by Charlotte’s side all the time — would still be lonely. Their life struggles lie deeper than what one person can provide, especially the persons they have chosen to settle down with.
This is probably Bill Murray’s most understated performance, and it works brilliantly. He lets you in on Bob’s emotions without betraying too much sentimentality. He conveys so much with just a smile, a frown, his body language, or simply the look in his eyes. He should get an Oscar nomination for this. Scarlett Johansson, who left me unimpressed in the movie “Ghost World” a few years ago, is excellent in her role here. She portrays Charlotte as a deep, troubled, yet intelligent young woman and, like her co-star, does it without overstating it. She spends much of her screen time walking around a hotel room in her pink panties, and does it so simply and matter-of-factly that it becomes both vulnerable and sexy at the same time. Johansson is definitely an actress to watch for in the coming years.
Sofia Coppola has succeeded in creating a sliver of time & place with “Lost In Translation”. It creates two of the most realistic characters to ever grace the cinema. You forget this is a movie, and start to really care for these people as though they really exist. And you get the feeling that this is a single, solitary moment that will be over with and then fondly remembered by the characters for a long time to come. This sweeps over you before the film is even over, much like when you are in the middle of a special occurence or event in your own life, and you stop and think about the fact that at one point – very soon – it will cease to be the present, and will instead become only a nostalgic memory.
And there you have “Lost In Translation”
A classic for grown-ups
This movie is slow paced. However I didn’t find it boring at all. I loved the scenery and the small glimpses into everyday Japanese life, all meshed together with this love story of two people brought together by loneliness and uncertainty, with a musical soundtrack that brings out the best in all of it.
After watching this film, the first thing that sprang to my mind was that I’m so glad I don’t rely on Amazon reviewers to make a decision about whether I am going to see a film or not. That’s almost as dumb as asking a fifteen year old to sit through it and not go crazy or pass out. This film is too mature, dealing with grown-up questions, situations and problems that the kiddies here have yet to grasp.
Bill Murray’s character is going through a midlife crisis; Scarlet Johansen’s is tormented that she cannot seem to discover her purpose in life. Both are trapped in a place where they know no one, and understand nothing. They gravitate to one another and fall into a kind of love that is very unique, but also not at all uncommon under the circumstances. They don’t pursue it physically, because they live in a real world with real consequences and have to respect the promises they made to people they both still love.
No kid fresh out of tenth grade will ever be able to comprehend these emotions… no wonder most of these reviews are from people who were bored stiff. “No sex? No violence? This movie SUCKS”, seems to be the way it works with these Amazon reviews.
Too bad. Maybe when they all grow up they’ll get it. I recommend this movie to grown ups who like minimalist dramas and romantic comedies. If you’re expecting a samurai to jump out with a sword, pass this movie up. This film is about human emotions.
Marvelous – subtle, moving; one of the great films of 2003
I saw Translation for the first time and liked it, but didn’t really know what they saw in the movie that was so beyond-belief spectacular. But alas, I believe that every movie deserves a second chance, so recently I sat down and experienced director Sophia Coppola’s Lost In Translation again.
Lost in Translation tells the story of Bob Harris (Bill Murray in a role tailor-made, if not even Heaven-sent for him), an American movie star that comes to Tokyo to film a whiskey commerical for which he will be paid 2 million bucks. Staying in the same Tokyo hotel is Charlotte (Scarlett Johanssen, radiant and mature at only 18), a newlywed tagging along with her rock photographer husband, John (a typically awkward Giovanni Ribisi). Along the way, Charlotte and Bob run into each other and begin a ‘brief encounter’ that profoundly affects them both.
When the movie hits you right, it’s a pure pleasure from its unassuming start (a beautifully lit shot up Johanssen’s underwear-clothed behind) to its ambiguous but meaningful ending. It begins as a comedy of culture clash, Harris sarcastic and confused at the Japanese when entering his hotel, and even more befuddled in a hilarious scene where he shoots the whiskey commercial. Coppola delivers Bob into her movie with the impression that it’ll be all about him, but Charlotte enters the story, and we’re never quite the same. Scarlett Johanssen plays Charlotte with just the right amount of emotion that her initially morose and soul-searching character doesn’t seem silly. At one point, she tearfully admits over the phone, “I don’t know who I married.” Bob, on the other hand, seems to have it made, but Murray lets a current of loneliness run across that memorable face. He gets comical faxes from his wife about bookshelves and carpet samples, but he gives off the impression that he’s come to the point where he doesn’t even care anymore. Bob is certainly alone for a time in Tokyo, but Murray alludes that things at home aren’t too hot either.
For the first third of the movie, director Coppola displays her first brave choice in filmmaking by keeping Bob and Charlotte apart. Upon my first viewing of Translation, I wasn’t convinced of Coppola’s choice to keep the movie so predominantly low-key, but I’ve realized that there’s a reason for it. The movie sustains this amazing vibe that doesn’t stunt its progress, but propels it with a driving fluidity. A few times, though, Bob and Charlotte do see each other without officially meeting. One time in particular occurs in a crowded elevator – the two glance at each other, faintly smile, and possibility is born. The first section of the film doesn’t just serve to show its two characters completely apart – it makes you think of how many life-changing connections you’ve missed in the past by just being passive and solitary.
The two meet and begin voyages out into the hustle and bustle of Tokyo, and the film takes on a perspective that differs from its earlier view. Before, we saw Bob Harris and Charlotte, respectively, at their most private and vulnerable. While out on the town, the film seems to sit back and just let them have fun. Thank God, for Bill Murray’s rousing rendition of Elvis Costello’s “(What’s So Funny ‘Bout) Peace, Love, and Understanding” is a blast. During this time, it seems that Bob and Charlotte have forgotten their insomnia and loneliness, but it’s not gone forever. Even during their night on the town, we see moments where they sit silently, pensive and confused. The movie is a comedy in some sense, but it escalates into a pervading tragic feel. At one point, Charlotte says to Bob: “Let’s never come back here again, because it will never be as much fun.” They had fun, but only in the sense of putting off more loneliness.
It takes a while, but the motivations of each character become fully-realized in a marvelous scene where Bob and Charlottelay fully-clothed in bed together. Here, they handle the ‘big’ questions in life, and not “Where did you go to college?” or “What did you want to be when you were little?” but “What is my purpose?” and “Does marraige get easier?” I was amazed at the honesty of the character’s responses. Bob relates to Charlotte the experience of having children and the ongoing struggles of marraige, but a tinge of fear and apprehension runs through his speech. Charlotte hasn’t really figured things out for herself yet – she says she’s tried just about everything but hasn’t found that niche. Coppola’s screenplay makes the statement that both are in the same exact emotional limbo. Charlotte is confused and worried, but Bob is regretful and washed-up. In a way, these two are some form of deeply odd soul-mates. That is the heart and soul of Coppola’s amazing work.
Translation has great comedic flair with Murray’s wonderful work, but it’s also perhaps one of the saddest and most moving films I’ve seen in a long time. It’s some form of a romance, too, but it’s not about when they’ll kiss or when they’ll hit the sheets. It also has that Affair to Remember vibe too, where the journey of two souls that find comfort will eventually have to come to an end. Its end, though, defies classification, as does the rest of the film. Coppola simply lets her two amazing leads do the work. When the film does arrive at its final, ambiguous moment, it all just seems perfect. The catchy Japan-pop soundtrack that runs brilliantly throughout the film begins to play, and I find myself with a huge regret: that I won’t be able to savor the subtle chemistry of Bob and Charlotte, and that a flat-out masterpiece in American film is at its end.
Streaming 11:14 Online
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Streaming 11:14 Online.
Movie Title: 11:14 11:14 is available for streaming or downloading. |
“11:14″ is writer/director Greg Marcks’ first feature film, and it is a fresh and riveting sight at the randomness of life, and how our lives interconnect amid the chaos of it. Starting with the imaginative titles, it’s keeps one’s interest for all of its 85 runt length. All the action takes status on a single night in “Middletown”, which represents any runt USA town, the kind that closes up by 9 PM. Only 10 characters (as well as an overworked policeman and 2 paramedics) are left to obtain a position so clever one can peek this film several times, and be entertained by it.
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The ensemble cast is astonishing, with Patrick Swayze (wearing a “tubby suit” to conceal his athletic physique) as Frank, the father of devious wench Cheri (Rachael Leigh Cook) and husband of Norma (Barbara Hershey) . There is honorable interaction between Buzzy and Duffy, 2 convenience store clerks, superbly played by Hilary Swank and Shawn Hatosy. Others in the graceful cast include Henry Thomas as Jack, Clark Gregg as the beleaguered cop, and Stark Sands, Colin Hanks, and Ben Foster, as 3 kids out for a night of fun and mayhem.
Filmed on a shoestring in 26 nights in Altadena, California, Marcks was only 24 when he wrote the script, and filmed it a year later. He is very explain, and the agreeable DVD extras include informative commentary by him, as well as a “making of” featurette, deleted scenes (the final one is terrific), and more. The music by Clint Mansell is also spacious and adds mighty to the film. Marcks says about the randomness of life that “perhaps there is a larger obtain…but we’re incapable of seeing it”, and the film is also about choices, whether or not one takes responsibility for those choices, and how they affect other people. Though some may pick up this film too bizarre, it is is a shimmering debut for Marcks, and I eagerly view forward to seeing his future work.
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Its a shame that I never even heard of this movie except by chance on amazon.com’s list of “best movies you’ve never even heard of” (or something like that) . As I read the list of actors in the film, I was surprised how this one fell through the cracks. It has Henry Thomas, Patrick Swayze, Barbara Hershey, Hilary Swank, Colin Hanks, Rachel Leigh Cook, and the always pleasant Sean Hatosy. With a cast like that, how did it not gain the kind of media attention that “Shatter” got?
Maybe because it was made by a debut “Generation X” director, Greg Marcks. Like “Donnie Darko” director Richard Kelly before him, Marcks got shafted on the publicity machine. I saw “Shatter” in theaters and really liked it. But for all its clever coincidences, I found the account quite unbelievably contrived (as the film characters are connected in surprising ways, which takes area in the grand megatropolis of Los Angeles) . When I read the description for “11:14″, it sounded a lot like “Demolish” but came out a year or two earlier. After watching it, let me squawk you…I have never had such a mind-blowing experience watching a film before. This film had me riveted as I watched how all the myth segments plunge into spot. By the raze of the movie, I was like “whoa!” Lustrous, man. Absolutely knowing!
Like the movie “Rupture”, this one involves a couple car accidents and the ways the people fervent are all connected to one another. To affirm any more is to destroy the film experience. All I can say is that the performances were really generous. I’ve been a fan of Henry Thomas since “E.T.”, since he is the same age as me and I related to his Elliot character serve then. He’s a first-rate actor who deserves to be in more films. Patrick Swayze in this reminds me of the cramped but pivotal role he played in “Donnie Darko”, which leads me to wonder why he’s playing in such minor roles, being directed by Generation X director. Barbara Hershey, another actress I like from the 1980s, seems to reprise her role in the film “Lantana”, but this role is simply too exiguous, but she manages it well. However, I assume this film showcases the talents of Sean Hatosy, who is becoming one of my well-liked actors by how well he makes his facial expressions. From “Soldier Girl” to “Faith of My Fathers” to “11:14″, I really hope his career launches into more leading man site or at least a buddy film. He is definitely the actor to witness.
When the final scene occurs and all the pieces drop together, I was so amazed by its brilliance that I had to glimpse it again, and then again with the director’s commentary track. This is a film that I would’ve seen in theaters had it been better publicized and distributed. As far as first films go, you can’t gather better than this. Like director Richard Kelly, I maintain Greg Marcks is another one to notice. If you enjoyed “Rupture” and “Memento”, you’ll probably worship this film as well. And memo to Hollywood…don’t be terrified to capture risks on unconventional storylines. This movie far exceeds the formulaic action/romantic-comedy/suspense films you dish out to audiences year after year. This film leaves a lasting impression and really blows your mind away with its implication. Its what every viewer wants to experience when they explore a movie.
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Stream The Complete Sherlock Holmes Collection Movie Online
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Stream The Complete Sherlock Holmes Collection Movie Online.
Movie Title: The Complete Sherlock Holmes Collection The Complete Sherlock Holmes Collection is available for streaming or downloading. Click Here to Stream or Download The Complete Sherlock Holmes Collection |
MPI Home Video has made a terrific decision here, combining all of its previously released DVD boxed sets of this classic 14-film series into one affordable package. It is a must retract for any Sherlock Holmes fan, or anyone who enjoys classic mysteries, who does not already have all of these fantastic films.
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When these were first released on DVD it was truly a cause for celebration, as it represented the completed painstaking restoration of all 14 classic films by Basil Rathbone and Nigel Bruce.
The UCLA Theatre Archives did an award-winning job in restoring and thus preserving these grand films from 35mm master copies into the digital format, sometimes literally being forced to fraction together the celluloid remnants that they found.
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It took the archivists several years to complete the entire project, but was well worth the wait. The result is that the dark and white images seem as modern today as when the films were released to theatres more than 40 years ago. The archivists deserve a hearty thanks from all movie fans concerned with preserving America’s classic cinema heritage for future generations to relish.
This boxed place includes a facinating feature on what it took to restore the films. Well worth watching, it’s extraordinary that it’s included.
Atmospherically, “The Hound of the Baskervilles” is arguably the best of the 14 Holmes films, and the only one based specifically on a Conan Doyle narrative. It, and “The Adventures of Sherlock Holmes,” are the only two “period” films in the series and speed longer, the remainder taking status in then modern-day England and America of the behind 30s and early 40s and rush about 90 minutes each.
Because the “regular” series was made during World War II, there are many references to it, as well as some facinating patriotic drum beating on the fragment of Holmes that concludes many of the films.
In both “Hound” and “Adventures,” Holmes dons his deerstalker cap, popularized by recent Strand Magazine illustrator Sidney Paget who made the image synonymous with the spacious detective. It is enthralling to price that in the first of the non-period films in the series, Holmes reaches for his handy deerstalker, but is stopped by Watson. “Holmes,” Watson said, “you promised.” Leaving the deerstalker on the peg, Holmes grabs a “original” hat instead.
Rathbone is especially piquant in “Hound of the Baskervilles,” and is partnered by Bruce, who plays a bumbling Watson throughout the 14 films that was not Conan Doyle’s vision of the big sleuth’s biographical “Boswell.” Nonetheless, the pairing is hugely inspiring and satisfying.
The creation of the moor, the obnoxious grimpen mire and truly repulsive hound remains amazing and does noteworthy to engender this memoir as one of Conan Doyle’s most current with modern-day
readers and viewers alike.
The final scene represents the only reference any of the 14 films made to Holmes’ “seven-percent” cocaine habit as Rathbone asks Bruce to retrieve “the needle.” The scene, criticized as too risque by 1939 audiences, caused the film’s producers to obtain a conscious decision to omit any additional mention of Holmes’ recreational drug employ in future outings.
All of the films are really exquisite and acquire up wonderfully well under command viewings. For me, two of the best films of the “regular” series are The Scarlet Claw, where a village believes the supernatural is at work killing people, and Sherlock Holmes Faces Death, where Holmes must solve the riddle of the Musgrave Ritual.
Not matter your age, these films voice hours of enjoyment, and thanks to the UCLA Theater Archives and MPI, will for generations to near. I only wish that Rathbone and Bruce had lived to survey their gigantic work released to modern audiences in this pristine DVD condition.
Philip St. John Basil Rathbone (13 June 1892, Johannesburg–21 July 1967, Modern York) and William Nigel Bruce (4 Sep. 1895, Ensenada–8 Oct 1953, Santa Monica) starred in 14 Sherlock-Holmes films as, respectively, Holmes and Watson. The first two films (1939) are period pieces whereas the last 12 (1942-46) are contemporary (“novel”) .
“The complete Sherlock Holmes collection” is a 6/06 reissue on 5 DVDs of a 14-DVD residence (in 5 boxes) previously issued by MPI 10/03-4/04. The reissues by MPI, which involve restorations of the 1942-46 films, have been critically acclaimed. This review thus fair compares the 2006 and 2003-04 sets of reissues (this review also supplements the previous two reviews by R. Smith, 7/18, and E. Hornaday, 4/10) :
OVERVIEW: 2006 reissue = 14 films on 5 DVDs (peruse below for track listing) in 1 box 1 1/4″ wide VERSUS 2003-04 reissue = 14 films on 14 DVDs in 5 boxes totaling 4 3/8″ wide.
DVD CONTENT: Same in both reissues except the 2006 box plot has for “Dressed to slay” an added (i.e., unfortunately, not on the earlier issues) commentary by actress Patricia Morison and Holmes scholars David Gregory and Richard Valley.
BOOKLET/INSERT AND TEXT CONTENT: The 2006 box place has 2 pages of text besides the front hide. The 2003-04 reissues have 5 booklets (“production notes”) written by Richard Valley, 8 pages each for “Hound” and “Adventures,” 16 pages each for volumes 1-3. Although there is some overlap material, these 64 pages have many pictures and have noteworthy information on the 14 films, including cast listings.
SUMMARY OF PROS AND CONS OF 2006 BOX SET:
PROS: (1) powerful less expensive–$129.99 list ($119.99 Amazon in 7/06) versus $249.90 list ($224.95 Amazon in 7/06) ; (2) takes about 3″ less shelf space; (3) more convenient to rush only 5 DVDs than 14; (4) added commentary for “Dressed to demolish.”
CONS: (1) no booklet insert and thus almost no information on the films included–a major deficiency; (2) appearance rather stark, with only 1 relate of Rathbone on the box (a pic of Bruce should also have been included) ; (3) flimsy cardboard case with 5 slim positive plastic DVD holders that fold out clumsily with the back of a cloth puller and that are awkwardly hinged with only cellophane tape (and thus becoming easily unhinged, that is, DVD trays 1-4 separating from tray 5) .
TRACK LISTING (dates from IMDb, times by reviewer) :
DVD #1:
Introduction by restorer Robert Gitt (2003) –TT0:4:38
(film 1) The hound of the Baskervilles (Mar. 1939) –TT1:19:38 (13 scenes), with commentary by David Stuart Davies
(film 2) The adventures of Sherlock Holmes (Sep. 1939) –TT1:21:37 (13 scenes), with commentary by Richard Valley
(film 3) Sherlock Holmes and the allege of fear (Sep. 1942) –TT1:05:17 + 12-second war-bond trailer (11 scenes)
DVD #2:
(film 4) Sherlock Holmes and the secret weapon (Jan. 1943) –TT1:08:23 + 12-second war-bond trailer (12 scenes)
(film 5) Sherlock Holmes in Washington (Apr. 1943) –TT1:11:20 + 12-second war-bond trailer (13 scenes)
(film 6) Sherlock Holmes faces death (Sep. 1943) –TT1:07:54 + 12-second war-bond trailer (12 scenes), with commentary by David Stuart Davies
DVD #3:
(film 7) Sherlock Holmes and the spider woman (Jan. 1944) –TT1:02:00 + 12-second war-bond trailer (12 scenes)
(film 
The scarlet claw (May 1944) –TT1:13:48, but no war-bond trailer (11 scenes), with commentary by David Stuart Davies
(film 9) The pearl of death (Aug. 1944) –TT1:08:29 + 12-second war-bond trailer (12 scenes)
Note: From “The scarlet claw” onward “Sherlock Holmes” was dropped from the titles to appeal to a wider audience.
DVD #4:
(film 10) The house of horror (Mar. 1945) –TT1:09:06, but no war-bond trailer (14 scenes)
(film 11) The woman in green (June 1945) –TT1:07:32 + 12-second war-bond trailer (12 scenes), with commentary by David Stuart Davies
(film 12) Pursuit to Algiers (Oct. 1945) –TT1:05:05 (12 scenes)
DVD #5:
(film 13) Apprehension by night (Feb. 1946) –TT0:59:40 (13 scenes)
(film 14) Dressed to extinguish (May 1946) –TT1:11:50 (13 scenes), with commentary by actress Patricia Morison and Holmes scholars David Gregory and Richard Valley
Additional bonus material:
(a) Photo galleries 1-5 (each TT0:2:35 with same musical background) : gallery 1 = of Hound; gallery 2 = of Adventures; galleries 3-5 = of films 3-6, 7-10, 11-14, respectively
(b) Theatrical trailers (6, not restored–for films 7-10, 13, 14–TT0:7:05)
(c) Footage of Sir Arthur Conan Doyle–TT0:1:15. Note: This is from a summer 1927 Movietone film of Conan Doyle (1859-1930) and is distinguished abbreviated. The film is TT0:11:45 on the 2001 DVD of “Awe by night” by Focus Films.
FINAL COMMENT: The 2006 box situation crams 3 films on one DVD (e.g., DVD #1 with 232 min.) . Some compression may be enthusiastic, but film quality seems equal to the 2003-04 issues with only one film per DVD.
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Baby Boom Lowest Price!
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Baby Boom
Product: Baby Boom Lowest Price! List Price: —- Amazon Price: $2.99 Add to cart to see low price@ Availability: In Stock Usually ships in 24 Hours Free Shipping Available |
- Amazon Sales Rank: #3728 in Movie
- Released on: 2009-12-16
- Rating: PG (Parental Guidance Suggested)
- Running time: 111 minutes
She Did It Her Way!
This review refers to MGM’s DVD edition of “Baby Boom”…..
They call her “The Tiger Lady”. She’s a woman of the 80′s.She’s a high powered ad exec,with a six figure income,has an apartment to die for, which she shares with her significant(but slightly dull)other(also a six figure income),and is about to become a partner in the firm.She’s J.C.Wiatt,a real go-getter. She has it all. Or does she?
Diane Keaton turns in a touching and funny performance as this dynamic woman, whose life is suddenly turned upside-down by a surprising inheritance. No, not money or a family heirloom, this inheritance is “Elizabeth”….a bouncing bundle of joy who melts the heart of the Tiger Lady and will melt yours as well.A toddler was not part of J.C.’s plan.How will she juggle her career and motherhood? And what about romance,can that ever be part of her future now? It doesn’t look good. But when life hands J.C. Wiatt lemons(and a baby)…she does it her way…she makes applesauce!
Written by Nancy Meyers and Charles Shyer(who also directed), it is a nostalgic look back at the evolving baby boomer.A marvelous supporting cast includes Harold Ramis, Sam Wanamaker,Sam Shepard, and James Spader as the protoge from hell. It’s a sweet and funny feel good tale. The music by Bill Conti gives the perfect feel to the story.
The DVD is presented in widescreen(1.85:1) and the sound is in Dolby Digital stereo surround. The picture is good. Not the shaprest I’ve seen on a film this recent, but a nice view.The surround sound is nice. The music and dialouge both clear and disguinishable.There is a theatrical trailer and it may be viewed in French(also stereo) and has subtitles in French and Spanish, but none in English. If you are interested in this film and are needing English subtitles, there is a German edition(PAL)with English captioning out there. I did not see it sold here at Amazon though.
“Baby Boom” is a fun romantic comedy that was nominated for Golden Globes for Best Motion Picture(Comedy/Musical) and Best Actress(Comedy/Musical).4 stars.
Thanx and enjoy……Laurie
DIANE KEATON IS MAGIC
Baby Boom remains one of my favorite silly movies — featuring so many enticing and amusing elements, it is like a terrific turkey sandwich the day after Thanksgiving, with loads of mayo. Diane Keaton, always one of my personal favorites, displays her usual charm and actually makes you laugh out loud at many points throughout. Her Tiger Lady is one of the best caricatures of a shark-like corporate female ever, and her blossoming softness, courtesy of that adorable baby girl, is a joy to behold. The settings, from the hustle-bustle of a cheerfully skewed Manhattan office and environs, to the Christmas-card perfection (but don’t be fooled!) of a Vermont farmhouse, pull you in, and add color to a predictable but funny plot. Sam Shepard lends his trademark subtlety and attractiveness as a Vermont vet. This movie is hard to resist.
Engaging Performance by Diane Keaton
As anyone who has walked a mile or two knows, life is about choices and making decisions. And a lot of that has to do with realizing and setting priorities, because– as a wise person once said– You Can’t Have It All. It’s the lesson we all learn in our own way in our own time, according to our own personal situation, and director Charles Shyer examines one of them in his amiable comedy, “Baby Boom,” starring Diane Keaton.
J.C. Wiatt (Keaton) is a high-powered businesswoman on the fast track to success; she knows what she wants, has set her priorities, and a partnership in the firm for which she works is on the horizon. Her live-in significant other, Steven (Harold Ramis), is of a like mind-set, so they complement one another’s life style perfectly. Marriage and/or having children is in neither of their respective vocabularies. then one day, J.C. “inherits” a baby, the child of a distant relative (a cousin she’d met only once) who has been killed in a tragic accident, and suddenly, J.C.’s world is turned upside down. Keeping the baby is out of the question, of course. Or is it? For J.C., it just may not be as simple as it seems, initially. She’s been living life on her own terms, but now she is once again faced with choices, decisions and setting priorities. And along the way, she learns one of life’s most important lessons: The fact that the lesson never ends.
There’s some amusing moments and some insights to be gleaned from Shyer’s film, and overall it’s a pleasant, enjoyable experience. It is not, however, an entirely original idea, and Shyer laces it with stereotypes and cliches to boot. This is not necessarily a bad thing, though. If his characters are stereotypical, it’s because they reflect a certain realism. J.C.’s boss, Fritz Curtis (Sam Wanamaker), for instance, typifies the image of a dedicated, hard-core businessman whom you get the feeling has to consult his day planner to work in an appointment with his own family. A stereotype? Perhaps. A reflection of reality? Definitely. The same can be said for Sam Shepard’s character, Dr. Jeff Cooper, who personifies the general image of one in his situation. And again, it is a reflection of reality, stereotypical though it may be.
Even the cliches are handled in a way that makes them fresh enough to work within the context of the story, and be appreciated– especially by those in the audience who may have experienced any of the situations presented here. When J.C. fumbles with a diaper and becomes frustrated with her own inexperience and incompetence with such things, it’s cliche, but it also rings true-to-life. The important thing is, it’s all well presented and actually pretty funny stuff, even if it isn’t anything new.
Shyer wrote the screenplay, along with Nancy Meyers, and one angle they may have failed to cultivate fully has to do with Ken, the character played by James Spader. As J.C.’s in-house adversary, also striving to climb the corporate ladder, it may have been intrinsically more interesting had the character been a woman. The fact that Ken is a man, again, makes this particular situation fairly cliche; whereas a competitive conflict with another woman, considering J.C.’s predicament, would have expanded the avenues of possibility to a much greater extent, and certainly would have provided a more imaginative perspective.
The main reason the film works as well as it does, however, is because of the engaging performance by Diane Keaton. In J.C., she creates the antithesis of Annie Hall, but even at her most demanding there is a hint of vulnerability in J.C., a softness to that hard exterior edge she uses to shoulder her way through the business world. Keaton gives you a real sense of the conflict she’s experiencing, and though it’s lightheartedly rendered for the most part, you understand the underlying seriousness of it all. And the scene in which she vents her frustrations and bares her soul to Dr. Cooper is classic. Keaton’s work is without question the highlight of the film, and what really brings it to life.
The supporting cast includes Pat Hingle (Hughes Larabee), Britt Leach (Verne), Kim Sebastian (Robin), Mary Gross) Charlotte, Patricia Estrin (Secretary)Victoria Jackson (Eve), Jane Elliot (Park Mom) and Linda Ellerbee (Narrator). An upbeat, entertaining film, “Baby Boom” may not be particularly memorable, but it does provide some laughs, and at the same time says something about the value of being given the opportunity to question the things we “think” we want. Kind of like saying “Never say never.” After all, who can say with any certainty where destiny may lead any of us? It’s something a film like this may make you consider, inbetween the chuckles. It’s the magic of the movies.