Archive for the ‘30 Rock: Season 2’ Category
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Watching 30 ROCK during its second season was a completely exhilarating experience. It had in its rookie year snappily established itself as the funniest present on TV, but during its sophomore campaign the writing and acting got sharper and sharper with each episode. Next to ARRESTED DEVELOPMENT, I honestly enjoy that this is the funniest American comedy series ever.
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Most comedy shows, when the writers accumulate a comic joke or notion, they massage it and call attention to it, perhaps even taking a stay to allow everyone to eye and like it. Not 30 ROCK. The jokes fair tumbled out and sometimes they were only there if you looked hard for them. The humor came in waves, in layers. For instance, in one episode Jack Donaghy (Alec Baldwin) is watching Celeste Cunningham (Edie Falco), with whom he has unbiased had a passionate romantic encounter, acquire interviewed on a news network. The main point in the scene is that the right-wing Republican Jack is frightened to learn that his flame is a left-wing Democrat, but if you peruse very carefully at the ticker tape along the bottom of the TV shroud, you will behold the words “Anne Heche leaves husband for pony” scroll across. And shot after shot during the season features in-jokes concerning the Shinehardt Wig Company (“NOT Polluting Rivers since 1997″), which somehow manages to be the parent company for GE. This is not to say that the main jokes aren’t tremendous as well (I mean, unprejudiced how humorous is the belief of the unfounded reality series MILF ISLAND? ) . The key point is that it isn’t impartial that they jokes are plentiful and unrelenting; they are Apt. It is humor with an edge, but it is never less than shimmering.
This year Alec Baldwin will almost certainly net what should have been his second Emmy for Best Actor in a Comedy series. Last year news broke about an abusive message he left on his daughter’s phone mail service. It unquestionably cost him the Emmy he deserved. But there is simply no seek information from that he is the most outstanding lead actor on a comedy series today. And Tina Fey not only matches him scene for scene in her self-effacing portrayal of GIRLIE Display head writer Liz Lemon, but gets additional major kudos for serving as head writer on the exhibit itself. The two of them are backed by a deep and talented cast, from Tracy Morgan in his inspired role as the literally insane Tracy Jordan to Jack McBrayer in his scene stealing role as Kenneth the page (I would worship to view him fetch an Emmy nomination) . And in addition to the regular cast there was an endless string of extraordinary guest appearances, including return visits from Dean Winters as Liz’s plain (but very, very amusing) ex-boyfriend Dennis and Will Arnett as Jack’s company rival Devon Banks. But there were some mountainous one-time guest appearances as well, perhaps none as appetizing as Tim Conway’s portrayal of a TV old who shatters all of Kenneth’s illusions about the Golden Age of TV. Oddly enough, the one guest appearance that misfired was that by Jerry Seinfeld. It was as if the demonstrate ceased doing what makes it so intellectual to accommodate Jerry’s guest status.
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The lone mystery about 30 ROCK is why it doesn’t attract a larger audience. I won’t name names, but there are hosts of truly lousy series that net far larger audiences than 30 ROCK. This present gets the vital acclaim and wins the awards, but it simply doesn’t pull in the mammoth ratings. This distresses me. It makes me wonder if America is clueless about expansive comedy. I don’t obtain it. Never have and perhaps never will. But trust me: this is as intelligent, as comical as TV can pick up.
Season 1 of “30 Rock” was a landmark of television, if you ask me. Finally a sitcom that was modern, refreshing, and, most of all, hilarious. When Season 2 began, my expectations were high. To say that my expectations were surpassed would be an understatement of substantial proportions.
Whereas the plotlines and randomly vanishing characters (any one of Rachel Dratch’s appearances??? ) in Season 1 were out of left-field in that funny-but-almost-too-random kind of scheme, Season 2 was a different kind of animal.
“30 Rock” season 2 came from left-field, but this time, it pulled you over there with it. In the beginning, it held onto some of the pitfalls of Season 1 (i.e., Where was Jenna half the time??? ), but as episodes aired, the ensemble and the writing both grew into something mighty greater and more tantalizing than Season 1 ever reached.
Even as many shows suffocated and failed the hiatus the writer’s strike brought, “30 Rock” seemed immune. In fact, I would be so intrepid as to suggest the fracture fueled the creativity. Either those last handful of episodes were pure, unadulterated brilliance, or I was honest desperate for more “30 Rock” after their lengthy sabbatical.
Some shiny moments in Season 2: Carrie Fisher as a crazy ex-writer, EVERYTHING intriguing the Devon (Will Arnett) vs. Jack rivalry (including the Don Geiss coma), Jack’s job at Homeland Security (can you say, “contented bomb”? ), & Kenneth’s House Party AND a special appearance by Al Gore satiring himself (“A whale is in effort!”) in one episode? Oh HECK yeah.
All in all, “30 Rock”‘s sophomore season was a radiant explain that proved that comedy can be even better the second time around.
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